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Works by Hans Ulrich Lehmann:
Structures transparentes (1960)
for clarinet, viola and piano
Duration: 6' 00"
Manuscript
Quanti Nr. 1 (1962)
for flute and chamber ensemble (1.0.ca.1.bcl.1/1.1.1.0/vib.mba.hp/str)
Duration: 13' 00"
Schott Musik International
Kantate (1962)
for soprano, flute, viola, horn and harp
Texts: Liselotte Lüscher
Duration: 4' 00"
Manuscript
Régions pour un flûtiste (1963)
Duration: 8' 00"
Breitkopf & Härtel
Episoden (1963-1964)
for wind quintet
Duration: 12' 00"
Ars Viva Verlag
Noten (1964-1966)
for one or two organs
Duration: 15' 00"
Ars Viva Verlag
Mosaik (1964)
for clarinet
A virtuosic solo piece incorporating a number of new playing techniques in "mobile form": The various sections can be rearranged into as many different permutations as the performer wishes.
Duration: 6' 00"-7' 00"
Breitkopf & Härtel
Interpreters: Fabio Di Càsola
Spiele für Oboe und Harfe (1965)
Duration: 6' 00"
Schott Musik International
"Notenbüchlein" (1965)
for harp
Duration: 6' 00"
Manuscript
Studien für Bratsche (1966)
Duration: 8' 00"
Schott Musik International
Studien (1966)
for viola
Duration: 8' 00"
Schott Musik International
Rondo (1967)
for voice and orchestra (soprano/3(pic).2.ca.3.bcl.2.cbn/4.3.3.1/timp.4perc/2hp/str(20.0.10.8.6))
Texts: Helmut Heissenbüttel
Duration: 21' 00"
Ars Viva Verlag
Instants (1968-1969)
for piano
Duration: 6' 00"
Ars Viva Verlag
Régions II (1968)
Sound object
for 16 music boxes
Duration: 5' 00"
Manuscript
Mon-Tage (1969)
for mixed choir
Duration: 6' 00"-8' 00"
Manuscript
Konzert (1969)
for 2 solo wind instrumentalists (any high woodwind) and strings (6vn, 3va, 2vc, db)
Duration: 12' 00"
Ars Viva Verlag
Klavierstück (piece for piano) (1970)
Duration: 3' 00"-5' 00"
Breitkopf & Härtel
Régions Nr. 3 (1970)
for clarinet, violoncello and trombone
Duration: 8' 00"
Schott Musik International
Monodie (1970)
for any wind instrument
The performer is given great freedom in forming the tonal shape, which he must then adapt to the specific capabilities of the respective instrument.
Duration: 6' 00"-8' 00"
Schott Musik International
Interpreters: Matthias Arter
Kadenz (1970)
for oboe
Duration: 3' 00"-4' 00"
Breitkopf & Härtel
Positionen (1971)
for orchestra (3.3.3.3/4.3.3.1/4perc/str)
Duration: 13' 00"
Schott Musik International
dis-cantus II (1971)
for soprano, organ and chamber orchestra (2fl, 2ob, 2cl, bn/2tpt, 2tbn/4vc/2db)
Duration: 9' 00"
Ars Viva Verlag
Sonata 'da chiesa' (1971)
for violin and organ
The widening (and coarsening) of the sound spectrum of both instruments is noticeable here. Best realised on an organ with mechanical action.
Duration: 8' 00"-9' 00"
Breitkopf & Härtel
dis-cantus I (1971)
for oboe and strings (6vn, 2va, 2vc, db)
Duration: 15' 00"
Ars Viva Verlag
Tractus (1971)
for flute, oboe and clarinet
Duration: 10' 00"
Schott Musik International
Interpreters: Boris Previsic Ensemble TaG Neue Musik Winterthur
"bringen um zu kommen" (1972)
for soprano and 5 instruments (fl, cl, bcl, vn, vc)
Texts: Franz Mon
Duration: 10' 00"
Breitkopf & Härtel
"faces" (1972)
for harpsichord (piano), flute, oboe, clarinet, violin and violoncello
Duration: 12' 00"-14' 00"
Breitkopf & Härtel
dis-cantus II (1972)
Interlude
for organ
Duration: 4' 00"
Manuscript
Tasten (1972)
for piano
Duration: 10' 00"
Breitkopf & Härtel
Interpreters: Charles Dobler
Arco (1972)
for violin
Duration: 3' 00"
Breitkopf & Härtel
Interpreters: Rachel Kolly d'Alba
A la recherche (1973)
for soprano, alto, tenor, bass and organ
Duration: 12' 00"
Breitkopf & Härtel
gegen-(bei-)spiele (1973)
for wind quintet
Duration: 12' 00"-14' 00"
Hug & Co. Musikverlage
zu streichen (1974)
for two violins, two violas and two violoncelli
Duration: 13' 00"
Hug & Co. Musikverlage
Quod libet 1974 (1974)
for violin and piano
Duration: 15' 00"
Manuscript
Rota (1974)
for oboe and harpsichord
Duration: 8' 00"
Breitkopf & Härtel
points d'orgue (1975)
for flute, cello and organ
Duration: 9' 00"
Manuscript
Streuungen (1975-1976)
for three choirs and orchestra (2ob, 3tpt, 3tbn, 4 perc players, vnI, vnII, va, vc, db)
Texts: Helmut Heissenbüttel
Duration: 12' 00"-14' 00"
Manuscript
de-concertante (1975)
for one percussionist, 5 instrumentalists and a coductor (perc, fl(afl), cl(bcl), tbn, elec.org, vc)
Duration: 16' 00"-18' 00"
Manuscript
zu blasen (1975-1976)
for 23 woodwind and brass instruments
Manuscript
Monolog (1976)
for organ
Duration: 8' 00"
Breitkopf & Härtel
Tantris (1976-1977)
for soprano, flute and violoncello
Texts: James Joyce
‘Tantris’ comes from a section of ‘Finnigan's Wake’ by James Joyce. Both the soprano and the instruments are set in a linear, contrapuntal fashion. Smaller intervals predominate in the soprano part, which circle around a pivotal central tone, often becoming enriched with the use of quartertones. Only in the setting of certain important words are bigger leaps used.
Duration: 9' 00"-11' 00"
Breitkopf & Härtel
Interpreters: Ensemble TaG Neue Musik Winterthur
Doppelspiel (1977)
for an organ/percussion player and one assistant
Duration: 6' 00"-8' 00"
Manuscript
Duplum (1977)
for 2 wind instruments
Duration: 5' 00"-7' 00"
Manuscript
Air (1977)
for clarinet and piano
Duration: 10' 00"
Breitkopf & Härtel
Motetus Paraburi (1977-1978)
for 3 singers
Manuscript
Kreuzwege (1978)
Seven pieces
for organ
Duration: 22' 00"
Manuscript
Kammermusik I ("hommage à Mozart") (1978-1979)
for small orchestra (2(pic, afl).2.2(cl-B/Eb, bcl).1/3.2.1.0/timp.perc/cel/str(0.0.5.4.3))
Duration: 12' 00"
Breitkopf & Härtel
Contr'aire (1979)
for clarinet in Bb and piano
Duration: 7' 00"-9' 00"
Editions Henn
Kammermusik II (1979)
for a small orchestra (2.2.2.1/2.2.0.0/2perc/0.0.2.2)
Written predominantly in (conducted) space notation.
Duration: 12' 00"
Breitkopf & Härtel
Duette (1980)
for 3 players (soprano, flute and violoncello)
Texts: Franz Mon
Duration: 21' 00"-22' 00"
edition gravis Musikverlag
"Lege mich wie ein Siegel auf mein Herz" (1980-1981)
for soprano, flute, clarinet and violoncello
Texts: Marc Chagall
Duration: 22' 00"
Manuscript
Fundamentum (1980)
for organ
Duration: 7' 00"-8' 00"
edition gravis Musikverlag
flautando (1981)
for three recorders
Duration: 7' 00"-9' 00"
edition gravis Musikverlag
Canticum I (1981)
for soprano and instruments ad libitum
Texts: Edward Estlin Cummings
Duration: 6' 00"-7' 00"
Manuscript
Kantate "gottes panarchische nacht" (1981-1082)
for solo trumpet, female choir, orchestra (2.2.2.2/2.0.0.0/2perc/str)
Texts: Kurt Marti
Duration: 18' 00"-19' 00"
Manuscript
Theolalie (1981)
for soprano, flute and harpsichord
Texts: Kurt Marti
Duration: 9' 00"
Manuscript
Canticum II (1981)
for soprano and a minimum of any two melodious instruments
Texts: Edward Estlin Cummings
The intensity of E. E. Cummings' texts is reflected in very expressive musical phrases. The handling of melody is similar to that of 'Tantris'. The realisation of intricate sound details is left to the possibilities of the chosen instruments and the musical imagination of their interpreters.
Duration: 9' 00"-10' 00"
Manuscript
Interpreters: aequatuor
stro(i)king for one percussionist (1982)
For four timpani, four cymbals, three gongs, tam-tam, marimba, temple block and log drum. Space notation. Highly demanding.
Duration: 11' 00"-12' 00"
edition gravis Musikverlag
Interpreters: Mircea Ardeleanu
... (1982)
for trumpet and piano
Duration: 8' 00"
Manuscript
Mirlitonnades (1983)
for flute solo
Generally refined, tender flute tones in many sonorous and noise like nuances.
Duration: 8' 00"
edition gravis Musikverlag
Interpreters: Boris Previsic Ensemble TaG Neue Musik Winterthur
Kammermusik III (1983)
for 12 solo stings (7.2.2.1)
Duration: 11' 00"-12' 00"
edition gravis Musikverlag
battuto a tre - tratto (1983)
for three percussionists
Duration: 14' 00"
edition gravis Musikverlag
Monodie II (1984-2007)
for tenor recorder
Duration: 6' 00"
Edition Gamma
Triplum (1984)
for three basset horns or three bass clarinets
Duration: 15' 00"-16' 00"
edition gravis Musikverlag
Charakterstücke (1985)
for piano
The musicians choose the order of these nine short passages.
Duration: 12' 00"-15' 00"
edition gravis Musikverlag
sich fragend nach frühster erinnerung (1985)
for recorder quartet
Employs new playing techniques for the instruments; containing a few improvisatory moments.
Duration: 12' 00"
edition gravis Musikverlag
ludes (1985)
for violoncello and piano
Duration: 11' 00"
edition gravis Musikverlag
Aphorismus (1985)
for chamber oechestra (2.2.2.2/2.2.0.0/timp(1player)/str)
Duration: 2' 00"
Manuscript
Alleluja 1 (1985)
for soprano, clarinet, glockenspiel and organ
Texts: Bibel / Liturgie
Part of a joint composition: Proprium part of the Whitsunday mass by H. Holliger, H.U. Lehmann, J. Haselbach, P. Wettstein, G. Bennett and J. Wildberger.
Duration: 11' 30"
edition gravis Musikverlag
Fragmente (1986-1987)
for small orchestra (2.2.2.0/2.2.0.0/perc(2players)/str)
Duration: 9' 00"
edition gravis Musikverlag
Concerti-no (1986)
for violoncello and string quintet (2.2.1)
Duration: 2' 00"
Manuscript
Dédicace (1986)
for trumpet
Duration: 2' 00"
Manuscript
"In honorem S. Nicolai de Flüe" (1986-1987)
for 2 flutes, 2 violoncelli and organ
Duration: 16' 00"
Manuscript
Streichquartett (1987-1988)
Duration: 12' 00"-14' 00"
edition gravis Musikverlag
de profundis (1988-1989)
for violoncello, contrabass clarinet and percussion
A slow developing music, which in spite of a few isolated dynamic shifts, is predominantly still and calm.
Duration: 15' 00"
edition gravis Musikverlag
Osculetur me (1988-1989)
for soprano and basset horn
Duration: 14' 00"
Manuscript
Interpreters: Kathrin Graf
Wandloser Raum (1989)
for flute, clarinet, harp and orator
Texts: Ernst Meister
Duration: 16' 00"
Manuscript
Interpreters: Ensemble TaG Neue Musik Winterthur
Esercizi per violoncello solo (1989)
The title refers to aspects of study. Uses numerous less commonly encountered playing and sound techniques.
Duration: 20' 00"
edition gravis Musikverlag
Nocturnes (1990-1991)
for orchestra (4.2.4.2/4.2.2.1/hp/timp.perc/str)
Duration: 11' 00"
edition gravis Musikverlag
ad missam prolationum (1990)
for tenor, baritone, bass clarinet and percussion
Duration: 8' 00"
Manuscript
etwas Klang von meiner Oberfläche (1991)
for guitar
On the whole a soft, quiet music, whose uniqueness lies in its tonal nuances and differentiation. The six parts are strong in character and more or less distinctly separate.
Duration: 14' 00"-15' 00"
Hug & Co. Musikverlage
Interpreters: Mats Scheidegger Christoph Jäggin Ensemble TaG Neue Musik Winterthur
Prélude à une étendue (1993-1994)
for chamber orchestra (2.2.2.2/2.2.0.0/timp.perc/6.6.4.4.2)
Duration: 9' 00"
edition gravis Musikverlag
el mar (1993)
for double-bass or bass clarinet
Duration: 8' 00"-9' 00"
Hug & Co. Musikverlage
ut signaculum (1993-1994)
for soprano, baritone and small orchestra (3.0.1.2.bcl.0/2.2.0.0/3perc/6.6.4.4.2)
Texts: Edward Estlin Cummings, Bibel / Liturgie
The expressive and emotional texts (‘Hohelied’ and texts by E.E. Cummings) are set to music producing expanded, mostly very expressive phrases. The singing voice parts are handled as in ‘Tantris’.
Duration: 25' 00"-26' 00"
edition gravis Musikverlag
"Sprich..." (1993)
for altus (alto) and recorder
Texts: Rose Ausländer
Duration: 11' 00"
edition gravis Musikverlag
Interpreters: Javier Hagen UMS 'n JIP
battements (1994-1995)
for percussion with chamber orchestra (2.2.2(2bcl).1/2.2.0.0/6.6.4.4.2)
A concertino for a single percussionist. Conventional notation throughout.
Duration: 12' 00"
edition gravis Musikverlag
Komposition für 19 (1995-1996)
for orchestra (1(pic).1.ca.bcl.1/1.1.1.0/perc(1 player)/hp.cel.pf.vib/str(1.1.1.1.1))
Duration: 10' 00"
Ars Viva Verlag
Duo (1995)
for flute and clarinet
Duration: 6' 00"
Schott Musik International
Book of Songs (1998-1999)
for baritone, flute (also bass flute), violoncello and percussion
Texts: Edward Estlin Cummings
Duration: 22' 00"
edition gravis Musikverlag
Minuties (1998)
for flute and harpsichord ad lib.
Duration: 6' 00"
edition gravis Musikverlag
Interpreters: Heinrich Keller
Tele - man(n)ia (1998)
for bass flute solo
Duration: 6' 00"
edition gravis Musikverlag
Duplum II (1999)
for clarinet and violoncello
Duration: 10' 00"
edition gravis Musikverlag
twi-Light (1999)
for soprano and chamber orchestra (1.afl.1.1.bcl.1/2.2.0.0/timp.perc/6.6.4.4.2)
Texts: Edward Estlin Cummings
Duration: 15' 00"
edition gravis Musikverlag
aus der Erstarrung (1999)
for accordion solo
Duration: 5' 00"
Nepomuk Musik Verlag
in - aperçu (1999)
for clarinet, violoncello and percussion
Duration: 5' 00"
Manuscript
"vagues" (2000)
for bass clarinet, organ and percussion
Duration: 18' 00"
edition gravis Musikverlag
Three Songs (2000)
for altus (alto) and piano
Texts: Edward Estlin Cummings
Duration: 10' 00"
edition gravis Musikverlag
"inquiétudes" (2000)
for violoncello and harp
Duration: 10' 00"
edition gravis Musikverlag
"instantanés" (2000)
for harp
Duration: 8' 00"-9' 00"
edition gravis Musikverlag
Interpreters: Charles Dobler
"ritenuto" (2000)
for violin, violoncello and string quartet
Duration: 12' 00"
edition gravis Musikverlag
Notturno (2001)
for bass clarinet and orchestra (2.1.2.1/2.1.1.0/4timp.4perc/str)
Duration: 13' 00"
edition gravis Musikverlag
dédales (2001-2002)
Five sketches
for harp, alto flute, bass clarinet and vibraphone
Duration: 22' 00"-24' 00"
edition gravis Musikverlag
partita di ritorno (2001)
for baritone, bass clarinet and violoncello
Texts: Giorgio Orelli
Duration: 14' 00"
edition gravis Musikverlag
der rat der rose (2002)
for mixed a-cappella choir (6.6.6.6)
Texts: Kurt Marti
Duration: 14' 00"
edition gravis Musikverlag
Annäherungen an Helmut Heissenbüttel (2002-2003)
for mixed a-cappella choir
Texts: Helmut Heissenbüttel
Duration: 12' 00"
edition gravis Musikverlag
viola in all moods and senses (2003)
for viola solo
Duration: 7' 00"-8' 00"
edition gravis Musikverlag
Interpreters: Ensemble TaG Neue Musik Winterthur
um-risse (2003)
for baritone saxophone and guitar
Duration: 7' 00"-10' 00"
edition gravis Musikverlag
trajets (2003)
for clarinet in A and piano
Duration: 14' 00"
edition gravis Musikverlag
Magica (2003)
for soprano and piano
Texts: Donata Berra
Duration: 5' 00"-6' 00"
Manuscript
Magica (2003/06)
for mezzo-soprano, alto flute and viola
Texts: Donata Berra
Duration: 6' 00"
Manuscript
Interpreters: Ensemble TaG Neue Musik Winterthur
Nachts ist der Himmel näher als am Tag (2004-2005)
for baritone solo, violoncello solo and small orchestra (2bcl(1.cl)/hn/2percussionists/str(4.3.2.2.1)
Texts: Anne Weber
Duration: 23' 00"-24' 00"
edition gravis Musikverlag
favole (2005-2006)
for clarinet solo and small orchestra (2(afl).1.bcl.0/2.1.0.0/timp.perc/0.5.5.3)
Duration: 18' 00"
edition gravis Musikverlag
instantanés II (2006)
for harp solo
Duration: 8' 00"
Edition Gamma
Apparition (2006-2007)
for soprano and orchestra (2.2.2.1/2.0.1.0/2perc/str)
Texts: Stéphane Mallarmé
Duration: 12' 00"
edition gravis Musikverlag
silences (2007-2008)
for soprano solo
Texts: E.E. Cummings
up into the silence - if the lovestar grows most big - birds - silence - there is a moon sole - FINIS over silent waters
Duration: 8' 00"-9' 00"
Manuscript
Voyage aux îles des vestiges (2008-2009)
for soprano, viola, bass clarinet, percussion and speaker
Texts: Michel Butor
Duration: 28' 00"-30' 00"
Edition Gamma
contradictions ("viola in all moods and senses") (2008)
for viola and small orchestra
Duration: 18' 00"
Manuscript
Duo (2009)
for viola and double bass
Duration: 6' 00"-7' 00"
Manuscript
Klavierstück 2009 (piano piece 2009) (2009)
Duration: 7' 00"
Manuscript
Nachklänge (2009)
for string quartet
Manuscript
Dans la nuit (2010)
5 Poems
for soprano, clarinet, violoncello and percussion
Texts: Henri Michaux
Duration: 9' 00"
Manuscript
Lieder ohne Worte (2010-2011)
for viola and piano
Manuscript
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