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Works by Arthur Honegger:
Introduction et danse, H. 217
for fl, hp (or piano ad lib.), vn. va, vc
Date unknown (1930s or 40s)
Duration: 4' 40"
Editions Durand-Salabert-Eschig
Chevauchée, H. 218
for orchestra (1.1.1.1.sx/0.1.2.0/fielddm.bassdm/pf/str)
Duration: 1' 50"
Österreichische Nationalbibliothek
Vivace, H. 220
Dance
for orchestra (1.1.2.2/2.0.0.0/timp/str)
Duration: 3' 30"
Editions Durand-Salabert-Eschig
Allegretto, H. 221
for orchestra (1.1.ca.1.1/0.2.0.0/str)
Duration: 1' 55"
Editions Durand-Salabert-Eschig
Six sonates, H. VI (1908)
for piano and violin
1. Sonata N° 1 in C Minor (14'25'')
2. Sonata N° 2 in F Major (13'20'')
3. Sonata N° 3 in C Minor (22'35'')
4. Sonata N° 4 in H Minor (17'15'')
5. Sonata N° 5 in A Minor (12'30'')
6. Sonata N° 6 in G Major (12'25'')
Bibliothèque nationale de France
Three Pieces, H. 1 (1909-1910)
for piano
1. Scherzo
2. Humoreske
3. Adagio espressivo
Duration: 8' 00"
Manuscript
Interpreters: Charles Dobler
Sonate en ré mineur, H. 3 (1912)
"N° Zéro"
for violin and piano
Duration: 25' 00"
Paul Sacher Stiftung
Interpreters: Christoph Keller Simone Keller
Quatuor à cordes n° 1 en ut mineur, H. 15 (1913-1917)
for string quartet
Duration: 25' 00"
Editions Durand-Salabert-Eschig
Trio in F Minor, H. 6 (1914)
for violin, violoncello and piano
Duration: 6' 00"
Editions Durand-Salabert-Eschig
Quatre Poèmes, H. 7 (1914-1916)
for medium voice and piano
1. Sur le Basalte (André Fontainas)
2. Petite Chapelle (Jules Laforgue)
3. Pière (Francis Jammes)
4. La mort passe (Archag Tchobanian)
Duration: 9' 30"
Chester Edition
Three Pieces, H. 23 (1915-1919)
for piano
1. Prelude
2. Hommage to Ravel
3. Dance
Duration: 7' 00"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Six Poèmes d'Apollinaire, H. 12 (1915-1917)
for voice and piano
Texts: Guillaume Apollinaire
1. A la Santé
2. Clotilde
3. Automne
4. Saltimbanques
5. L'Adieu
6. Les Cloches
Duration: 8' 00"
Editions Durand-Salabert-Eschig
Toccata and Variations, H. 8 (1916)
for piano
Duration: 12' 00"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Première sonate en ut dièse mineur, H. 17 (1916-1918)
for violin and piano
Duration: 19' 00"
Editions Durand-Salabert-Eschig
Interpreters: Laurence Maria Speglitz
Prélude pour Aglavaine et Sélysette, H. 10 (1916-1917)
for orchestra (1.1.2.2/2.1.0.0/str)
Duration: 6' 45"
Editions Durand-Salabert-Eschig
Three Peoms by Paul Fort, H. 9 (1916)
for voice and piano
Texts: Paul Fort
1. Le chasseur perdu en forêt
2. Cloche du soir
3. Chanson de fol
Duration: 7' 00"
Editions Durand-Salabert-Eschig
Fugue et choral, H. 14 (1917)
for organ
Duration: 6' 00"
Chester Edition
Rapsodie en fa majeur, H. 13 (1917)
for two flutes, clarinet and piano (or: two violins, viola and piano)
In july 1947 Honegger wrote for his students from Tanglewood an arrangment for flute, oboe, clarinet and piano.
Duration: 9' 00"
Editions Durand-Salabert-Eschig
Le Chant de Nigamon, H. 16 (1917)
for orchestra (3(pic).3(ca).2.3(cbn)/4.2.3.1/timp.tri.cym.bassdm/str)
Duration: 9' 50"
Editions Durand-Salabert-Eschig
Nature morte, H. 11 (1917)
for voice and piano
Texts: Fritz [?] Vanderpyl
Duration: 1' 00"
Editions Durand-Salabert-Eschig
Le Dit des Jeux du Monde, H. 19 (1918)
for ensemble (fl(pic)/tpt/4perc(tri.timp.bassdm.cym.dm.bouteillophone)/str)
Duration: 45' 20"
Editions Durand-Salabert-Eschig
Cantique de Pâques, H. 18 (1918-1922)
for soprano, mezzo-soprano, alto, female choir (SMezA) and orchestra (2.2.2.2/2.2.0.0/cel.hp/str)
Texts: Arthur Honegger
Duration: 7' 00"
Editions Durand-Salabert-Eschig
Interpreters: Alois Koch Liliane Zürcher
La Mort de Sainte Alméenne, H. 20 (1918)
for voices and orchestra (1.1.2.2/2.0.0.0/str)
Texts: Max Jacob
People:
Saint Alméenne (S)
The angel (S)
The sister (Mez)
The young man (Bar)
Duration: 36' 55"
Manuscript
Sept pièces brèves, H. 25 (1919-1920)
for piano
Duration: 6' 00"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler Hanny Schmid Wyss
Deuxième sonate en si, H. 24 (1919)
for violin and piano
Duration: 13' 00"
Editions Durand-Salabert-Eschig
Musiques (pièces) d'ameublement, H. 22 (1919)
for flute, clarinet, trumpet, string quartet, piano
Manuscript
Sarabande, H. 26 (1920)
for piano
Extract from "l'Album des Six".
Duration: 1' 20"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Sonata, H. 28 (1920)
for viola and piano
Duration: 14' 30"
Editions Durand-Salabert-Eschig
Interpreters: Christoph Keller Simone Keller
Sonatine en sol majeur, H. 29 (1920)
for two violins
Duration: 7' 50"
Editions Durand-Salabert-Eschig
Sonate en ré mineur, H. 32 (1920)
for viloncello and piano
Duration: 14' 40"
Editions Durand-Salabert-Eschig
Interpreters: Simone Keller
Hymne en si mineur, H. 33 (1920)
for string dixtuor (4vn.2va.2vc.2db)
Original formation:
Sursoprano in high f, violin, mezzo-soprano, alto, contralto, tenor, baritone, violoncello, double bass in g, double-bass.
Duration: 7' 35"
Editions Durand-Salabert-Eschig
Cadence pour le "Cinéma-Fantaisie", H. 36 (1920)
for solo violin
After 'Le Boeuf sur le toit' by Darius Milhaud.
Duration: 2' 00"
Editions Durand-Salabert-Eschig
Pastoral d'été, H. 31 (1920)
for orchestra (1.1.1.1/1.0.0.0/str)
Duration: 7' 45"
Editions Durand-Salabert-Eschig
Interpreters: Urs Schneider Olivier Cuendet Simon Gaudenz Klavierduo Adrienne Soós und Ivo Haag Duo Sforzando
Interlude for "La Mort de Sainte Alméenne", H. 20 A (1920)
for orchestra (1.1.2.2/2.1.0.0/str)
Duration: 5' 00"
Editions Durand-Salabert-Eschig
Horace victorieux, H. 38 (1920-1921)
Mimed symphony
for orchestra (3(pic).3(ca).3(bcl).3(cbn)/4.3.3.1/timp.tam.cymb.bassdm.tamb.rattle/hp/str)
Duration: 18' 00"
Editions Durand-Salabert-Eschig
Pâques à New-York, H. 30 (1920)
Three fragments extracted from 'Les Pâques à New-York'
for mezzo-soprano and string quartet
Texts: Blaise Cendrars
Duration: 5' 30"
Carl Fischer
Interpreters: Quatuor Sine Nomine
Six Poésies de Jean Cocteau, H. 51 (1920-1923)
for voice and piano
Texts: Jean Cocteau
1. Le Nègre
2. Locutions
3. Souvenirs d'Enfance
4. Ex-Voto
5. Une danseuse
6. Madame
Duration: 5' 15"
Editions Durand-Salabert-Eschig
La nuit est si profonde, H. 222 (1920)
for voice and orchestra (2.2.2.2/0.0.0.0/str)
Texts: Texte d'auteur inconnu
Duration: 3' 00"
Manuscript
Vérité? Mensonge?, H. 34 (1920)
Puppet ballet in 14 scenes by André Hellé
for flute, clarinet, bassoon, two violins, viola, violoncello and double-bass
Manuscript
Le cahier romand, H. 52 (1921-1923)
for piano
Duration: 5' 40"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Sonatine, H. 42 (1921-1922)
for clarinet in A and piano (or for violoncello and piano)
Duration: 6' 30"
Editions Durand-Salabert-Eschig
Interpreters: Fabio Di Càsola
Danse de la chèvre, H. 39 (1921)
for flute solo
Duration: 3' 20"
Editions Durand-Salabert-Eschig
Interpreters: Ensemble "Polysono"
La Noce massacrée, H. 35 (1921)
Funeral march for "Les Mariés de la Tour Eiffel"
for orchestra (2.2.2.2(cbn)/2.2.3.1/dm.tam. muffleddm.cym.bassdm/strings)
Duration: 3' 40"
Editions Durand-Salabert-Eschig
Le Roi David, H. 37 A (1921)
First version (biblical drama)
for numerous speaking roles (actors), soprano, contralto, tenor, choir (SATB), male choir and orchestra (2(pic).1(ca).2(bcl).1/1.2.1.0/timp.cym.dm.bassdm.gong.tamb/cel.pf.hmn/db(vc ad lib.))
Texts: René Morax
Duration: 57' 00"
Bibliothèque nationale de France
Interpreters: Alois Koch Bernardo Grossenbacher
Le Roi David, H. 37 B (1921)
Second version (oratorio)
for numerous speaking roles (actors), soprano, contralto, tenor, choir (SATB), male choir and orchestra (2(pic).1(ca).2(bcl).1/1.2.1.0/timp.cym.dm.bassdm.gong.tamb/cel.pf.hmn/db(vc ad lib.))
Texts: René Morax
Duration: 57' 00"
Editions Foetisch Frères SA
Skating Rink, H. 40 (1921-1922)
Choreographed symphony
for orchestra (2(pic).2(ca).2(bcl).2(cbn).asx/4.2.3.0/cym.bassdm/hp/str)
Ballet for roller skates by Ricciotto Canudo.
Duration: 18' 00"
Universal Edition
Petite pièce en sol, H. 213 (1922)
Very moderate
for piano
Duration: 1' 00"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Three Counterpoints, H. 43 (1922)
for small flute, oboe (English horn) violin and violoncello
Duration: 5' 50"
Edition Wilhelm Hansen
Interpreters: Klavierduo Adrienne Soós und Ivo Haag
Antigone, H. 45 (1922)
for oboe (English horn) and harp
Published in the supplement of 'Feuilles libres' 1 (1923).
Duration: 2' 00"
Editions Durand-Salabert-Eschig
Chant de joie, H. 47 (1922-1923)
for orchestra (3(pic).3(ca).3(bcl).3(cbn)/4.3.3.1/cym.bassdm/hp/cel/str)
Duration: 6' 15"
Editions Durand-Salabert-Eschig
Interpreters: Klavierduo Adrienne Soós und Ivo Haag
Fantasio, H. 46 (1922)
Sketch on three images
for orchestra (1.1.1.1/1.1.1.0/timp.cymb.bassdm/str)
Pantomime ballet by Georges Wague.
Duration: 10' 30"
Editions Durand-Salabert-Eschig
Saül, H. 41 (1922)
Theatre music
for trumpet, violoncello, percussion (cym.dm,bssdm) and piano
For the play by André Gide.
Manuscript
La Roue, H. 44 (1922)
Ouverture
for flute, clarinet, bassoon and strings
Music for the silent film by Abel Gance.
Duration: 3' 50"
Editions Durand-Salabert-Eschig
Pacific 2.3.1, H. 53 (1923)
Symphonic movement N°1
for orchestra (3(pic).3(ca).3(bcl).3(cbn)/4.3.3.1/tam.cym.fielddm.bassdm/str)
Duration: 6' 30"
Editions Durand-Salabert-Eschig
Interpreters: Urs Schneider Thierry Fischer
Prélude pour "La Tempête", H. 48 A (1923)
for orchestra (2(pic).2(ca).2(bcl).2(cbn)/4.2.3.1/tri.tam.cym.bassdm/str)
Duration: 6' 00"
Editions Durand-Salabert-Eschig
Interpreters: Thierry Fischer
Deux chants d'Ariel, H, 48 B (1923)
for soprano and orchestra (2.1.2.2/2.2.0.0/hp/cel/str)
Texts: William Shakespeare (Guy de Pourtalès)
From "La Tempête".
Duration: 3' 10"
Editions Durand-Salabert-Eschig
Chanson de Fagus, H. 50 (1923)
for soprano, mixed choir (SATB) and piano
Texts: Georges Faillet
Duration: 1' 30"
Editions Durand-Salabert-Eschig
Le Roi David, H. 37 C (1923)
Third version (for large orchestra)
for numerous speaking roles (actors), soprano, contralto, tenor, choir (SATB), male choir and orchestra (2(pic).1(ca).2(bcl).1/1.2.1.0/timp.cym.dm.bassdm.gong.tamb/cel.pf.hmn/db(vc ad lib.))
Texts: René Morax
Duration: 67' 00"
Editions Foetisch Frères SA
Interpreters: Liliane Zürcher
La Tempête, H. 48 (1923-1929)
Theater music
for orchestra (2.2.2.2/4.2.3.1/tri.tam.cym.bassdm/str) or (2(pic).2(ca).2(bcl).2/2.2.0.0/suspcym/hp.cel/str)
Texts: William Shakespeare (Guy de Pourtalès)
Duration: 23' 00"
Editions Durand-Salabert-Eschig
Liluli, H. 49 (1923)
for small flute, violoncello, piano, soprano, choir (high and low register)
Music for the play by Romain Rolland.
Duration: 2' 30"
Manuscript
Concertino, H. 55 (1924)
for piano and orchestra (2.2(ca).2(bcl).2/2.2.1.0/str)
Duration: 11' 25"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler Hanny Schmid Wyss
Chanson de Ronsard, H. 54 (1924)
for voice and piano
Texts: Pierre de Ronsard
Duration: 1' 30"
Editions Durand-Salabert-Eschig
Judith, H. 57 A (1924-1925)
First version (biblical drama)
for numerous speaking roles, amongst them Holophernes, soprano, mezzo-soprano, three soloists from the choir (STBar), mixed choir (SATB) and orchestra (2(pic).2(ca).2(bcl).2/2.2.2.0/tri.tam.cym.dm.bassdm/hca.2pf/str)
Texts: René Morax
People:
The servant (S)
Judith (Mez)
Three soloists from the choir (STBar)
Mixed choir
Duration: 30' 45"
Editions Durand-Salabert-Eschig
Antigone, H. 65 (1924-1927)
Musical tragedy in three acts
for voices, mixed choir and orchestra (3(pic).3(ca).3(bcl).3(cbn).asx/4.3.3.1/timp.cym.tam.saw[=ondesMartinot].sidedm.bassdm/hp/cel/str)
Texts: Jean Cocteau
People:
Ismène (S)
Antigone (Mez)
Eurydice (A)
Créon (T)
Hémon (Bar)
The guard (Bar)
Tirésias (B)
The messenger (B)
Experts (SATB)
Duration: 44' 10"
Editions Durand-Salabert-Eschig
Sous-Marine, H. 58 (1924-1925)
Mimed scene
for orchestra (2.2.2.2/4.0.0.0/cym/cel.hp/str)
Ballet by Carina Ari.
Duration: 9' 00"
Editions Durand-Salabert-Eschig
La neige sur Rome, H. 60 B (1925)
for piano
Transcription of the prelude of the second act (N° 7 of the complete partition) of "L'Impératrice aux Rochers".
Duration: 2' 50"
Editions Durand-Salabert-Eschig
Hommage du trombone exprimant la tristesse de l'auteur absent, H. 59 (1925)
for trombone and piano
Duration: 1' 10"
Editions Durand-Salabert-Eschig
Prélude et blues, H. 56 (1925)
for chromatic harp quartet
Manuscript
Suite from "L'Impératrice aux Rochers", H. 60 A (1925)
for orchestra (3(pic).3(ca).3(bcl).3(cbn)/4.3.3.1/cym.tam.tamb.bassdm/hp.cel/str)
Duration: 17' 00"
Editions Durand-Salabert-Eschig
Judith, H. 57 B (1925-1926)
Second version (opera seria)
for soprano, mezzo-soprano, baitone, bass, tenor, three soloists from the choir (STABar), mixed choir (SATB) and orchestra (2(pic).2(ca).2(bcl).2/2.2.2.0/tri.tam.cym.dm.bassdm/hmn.2pf/str)
Texts: René Morax
People:
The servant (S)
Judith (Mez)
Holophernes (Bar)
Ozias (B)
Bagoas (T)
A soldier
A sentinel
A voice from backstage
Duration: 55' 00"
Editions Durand-Salabert-Eschig
L'Impératrice aux Rochers, H. 60 (1925)
Music for theater
for soprano, mixed choir (SATB) and orchestra (3.3.3.3/4.3.3.1/timp.cym.tam.dm.bells.bassdm/hp.cel/str)
Texts: Saint Gerge de Bouhélier
For the drama in five scenes and a prologue "Un Miracle de Notre-Dame" ("L'Impératrice aux Rochers") by Saint George de Bouhélier.
Duration: 65' 00"
Editions Durand-Salabert-Eschig
Suite after 'Trois Conterpoints', H. 43 A (1926)
for four-handed piano
Duration: 5' 50"
Edition Wilhelm Hansen
Interpreters: Duo Sforzando
Suite from "Phaedre", H. 61 A (1926)
for orchestra (2(pic).2(ca).2.2/2.2.3.1/timp.cym/str)
Duration: 22' 00"
Editions Durand-Salabert-Eschig
Pour le Cantique de Salomon, H. 62 (1926)
for two flutes, two clarinets, trombone, gong and strings
Duration: 5' 10"-12' 00"
Manuscript
Three Songs from 'La Petite Sirène', H. 63 (1926)
for voice and piano or soprano, flute and string quartet
Texts: Hans Christian (René Morax)
1. Chanson des Sirènes
2. Berceuse de la Sirène
3. Chanson de la Poire
Duration: 2' 40"
Editions Durand-Salabert-Eschig
Phaedre, H. 61 (1926)
Theatre music
for eight contraltos and orchestra (2(pic).2(ca).2.2/2.2.3.1/timp.cym/str)
Texts: Gabriele d'Annunzio (André Doderet)
Duration: 27' 00"
Editions Durand-Salabert-Eschig
Napoléon, H. 64 (1926-1927)
for orchestra (2.2.2.2/2.3.3.1/timp.perc(tri.tam.cym.dm.bassdm)/str)
Music for the silent film by Abel Gance.
Duration: 21' 00"
Editions Durand-Salabert-Eschig
Judith, H. 57 C (1927)
Third version (musical action)
for narrator, soprano, mezzo-soprano, three soloists from the choir (STBar), mixed choir (SATB) and orchestra (2(pic).2(ca).2(bcl).2/2.2.2.0/tri.tam.cym.dm.bassdm/hmn.2pf/str)
Texts: René Morax
People:
Narrator
The servant (S)
Judith (Mez)
Three soloists from the choir (STBar)
Mixed choir
Duration: 47' 00"
Editions Durand-Salabert-Eschig
Les noces d'Amour et de Psyché, H. 68 (1927-1928)
for orchestra (3.3.3.3.2sx/4.3.3.1/timp.bassdm/hp.cel/str)
Ballet by Ida Rubinstein. Music by Johann-Sebastian Bach orchestrated by Arthur Honegger.
Duration: 45' 00"
Universal Edition
Hommage à Albert Roussel, H. 69 (1928)
for piano
Duration: 1' 30"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Arioso, H. 214 (1928)
for violin and piano
Duration: 2' 15"
Editions Durand-Salabert-Eschig
Rugby, H. 67 (1928)
Symphonic movement N° 2
for orchestra (3(pic)3(ca).3(bcl).3(cbn)/4.3.3.1/str)
Duration: 7' 45"
Editions Durand-Salabert-Eschig
Blues de Roses de Métal, H. 66 A (1928)
for orchestra (1.1.1.1/1.1.0.0/str)
Duration: 2' 10"
Editions Durand-Salabert-Eschig
Suite by Johann-Sebastian Bach, H. 68 A (1928)
from "Noces d'Amour et de Psyché"
for orchestra (2.2(ca).2(bcl, ssx).2/4.3.0.0/cel.hp/str)
Duration: 11' 30"
Universal Edition
Prelude and Fugue in C major by J.-S. Bach, H. 68 B (1928)
From 'Noces d'Amour et de Psyché'
for orchestra (3.3.3.3.ssx.asx/4.3.3.1/bassdm/str)
Duration: 5' 45"
Universal Edition
Roses de Métal, H. 66 (1928)
Ballet in one act
for three dynaphones, piano and percussion instruments
The dynaphone was invented by René Bertrand.
Manuscript
Suite, H. 60 C (1929)
Partita
for two pianos
After 'L'Impératrice aux Rochers'.
Duration: 12' 00"
Manuscript
Berceuses pour la Bobcisco, H. 73 (1929)
for violin, flute (or second violin), trumpet (or viola), violoncello and piano
Duration: ' 30"
Manuscript
J'avais un fidèle amant, H. 74 (1929)
for string quartet
Duration: 2' 40"
Manuscript
Symphony N° 1 in C, H. 75 (1929-1930)
for orchestra (pic.2.2.ca.2.bcl.2.cbn/4.3.3.1/tam.bassdm/str)
Duration: 21' 25"
Editions Durand-Salabert-Eschig
Interpreters: Thierry Fischer
Concerto in C major, H. 72 (1929)
for violoncello and orchestra (2.2.2.bcl.2/2.2.0.1/timp/cym.tri/str)
Duration: 15' 30"-16' 45"
Editions Durand-Salabert-Eschig
Vocalise-Etude, H. 70 (1929)
for medium voice and piano
Duration: 1' 40"
Edition Alphonse Leduc
Les Aventures du Roi Pausole, H. 76 (1929-1930)
Operetta in three acts
for voices, ballet, mixed choir (SATB) and orchestra (1.1.1.1.sx/1.1.1.0/timp.tri.cym.suspcym.dm.sleighbells.gong.bassdm.castanets.woodblock/pf.cel/str)
Texts: Pierre Louÿs (Albert Willemetz)
Duration: 73' 35"
Editions Durand-Salabert-Eschig
Interpreters: Fritz Näf Simon Gaudenz
Amphion, H. 71 (1929)
Melodrama
for recitative, baritone, four female voices, mixed choir (SATB) and orchestra (3.3.3.3.asx/4.3.3.1/timp.xyl.tri.cym.tam.smalldm.castagnettes.bassdm/hp.cel/str)
Texts: Paul Valéry
Duration: 37' 00"
Editions Durand-Salabert-Eschig
Suite, H. 76 A (1930-1931)
for piano
After 'Les Aventures du Roi Pausole'.
Duration: 12' 00"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Colloque, H. 216 (1930)
for flute, celesta, violin and viola
Date unknown (1930s or 40s).
Duration: 2' 15"
Manuscript
Cris du monde, H. 77 (1930-1931)
Oratorio
for soprano, contralto, baritone, mixed choir (SATB) and orchestra (3(pic).3(ca).3(bcl).3(bcn)/4.3.3.1/tri.tam.cym.tamb.bassdm.woodblock/pf/str)
Texts: René Bizet
Duration: 51' 00"
Editions Durand-Salabert-Eschig
La Belle de Moudon, H. 78 (1931)
operetta in five scenes
for speaking roles and voices, childrens choir, mixed choir (SATB), and orchestra (ssx.asx.tsx/2cornet a piston.2tpt.2tbn.3bgl.5saxhorn/dm.cym.bassdm/2pf)
Texts: René Morax
Violin solo in Nr 8.
Duration: 42' 15"
Editions Foetisch Frères SA
Prélude, Arioso, Fughette sur le nom de Bach, H. 81 (1932)
for piano
Duration: 6' 10"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Sonatine en mi mineur, H. 80 (1932)
for violin and viloncello
Duration: 15' 10"
Editions Durand-Salabert-Eschig
Interpreters: Duo Daria und Mattia Zappa
Prélude, H. 79 (1932)
for double-bass and piano
Duration: 5' 00"
Manuscript
Mouvement symphonique n° 3, H. 83 (1932-1933)
for orchestra (3(pic).3(ca).2(bcl).3(cbn).asx/4.3.3.1/tam.cym.bassdm/str)
Duration: 9' 40"
Editions Durand-Salabert-Eschig
Le Grand Etang, H. 82 (1932)
Song of the 15th century
for voice and piano
Texts: Jean Tranchant
Duration: 1' 45"
Manuscript
Sémiramis, H. 85 (1933-1934)
Melodrama in three acts and two interludes
for narrator (Sémiramis), soprano, two tenors, two basses, mixed choir scored for five voices (SMezzoATB) and orchestra (3.3.4.3.sx/4.3.3.1/timp.suspcym.tam.dm.block.bassdm/hp.pf.cel.2ondes Martinot/str)
Texts: Paul Valéry
A ballet-melodrama by Paul Valéry.
Duration: 55' 00"
Editions Durand-Salabert-Eschig
Les Douze Coups de Minuit, H. 84 (1933)
Radio mystery
for mixed choir (SATB), harp, four-handed piano, organ, timpani, percussion (triangle, tam tam, drum, bass drum, woodblock)
Texts: Carlos Larronde
Manuscript
Les Misérables, H. 88 (1933-1934)
for orchestra (1.1.2.1/1.1.1.0/perc(suspcym.bassdm.dm)/hp.pf/str(without db))
Music for the trilogy (3 films) by Raymond Bernard.
Duration: 60' 00"
Editions Durand-Salabert-Eschig
Quatuor à cordes n° 2 en ré, H. 102 (1934-1936)
for string quartet
Duration: 18' 45"
Editions Durand-Salabert-Eschig
Petite suite, H. 89 (1934)
for two melodic instruments ad libitum (flute or recorder, or oboe or clarinet, or trumpet, or violin) and piano
Duration: 4' 15"
Chant du monde
Three Songs from the Film 'Cessez le Feu', H. 90 A (1934)
for voice and piano
1. Chanson de l'Escadrille (Joseph Kessel)
2. Chanson du cul-de-jatte
3. Valse (Rengaine) de Lagasse (Bernard Zimmer)
Manuscript
Three Songs from the Film 'Le Démon de l'Himalaya, H. 93 A (1934-1935)
for voice and piano
Texts: Texte d'auteur inconnu
1. Chant de la Caravane
2. Les trois petits moutons
3. Le Cocu du désert
Manuscript
Rapt, H. 86 (1934)
for soprano and orchestra (1(pic).1(ca).1(bcl).1.asx/1.1.1.helicon/perc(cym.bassdm)/pf.hp.ondes Martinot.hmn/str)
Music for the film by Dimitri Kirsanov after 'La Séparation des Races' by C.F. Ramuz.
Duration: 12' 00"
Manuscript
L'Idée, H. 87 (1934)
for orchestra (1.0.1.1.asx/perc(cym.dm.woodblock.bassdm)/ondesMartinot/str)
Duration: 24' 00"
Manuscript
Cessez le Feu, H. 90 (1934)
Music for the film by Jacques de Baroncelli.
Duration: 15' 00"
Manuscript
Le Démon de l'Himalaya, H. 93 (1934-1935)
for orchestra (2.2.2.2.ssx.asx/0.3.3.0/perc(suspcym.tri.tam.tamb.2gong.bassdm)/hp.pf.cel.trautonium/str)
Music for the German film (UFA) by Andrew Marton.
Duration: 13' 00"
Manuscript
Berceuse pour le bal des petits lits blancs, H. 95 (1935)
for piano
Duration: 1' 00"
Manuscript
Interpreters: Charles Dobler
Radio-Panoramique, H. 92 (1935)
Symphonic movement
for soprano, tenor, mixed choir (SATB)(ad lib.) and orchestra (1.1.1.1.asx/1.1.1.0/timp.bassdm.cym.sidedm.fielddm/pf.org(ad lib.)/str)
Duration: 9' 00"
Manuscript
Fièvre jaune, H. 97 (1935)
The road to Mandalay
for voice and piano
Texts: Nino
Duration: 2' 30"
Editions Durand-Salabert-Eschig
Two songs from the film "L'Equipage (ou Celle que j'aime)", H. 98 A (1935)
for voice and piano
1. La Chanson de Lapin (Joseph Kessel)
2. Quand par hasard le noir cafard
Manuscript
Jeanne d'Arc au Bûcher, H. 99 (1935/44)
Dramatic oratorium
for speaking roles and voices, mixed choir (SATB), children's choir and orchestra (2(pic).2.3.(cl-e, bcl).4(cbn).3sx/0.4.4.0/timp.tam.cym.sidedm.dm.bassdm/cel.pf.ondesMartinot/str)
Texts: Paul Claudel
People:
Jeanne d'Arc
Friar Dominique
The virgin (S)
Marguerite (S)
Catherine (A)
Porcus (T)
Duration: 69' 30"
Editions Durand-Salabert-Eschig
Interpreters: Alois Koch Urs Schneider
Icare, H. 96 (1935)
Ballet based on rhythms by Serge Lifar
for percussion orchestra (18) and double-bass
Duration: 20' 45"
Manuscript
Crime et Châtiment, H. 94 (1935)
for orchestra (1.1.bcl.1.asx/0.1.1.0/perc(tri.cym.tam.tamb.bassdm)/ondesmartinot.pf.acn/str(without db)
Music for the film by Pierre Chenal.
Duration: 27' 00"
Manuscript
L'Equipage ou Celle que j'aime, H. 98 (1935)
for orchestra (pic.1.0.1.1.asx/0.2.2.0/pf/perc(cym.tam.dm) and strings (without db)
Music for the film by Anatole Litvak.
Duration: 14' 00"
Manuscript
Quatuor à cordes n° 3 en mi, H. 114 (1936-1937)
for string quartet
Duration: 16' 40"
Editions Durand-Salabert-Eschig
Interpreters: Quatuor Sine Nomine
Prélude, Arioso, Fughette sur le nom de Bach, H. 81 A (1936)
for string orchestra
Duration: 6' 30"
Editions Durand-Salabert-Eschig
Nocturne, H. 102 (1936)
for orchestra (3(pic).3(ca).3(bcl).sx/4.3(small in D and two in C).0.1/tri.cym.woodblock.sidedm.ratchet.dm.tamb/hp/str)
Duration: 8' 00"
Boosey & Hawkes
Largo, H. 105 (1936)
for string orchestra
Duration: 2' 30"
Editions Durand-Salabert-Eschig
Les mille et une Nuits, H. 107 (1936-1937)
for soprano, tenor and orchestra (2(pic).0.2(cl-e).2.3sx/0.3.3.0/perc(anvil.cym.battlerattle.sidedm.fielddm.tam.tri.woodblock)/hp.cel.4ondesMartinot/str(10.6.6.0))
Duration: 24' 00"
Editions Durand-Salabert-Eschig
Marche sur la Bastille, H. 104 (1936)
For the 14th of July
for orchestra (4.2.3.3.3sx/5.3.4.3/cym.fielddm.bassdm)
Duration: 5' 00"
Chant du monde
Two songs from the film "Les Mutinés de L'Elseneur", H. 100 A (1936)
for voice and piano
1. Du Whisky pour Jo (Nino)
2. "L'Elseneur" est un voilier à vaches (Robert Desnos)
Manuscript
Two songs from the film "Nitchvo (ou L'Agonie du Sous-Marin)", H. 106 A (1936)
for voice and piano
1. De l'Atlantique au Pacifique
2. Triste est mon coeur
Manuscript
L'Aiglon, H. 108 (1936-1937)
for voices, male choir and orchestra (2(pic).2.2.2/4.3.3.1/timp.tri.tam.cym.sidedm.fielddm.bassdm/hp/str)
Texts: Edmond Rostand (Henri Cain)
People:
The Duke of Reichstadt (S)
Thérèse (S)
Marie-Louise (S)
The Countess (S)
Fanny Elssler (Mez)
Gentz (T)
The Ambassador (T)
Flambeau (Bar)
Metternich (Bar)
Prokesch (Bar)
Marmont (B)
Duration: 90' 00"
Heugel SA
Le cantique des cantiques, H. 123 (1936-1937)
for contralto, baritone, mixed choir (SATB) and orchestra (3.1.3.1.2sx/0.4.4.1/timp.perc/pf.cel.ondesMartinot/violoncelli.doublebasses)
Texts: Gabriel Boissy
People:
Shulammite (A)
The shepard (T)
Salomon (Bar)
Music after rhythms by Serge Lifar.
Duration: 43' 30"
Edition Alphonse Leduc
Les Mutinés de L'Elseneur, H. 100 (1936)
for male voices and orchestra (pic.0.0.2.1.sx/2.2.1.0/perc(cym.tam.bassdm)/pf.acn/str(without db))
Music for the film by Pierre Chenal.
Duration: 21' 00"
Manuscript
Mayerling, H. 101 (1936)
for orchestra (2.2.2.2/2.2.3.1/timp.perc(tri.cym.tamb)/pf.org.cel/str)
Music for the film by Anatole Litvak.
Duration: 13' 00"
Manuscript
Nitchevo ou L'Agonie du sous-marin, H. 106 (1936)
for voice and orchestra (1(pic).0.1.0.asx.tsx.bsx/0.3.2.0/timp.perc(africantam.dm.firlddm.sidedm.tamb/pf/gtr/3vn.db)
Music for the film by Jacques de Baroncelli.
Duration: 25' 00"
Manuscript
Mademoiselle Docteur, H. 109 (1936-1937)
Spies from Salonika
for orchestra (1.1.1.asx.1/0.2.2.0/perc(cym.tri.tamb.castanets.darbouka.woodblock.bassdm)/pf.acn/str(without db))
Music for a film by G. W. Pabst.
Duration: 40' 00"
Manuscript
Scenic Railway, H. 115 (1937)
for piano
Duration: 1' 30"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Orgue dans l'eglise, H. 110 A (1937)
for organ
For the film 'Marthe Richard'.
Duration: 3' 35"
Editions Choudens
Tuet's Weh?, H. 118 (1937)
for voice and piano
Texts: Walter Lesch
Duration: 1' 30"
Manuscript
Jeunesse, H. 120 (1937)
for voice and piano (or orchestra) and unsisono choir
Texts: Paul Vaillant-Couturier
Duration: 3' 45"
Chant du monde
Armistice, H. 122 (1937)
for voice (choir unisono) and piano
Texts: René Kerdyk
Duration: 7' 00"
Manuscript
Three Songs by René Kerdyk, H. 127 (1937)
for voice and piano
Texts: René Kerdyk
1. On est heureux
2. Chanson de la route
3. Le Naturaliste
Duration: 9' 00"
Manuscript
Two songs from "La Construction d'une Cité", H. 119 A (1937)
for voice and piano
Texts: Jean-Richard Bloch
1. Chanson des Quatre
2. Chanson de l'Emigrant
Duration: 4' 30"
Editions Durand-Salabert-Eschig
Two songs from the film "Miarka, ou La Fille à l'ourse", H. 124 A (1937)
1. for voice and guitar 2. voice and orchestra (1.1.1.0.sx/0.2.2.0/tri.cymb/pf/str(without db)
Texts: Jean Richepin
1. Chanson de la Route
2. Chanson de l'eau
Duration: 3' 00"
Editions Durand-Salabert-Eschig
A song from the film "Les Bâtisseurs", H. 126 A (1937)
for male choir (TTBarB) and orchestra (1.1.1.1.sx/0.2.1.0/perc(tri.cym.dm.bassdm)/pf/str)
Texts: Robert Desnos
Duration: 4' 00"
Manuscript
Les Petites Cardinal, H. 128 (1937)
Operetta in two acts and ten scenes
for voices and speaking roles, choir (SATB) and orchestra (1.1.1.1.sx/1.1.1.0/perc/pf/str)
Texts: Albert Willemetz et Paul Brach après le roman de Ludovic Halévy
People:
Pauline
Virginie
Marguerite
The gossipmonger (S)
7 small roles in the Finaletto-Revue (S)
Mrs Cardinal (Mezzo)
Mr Cardinal (T)
Mr Pluque (T)
Jacques (T)
Mario (T)
the Marquis de Cavalcanti (T)
The director (T)
Faust (T)
Mr Durand/Rebuffat (T)
The gaffer (T)
Méphisto (B)
In collaboration with Jacques Ibert.
Duration: 35' 00"
Editions Choudens
Un oiseau blanc s'est envolé, H. 113 (1937)
Ballet
for orchestra (1.1.1.1.sx/0.2.1.0/suspcym/pf/str)
Duration: 11' 00"
Manuscript
Marthe Richard au service de la France, H. 110 (1937)
for orchestra (pic.1.1.1.1.asx/0.3.3.0/gtr/timp(ad lib.). perc(tri.tam.cym.fielddm.dm.bassdm)/pf.ondesMartinot.acn/str(without db))
Music for the film by Raymond Bernard.
Duration: 36' 00"
Editions Choudens
La Citadelle du Silence, H. 116 (1937)
for male choir and orchetstra (1.1.1.1.asx/3.3.3.0/helicon/perc(cym.bassdm.dm)/pf/str)
Music for the film by Marcel L'Herbier.
Duration: 17' 00"
Manuscript
Regain, H. 117 (1937)
for orchestra (1(pic).1(ca).1.1.asx/0.2.2.0/(perc(tam.cym.suscym.sleighbells.ratchet.tambourine.castanets.bells.bassdm)/str)
Music for the film by Marcel Pagnol.
Duration: 35' 00"
Manuscript
Regain, H. 117 A (1937)
Suite
for orchestra (1(pic).1(ca).1.1.asx/0.2.2.0/(perc(tam.cym.suscym.sleighbells.ratchet.tambourine.castanets.bells.bassdm)/str)
Duration: 14' 00"
Editions Durand-Salabert-Eschig
Visages de la France, H. 121 (1937)
for orchestra (1.1.1.1.asx/0.2.1.0/perc(tam.tri.cym.bassdm.dm.sidedm)/pf/str(without db))
Music for a short film by A. Vigeneau.
Duration: 20' 00"
Manuscript
Miarka ou La Fille à l'Ourse, H. 124 (1937)
Music for the film by Jean Choux.
Duration: 15' 00"
Editions Durand-Salabert-Eschig
Les Bâtisseurs, H. 126 (1937)
for male choir (TTBarB) and orchestra (1.1.1.1.asx/0.2.1.0/perc(tri.cym.bassdm.dm)/pf/str
Music for the documentary film by Jean Epstein, written in collaboration with Arthur Horérée.
Duration: 4' 00"
Manuscript
Hommage au Travail, H. 133 (1938)
for voice and piano
Texts: Maurice Senart
Duration: 2' 00"
Editions Durand-Salabert-Eschig
La Danse des Morts, H. 131 (1938)
Oratorio
for narrator, soprano, contralto, baritone, mixed choir (SATB) and orchestra (2(pic).2(ca).2.2/2.2.2.0/4timp.tri.tam.cym.dm.rattle.woodblock/pf.org/str)
Texts: Paul Claudel
Duration: 29' 35"
Editions Durand-Salabert-Eschig
Interpreters: Liliane Zürcher Bernardo Grossenbacher
Nicolas de Flue, H. 135 (1938-1939)
dramatic legend in three acts
for narrator and numerous speaking roles, mixed choir (SATB), children's choir and orchestra (2(pic).2(ca).2.2/2.3.3.1/timp.2perc/str)
Texts: Denis de Rougement
Duration: 65' 00"
Editions Foetisch Frères SA
Interpreters: Alois Koch
Passion de Selzach, H. 177 (1938-1944)
Selzach Passion Play
Texts: Cäsar von Arx
Manuscript
Pygmalion, H. 129 (1938)
for orchestra (1.1.1.1.asx/0.2.2.0/perc(xyl.tri.cymb.sidedm.tambourine.bassdm.woodblock)/str)
Music for the film by Antony Asquith and Leslie Howard.
Duration: 3' 20"
Manuscript
L'Or dans la Montagne or "Faux-Monnayeurs", H. 130 (1938)
for orchestra (1.1.1.1.asx/0.2.1.0/pf/perc(cym.bassdm)/str(without db)
Music for the film by Max Haufler.
Duration: 8' 30"
Manuscript
Possèdes-tu, pauvre pêcheur, H. 137 (1939)
for voice or unisono choir and piano or harmonium
Duration: ' 40"
Manuscript
Three Poems by Claudel, H. 138 (1939-1940)
for voice and piano
Texts: Paul Claudel
1. Sieste
2. Le Delphinium
3. Le Rendez-vous
Duration: 7' 30"
Editions Durand-Salabert-Eschig
O Salutaris, H. 136 A (1939)
for voice and piano (or harp) or voice and organ and piano or harp ad lib.
Extract from the film 'Cavalcade d'Amour'.
Duration: 1' 40"
Heugel SA
Le Déserteur or Je t'attendrai, H. 134 (1939)
for orchestra (1.1.1.1asx/0.2.1.0/perc(glock.xyl.tri.cym.didedm.bassdm)/2pf/str)
Music for the film by Léonide Moguy.
Duration: 39' 00"
Editions Durand-Salabert-Eschig
Partita, H. 139 (1940)
for two pianos
Duration: 10' 40"
Editions Durand-Salabert-Eschig
Interpreters: Klavierduo Adrienne Soós und Ivo Haag
Sonate en ré mineur, H. 143 (1940)
for violin alone
Duration: 12' 00"
Editions Durand-Salabert-Eschig
Symphony N° 2 in D, H. 153 (1940-1941)
for string orchestra (and trumpet ad lib.)
Duration: 25' 15"
Editions Durand-Salabert-Eschig
Interpreters: Urs Schneider Thierry Fischer Olivier Cuendet
Three Psalms, H. 144 (1940-1941)
for voice and piano
1. Psalm XXXIV (Théodore de Bèze)
2. Psalm CXL (Théodore de Bèze)
3. Psalm CXXXVIII (Clément Marot)
Duration: 5' 00"
Editions Durand-Salabert-Eschig
Quatre Chansons pour voix grave, H. 184 (1940-1945)
for voice and piano
1. La douceur de tes yeux (Archag Tchobanian)
2. Derrière Murcie en fleurs (William Aguet)
3. Un grand sommeil noir (Paul Verlaine)
4. La terre les eaux va bouvant (Pierre de Ronsard)
Duration: 4' 50"
Editions Durand-Salabert-Eschig
La naissance des couleurs, H. 142 (1940-1948)
Ballet
for soprano, mixed choir (SATB) and orchestra (2.2.2.2/4.3.3.1/timp.perc(tri.cym.tam.sidedm.fielddm.bassdm.castanets.woodblock.anvil.slapstick)/str)
Texts: René Morax
Duration: 33' 00"
Manuscript
Christophe Colomb, H. 140 (1940)
Radio play
diverse speaking roles, tenor solo, mixed choir (SATB), orchestra (1.1.2.1/2.3.2.0/timp.2perc/hp/str)
Texts: William Aguet
People:
the magician
Christopher Colombus
King Ferdinand
Queen Isabella
many small roles
Duration: 38' 00"
Editions Durand-Salabert-Eschig
Interpreters: Thierry Fischer
Petits Airs sur une basse célèbre, H. 145 (1941)
for piano
Duration: 11' 00"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
L'Ombre de la ravine, H. 147 (1941)
for flute, harp, two violins, viola and violoncello
Duration: 4' 45"
Editions Durand-Salabert-Eschig
Petit Cours de Morale, H. 148 (1941)
for voice and piano
Texts: Jean Giraudoux
1. Jeanne
2. Adèle
3. Cécile
4. Irène
5. Rosemonde
Duration: 3' 55"
Editions Durand-Salabert-Eschig
Saluste du Bartes, H. 152 (1941)
Six Villanelles
for voice and piano
Texts: Pierre Bédat de Monlaur
1. Bartas' Castle
2. Along the river Baïse
3. The departure
4. The promenade
5. Festivity in Nérac
6. Duo
Duration: 7' 00"
Henry Lemoine
Interpreters: Samuel Zünd
zz_import:279 (1941)
Theatre music
for flute, alto saxophone, harp, four-handed piano, tambourine, 2 violins, viola and violoncello
Texts: Machiavel
For the piece by Machiavel.
Duration: 21' 00"
Manuscript
Les Suppliantes, H. 147 (1941)
Theatre music
for female choir, tenor solo, male choir and orchestra (2cl.2bn/3tpt.4tbn/ondesMartinot/timp.perc(cym.tri.tam.dm.fielddm.sidedm.bassdm.battlerattle)
Texts: Eschyle (André Bonnard)
For the tragedy of Ayschilos, in a translation by André Bonnard.
Duration: 31' 15"
Editions Durand-Salabert-Eschig
La Ligne d'horizon, H. 151 (1941)
Theater music
for tenor solo and unsono male choir and orchestra (1.1.1.1.asx/1.2.2.0/xyl.tri.tam.cym.fielddm.woodblock/hawaiian guitar/pf/str)
Texts: Serge Roux
For the play (in two acts and nine scenes) by Serge Roux.
Duration: 19' 50"
Manuscript
Deux esquisses, H. 173 (1942-1944)
for piano
Duration: 5' 20"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Le Grand Barrage, H. 162 (1942)
'Musical image'
for orchestra (3.3(ca)3.3(cbn)/4.3.3.0/perc(tri.tam.dm.bassdm)/cel.hp/str)
Duration: 4' 00"
Editions Durand-Salabert-Eschig
Pathétique, H. 219 (1942)
for orchestra (1.1.1.1.sx/0.2.1.0/cym.bassdm.pf/str)
Duration: 2' 10"
Manuscript
Hymne au Sport du film "La Boxe en France", H. 160 A (1942)
for voice and piano
Texts: José Bruyr
Duration: 3' 20"
Editions Choudens
Five songs from the movie "Le capitaine Fracasse", H. 166 A (1942)
for voice and piano
1. Sérénade de Scapin (J. Giot)
2. Ariette "Si mon coeur parlait, Lysandre" (André de Badet)
3. Chanson du chariot de Thespis (André de Badet)
4. Chanson du chariot de Thespis (autre musique)
5. Chanson pour Isabelle
Manuscript
Le Journal tombe à 5 heures, H. 156 (1942)
for orchestra (1.1.1.1.asx/0.2.2.0/pf/perc(tam.tri.cym.bassdm.woodblock)/str(without db))
Music for the film by Georges Lacombe.
Duration: 28' 00"
Editions Choudens
Huit hommes dans un château, H. 157 (1942)
Music for the film by Richard Pottier.
Duration: 7' 00"
Manuscript
Les Antiquités de l'Asie occidentale, H. 158 (1942)
for orchestra (1.1.1.1.asx/0.2.2.0/timp.perc(xyl[=cel].tam.tri.cym.fielddm)/pf.hp/str(vc.db only)
Music for the documentary short film by Henri Membrin.
Duration: 17' 00"
Manuscript
Secrets, H. 161 (1942)
for orchestra (1.1.1.1.asx/0.2.2.0/perc(cel.vib.tam.tri.cym.fielddm.bassdm.woodblock)/pf.hp/str)
Music for the film by Pierre Blanchar.
Duration: 35' 00"
Manuscript
Three Pieces, H. 166 B (1943)
for piano
From the film 'Le Capitaine Fracasse'.
Duration: 8' 00"
Manuscript
Interpreters: Charles Dobler
Musique pour Pasiphaé, H. 163 (1943)
for two oboes, two clarinets, alto saxophone and two bassoons
Duration: 4' 15"
Editions Durand-Salabert-Eschig
Andante in C Major, H. 215 (1943)
for four ondes Martenot
Duration: 1' 00"
Manuscript
Schwyzer Fäschttag (Swiss festive day), H. 174 A (1943)
Suite from the ballet "L'Appel de la Montagne"
for orchestra (3(pic).3(ca).2.3/4.3.3.1/timp.perc(tri.cym.sidedm.fielddm.woodblock)/pf.cel/str)
Duration: 20' 35"
Editions Durand-Salabert-Eschig
Céline, H. 168 (1943)
for voice and piano
Texts: Georges-Jean Aubry
Duration: 1' 40"
Editions Durand-Salabert-Eschig
Panis Angelicus, H. 169 (1943)
for voice and piano
Duration: 2' 20"
Editions Durand-Salabert-Eschig
Two romances from the film "Un seul Amour", H. 171 A (1943)
for voice and piano
Texts: Bernard Zimmer
1. Quand tu verras les hirondelles
2. Si le mal d'amour
Duration: 4' 00"
Editions Durand-Salabert-Eschig
L'Appel de la montagne, H. 174 (1943)
Ballet in two scenes
for orchestra (3.3.2.3/4.3.3.1/timp.perc(tri.tam.cym.sidedm.fielddm.bassdm.woodblock/str)
Texts: Robert Favre le Bret
Duration: 50' 00"
Bibliothèque nationale de France
Le Soulier de Satin, H. 165 (1943)
Theatre music
for soprano, baritone, choir and ensemble (cl/tpt/cym.tri.tam.sidedm.bassdm.maracas/pf.ondesMartinot/str)
Texts: Paul Claudel
For the piece by Paul Claudel.
Editions Durand-Salabert-Eschig
Sodome et Gomorrhe, H. 172 (1943)
Theatre music
for six trombones, two timpani, cymbals and tam tam
For the play by Jean Giraudoux.
Manuscript
Callisto ou La Petite Nymphe de Diane, H. 164 (1943)
Music for an animated short film by André Marty.
Duration: 21' 00"
Gérard Billaudot
Le Capitaine Fracasse, H. 166 (1943)
Music for the film by Abel Gance.
Duration: 45' 00"
Manuscript
Mermoz, H. 167 (1943)
for orchestra (1(pic).1.1.1.asx/0.2.2.0/perc(tri.tam.cym.bassdm)/pf/str)
Music for the film by Louis Cuny.
Duration: 50' 00"
Editions Choudens
Un seul Amour, H. 171 (1943)
for orchestra (1.1.1.1.asx/0.2.2.0/perc(tam.tri.cym.bassdm)/cel.pf.ondes Martinot/str)
Music for a film by Pierre Blanchar.
Duration: 44' 00"
Editions Durand-Salabert-Eschig
Charles le Téméraire, H. 175 (1944)
Music for the play in four acts and six scenes (with prologue)
for mixed choir (SATB) two trumpets, two trombones percussion (timpani, drum, tam tam, muffled drum, bass drum, bells pipers)
Texts: René Morax
Duration: 19' 00"
Editions Durand-Salabert-Eschig
Battements du monde, H. 176 (1944)
Radio music
speaking roles, soprano and children's soli voices, female choir, orchestra (2.2.2.2/2.2.2.0/timp.perc/hp.pf/str)
Texts: William Aguet
Soloists:
the narrator
the devil
small roles
Duration: 27' 00"
Editions Durand-Salabert-Eschig
Three Pieces, H. 183 A (1945)
for piano
From the film 'Un ami viendra ce soir'.
Duration: 8' 35"
Editions Durand-Salabert-Eschig
Interpreters: Charles Dobler
Morceau de concours, H. 179 (1945)
for violin and piano
Duration: 2' 00"
Editions Durand-Salabert-Eschig
Paduana en sol majeur, H. 181 (1945)
for violoncello alone
Duration: 3' 00"
Editions Durand-Salabert-Eschig
Symphony N° 3, H. 186 (1945-1946)
Liturgical
for orchestra (3(pic).2.ca.2.bcl.2.cbn/4.3.3.1/timp.perc(tam.cym.fielddm.bassdm)/pf/str)
Duration: 28' 55"
Editions Durand-Salabert-Eschig
Interpreters: Urs Schneider Thierry Fischer
Sérénade à Angélique, H. 182 (1945)
for orchestra (1.1.1.1.sx/2.1.1.0/perc(sidedm.suspcym)/hp/str)
Duration: 6' 30"
Editions Durand-Salabert-Eschig
O Temps suspends ton vol, H. 178 (1945)
for voice and piano
Texts: Henri Martin
Duration: 2' 20"
Editions Durand-Salabert-Eschig
Chant de la Délivrance du film "Un Ami viendra ce Soir", H. 183 A (1945)
for voice and piano
Texts: José Bruyr
Duration: 3' 20"
Editions Choudens
Chota Roustaveli, H. 180 (1945)
Ballet in four acts
for orchestra
Texts: Serge Lifar
After the georgian national epos 'The Hero with the Lepard Skin' by Chota Roustaveli.
Duration: 50' 00"
Editions Durand-Salabert-Eschig
Les Démons de l'aube, H. 185 (1945)
for orchestra (1.1.1.1.asx/2.2.2.0/timp.perc(cym.fielddm)/str)
Duration: 12' 00"
Editions Choudens
Symphony N° 4 in A, H. 191 (1946)
Deliciae Basilienses
for orchestra (2(pic).1.2.1/2.1.0.0/glock.perc(cym.militarydm.tri)/pf/str)
Duration: 25' 30"
Editions Durand-Salabert-Eschig
Interpreters: Thierry Fischer Olivier Cuendet
Mimaamaquim, H. 198 (1946-1947)
for contralto and piano or orchestra (1.1.1.1/1.0.0.0/hp/str)
Psalms CXXX.
Duration: 3' 30"
Editions Durand-Salabert-Eschig
Prométhée, H. 187 (1946)
Theatre music
for female choir (3cl.3bn/3tpt.3tbn/perc(dm.tri.tam.cym.suspcym.antiquecym in E. fielddm.bassdm))
Texts: Eschyle (André Bonnard)
For the tragedy by Aischylos in a french translation by André Bonnard.
Duration: 25' 20"
Manuscript
Hamlet, H. 190 (1946)
Theater music
for soprano, male voices, 3 trumpets, three trombones, timpani, triangle, side drum, bass drum, woodblock and ondes Martinot
Texts: William Shakespeare (André Gide)
Editions Durand-Salabert-Eschig
Un Revenant, H. 188 (1946)
for orchestra (1.1.1.1.asx/0.2.2.0/perc(tri.cym.suspcym.fielddm)/pf/str)
Music for a film by Christian-Jaque.
Duration: 28' 00"
Editions Choudens
Intrada B flat major, H. 193 (1947)
for trumpet in C and piano
Duration: 5' 00"
Editions Durand-Salabert-Eschig
Oedipe, H. 194 (1947)
Theatre music
for unisono choir, two ondes Martinot, perc (xyl.tamb.cym.bassdm)
Texts: Sophocle (André Obey)
For the tragedy by Sophocles in the translation into french by André Obey.
Duration: 20' 00"
Manuscript
Concerto da Camera, H. 196 (1948)
for flute, English horn and string orchestra
Duration: 16' 30"
Editions Durand-Salabert-Eschig
Interpreters: Boris Previsic Thierry Fischer
Prélude, Fugue, Postlude, H. 71 A (1948)
The dipolar ion
for orchestra (3(pic).3(ca).3(bcl).3(cbn).asx/4.3.3.1/perc(cym.tam.bassdm)/cel.hp/str)
Duration: 12' 45"
Editions Durand-Salabert-Eschig
Saint François d'Assise, H. 197 (1949)
Radio play
for narrator, tenor solo, mixed choir and orchestra (2(pic).(ca).2.2/0.3.3.0/timp.perc(cym.db.ratchet.bells)/pf/str)
Texts: William Aguet
Duration: 38' 00"
Editions Durand-Salabert-Eschig
Tête d'Or, H. 199 (1949-1950)
for orchestra (1.1(ca).1.1/0.3.3.0/timp.perc(tam.suspcym.muffleddm.ratchet.sidedm.bassdm)/str)
Music for a radio version of the piece by Paul Claudel.
Duration: 20' 00"
Editions Durand-Salabert-Eschig
Symphony N° 5 in D Minor, H. 202 (1950)
Di Tre Re
for orchestra (3(pic).2.ca.2.bcl.3/4.3.3.1/timp(ad lib.)/str)
Duration: 23' 40"
Editions Durand-Salabert-Eschig
Interpreters: Thierry Fischer
Suite archaïque en mi mineur, H. 203 (1950-1951)
for orchestra (2.2.2.2/0.2.2.0/str)
Duration: 14' 00"
Editions Durand-Salabert-Eschig
Bourdelle, H. 201 (1950)
for orchestra (1.1.1.1.asx/0.1.1.0/perc(cym.bassdm)/pf/str
Music for a documentary film by René Lucot.
Duration: 20' 00"
Manuscript
Monopartita en fa dièse mineur, H. 204 (1951)
for orchestra (2.3(ca).3(bcl).2/4.3.3.0/timp/str)
Duration: 12' 00"
Editions Durand-Salabert-Eschig
Interpreters: Olivier Cuendet
Toccata after a theme by Campra, H. 207 (1951)
for orchestra (2.2.2.2/2.2.0.0/str)
Duration: 1' 30"
Editions Durand-Salabert-Eschig
La Rédemption de François Villon, H. 209 (1951)
two male voices, orchestra (1.1.1.1/1.2.1.0/cym/str)
Texts: José Bruyr
Music for a radiophonic evocation by José Bruyr.
Duration: 14' 00"
Editions Durand-Salabert-Eschig
La Tour de Babel ou Alerte, H. 205 (1951)
for orchestra (pic.1.1.1.1.asx/1.2.2.1/perc(tam.cym.bassdm)/pf.ondesMartinot/str)
Music for the film by Georges Rony.
Duration: 20' 00"
Manuscript
Paul Claudel, H. 206 (1951)
for orchestra (1.1.1.1.asx/pf/str(without db))
Music for the documentary film by André Gillet.
Duration: 14' 00"
Manuscript
Romance en sol mineur, H. 211 (1952)
for flute and piano
Duration: 2' 30"
Gérard Billaudot
Une Cantate de Noël, H. 202 (1952-1953)
for baritone, mixed choir (SATB), children's choir and orchestra (2(pic)2.2.2/4.3.3.0/hp.org/str)
Popular liturgical texts.
Duration: 24' 25"
Editions Durand-Salabert-Eschig
Interpreters: Alois Koch Samuel Zünd Claudio Danuser
Oedipe-Roi, H. 210 (1952)
Theatre music
for speaking choir and orchestra (1.1.1.1/0.1.1.0/perc(cym.tam.deepdm.highdm.bouteillophone.bassdm)/ondesMartinot)
Texts: Sophocle (Thierry Maulnier)
For the tragedy by Sophocles in the translation into french by Thierry Maulnier.
Duration: 15' 00"
Manuscript
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