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Kilchenmann Marc

(18. 06. 1970)

Kilchenmann Marc
Kilchenmann Marc
Quartierhof 3
CH-3013 Bern (BE)
Schweiz

Tel: +41 78 848 75 89

 

Genre: Classical Music
Professional activity: Composers, Interpreters, Authors
Biography
* 18. 06. 1970.

Born in Berne, Marc Kilchenmann studied the bassoon under the tutelage of Ingo Becker and Eckart Hübner, and graduated with a soloist's diploma in 1998. He then completed 'with distinction' a course in composition and chamber music under Urs Peter Schneider in 1995/6. Kilchenmann studied further at the Muikakademie Basel, where he graduated with a soloist's diploma, also 'with distinction'. In addition to his orchestral commitments (solo bassoonist with the basel sinfonietta and substitute player for the Berne Symphony Orchestra, he also makes regular solo appearances and performs in various chamber music ensembles (Ensemble Antipodes, Orpheus Quintett). Kilchenmann has worked on numerous world premiere performances as a soloist and as a chamber musician. He is the co-founder of aart verlag zürich, from where his complete works can be ordered.

Work list

Genau so si mir (1991-1992)

Instrumentation: for soprano, piano and electronic tape

Texts: Oliviero Pettenati

Based on twelve letters to the editor and a response from Oliviero Pettenati. The soprano part is extremely demanding.

aart verlag
Dammweg 41
CH-3013 Bern
Schweiz
info@aart-verlag.ch
www.aart-verlag.ch/
Bland (1992-1993)

Instrumentation: for double-bass solo

Duration: 10' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 16.80
Depression oder vom Absinken unter einen Normalwert (1993)

Instrumentation: for piano solo

Urs Peter Schneider produced this piece for a composed programme bearing the same title. It offers the interpreter numerous opportunities to develop freely.

Duration: 3' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 9.00
Manie - oder von der Tröstlichkeit eines Volksliedes (1993-1995)

Instrumentation: for twenty-two string instruments

Duration: 3' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 18.00
Angebetete Bergwelt (1994)

Instrumentation: for a pianist (piano, large drum and voice)

Duration: 4' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 14.40
Nous ne serons plus jamais seul (1994)
Concept piece

Instrumentation: for a minimum of ten people

Duration: var.

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 9.00
Larghetto (1995)

Instrumentation: for melodic instrument

A female face as a graphic score. This piece can be played on any melody instrument with a range of 3 1/2 octaves, it can even be sung.

Duration: var.
aart verlag
Dammweg 41
CH-3013 Bern
Schweiz
info@aart-verlag.ch
www.aart-verlag.ch/
Divertimento barbaro (1995)

Instrumentation: for violin, viola and electronic tape

Duration: 8' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 21.00
La perte de la patience - oder "Von der Notwendigkeit wieder Camus zu lesen" (1998-2000)

Instrumentation: for diverse instrumentation

‘La perte de la patience’ is a cycle of eleven pieces that can be performed individually or in any one of forty-one combinations. If any of the combinations are performed then a separate room for each ensemble is required.
Solo for violoncello (5’)
Quintet for oboe, bass flute, bassoon and horn (7’)
Undixtor for three violins, three violas, three violoncelli, bass clarinet and contrabassoon (17’)
Septet No. 1 for violin, viola, violoncello, bass clarinet, horn, double-bass and contrabassoon (1’)
Septet No. 2 for violin, viola, violoncello, bass clarinet, bassoon, horn and double-bass (13’)
Septet No. 3 for violin, viola, violoncello, bass clarinet, horn, double-bass and contrabassoon (23’)
Trio No. 1 for oboe, bass clarinet and bassoon (2’)
Trio No. 2 for violin, viola and violoncello (3’)
Trio No. 3 for bass flute, bass clarinet and horn
Trio No. 4 for three violoncelli (19’)
Trio No. 5 for soprano saxophone, bass clarinet and contrabassoon (29’)


Duration: 1' 00"
aart verlag
Dammweg 41
CH-3013 Bern
Schweiz
info@aart-verlag.ch
www.aart-verlag.ch/
Vertrautheitsselig auf Eis (2001)

Instrumentation: for piano and 1/16 tone piano (1 player)

Duration: 8' 00"-20' 00"
Manuscript
Von der traurigen Gestalt (2002)

Instrumentation: for contrabassoon solo with video images

Duration: 3' 00"
Manuscript
Go (2004)
Conceptual piece

Instrumentation: for 19 noises

Duration: variabel
Manuscript
pneuma (2007)
A conceptual piece after Anaximenes

Instrumentation: for realisation with sound storage medium

Duration: 8'- unendlich
Manuscript
aer ( ) (2007)
A piece after Anaximenes

Instrumentation: for 4 wind instruments (1 very deep, 1 deep, 1 high, 1 very high ad lib.)

Duration: 8'- unendlich
Manuscript
ideai (2008-2015)
Ein Stück nach Demokritos

Instrumentation: obligates Klavier und 1-7 Tasteninstrumente ad lib.

Duration: Dauer 8' - unendlich
Manuscript
ANNA SEGHERS – TETRALOGIE (2009-2013)
nach Anna Seghers' Roman "Das Siebte Kreuz"

Instrumentation: für (Travers)flöte und Streichquartett

Duration: 20' 00"
Manuscript
Jeder neue Schritt ist immer nur der zweitletzte (2009-2013)
ANNA SEGHERS – TETRALOGIE Nr. 1

Instrumentation: Streichquartett

Duration: 7' 00"
Manuscript
Jetzt zusammen sein, in welcher Hölle immer (2009-2013)
ANNA SEGHERS – TETRALOGIE Nr. 2

Instrumentation: für (Travers)flöte und Streichquartett

Duration: 5' 30"
Manuscript
An ihm war nichts richtig, aber sein Blick war richtig (2009-2013)
ANNA SEGHERS – TETRALOGIE Nr. 3

Instrumentation: für (Travers)flöte und Streichquartett

Duration: 5' 30"
Manuscript
Unter der gleichen Gefahr, im gleichen kühlen Wind (2009-2013)
ANNA SEGHERS – TETRALOGIE Nr. 4

Instrumentation: für (Travers)flöte und Streichquartett

Duration: 5' 30"
Manuscript
egregoros (2011-2012)
A piece after Eraklitos

Instrumentation: for Hammond organ, e-bass and percussion or 1 Hammond organ, 3 e-double bass and 2-8 wind instruments ad libitum

Duration: 8' 00"
Manuscript
katheudon (2012)
A conceptual piece based on Eraklitos

Instrumentation: for sound storage medium

Duration: 8' 00"
Manuscript
Plan vom 8.3.1961 (2012)
Based on a graphic score by Hermann Meier

Instrumentation: for octet (cl, hn, bn/2vn, va, vc, db)

Duration: 10' 00"
Manuscript
Plan vom 23.12.1962 (2012)
Based on a graphic score by Hermann Meier

Instrumentation: for ensemble (fl, ob, cl, bn/hn/2vn, va, vc, db)

Duration: 10' 00"
Manuscript
Plan 1976 (2012)
Based on a graphic score by Hermann Meier

Instrumentation: for Hammond organ, e-double bass, percussion, 2 clarinets, 2 saxophones, 2 trumpets and 2 trombones

Duration: 8' 00"
Manuscript
Den Bach runter (2012-2013)

Instrumentation: Fassung für Hammond, E-Bass und Percussion

Duration: Dauer variabel
Manuscript
auf schiefen ebenen (2012-2013)
47 aktionsfolgen für rollende, torkelnde oder rutschende gegenstände nach franz josef czernins "die kunst des sonetts, 3.teil"

Duration: Dauer variabel
Manuscript
apeiron (2015-2016)
Ein Stück nach Anaximandros

Instrumentation: für Timpani und drei bis fünf Gruppen von Klangerzeugern ad lib.

Duration: Dauer 8' - unendlich
Manuscript
mixioz (2017-2018)
Ein Stück nach Parmenides

Instrumentation: für zwei PerformerInnen an Abspielgeräten sowie sechs PerformerInnen an Abspielgeräten und vier PerformerInnen an Übertragungsgeräten ad lib.

Duration: Dauer 8' - unendlich
Manuscript
Discography
Wandmusik (dbwaves)
Interpreters:
Ronner, Petra
Wirth, Stefan
Blum, Dominik
Kordzaia, Tamriko
Chitadze, Tamara
Meier, Philipp
Rütti, Rafael
Works:
Meier, Hermann: Klangflächengefüge oder Wandmusik für Hans Oesch (HMV 75) (1970-1971)
Meier, Hermann: Grosse Wand ohne Bilder für Klavier, Cembalo und elektrische Orgel je vierhändig (HMV 100) (1988-1989)
Kilchenmann, Marc: ideai (2008-2015)
With more works of: Herman van San
Bibliography
Kilchenmann, Marc: Alles ist Uebergangslos und hart. Ein Ueberblick über das kompositorische Schaffen von Hermann Meier, in: Dissonanz 108 (2009), S. 13-23
Möller, Torsten: Soziale Kontrapunkte. Der Komponist Marc Kilchenmann, in: Dissonanz 123 (2013), S. 38-41 [Internet]
Ensembles


Last updated: 2022-03-11 21:14:30