Tête de Linotte (1899)
Children's song
for one voice and piano
Duration: 3' 00"
Manuscript

Pour Papa (1900)
Small piece
for two ocarinas and piano
Manuscript

Motet (1907)
for choir and orchestra
Texts: Pauline Martin [?]

An (1909)
Chanson
for voice and piano
Texts: Nikolaus Lenau

"Pourquoi voient-ils le jour?" (1909)
for mixed choir and orchestra
After Job 3, 20-23.
Duration: 5' 00"
Manuscript

Trois poèmes paiens (1910)
for baritone and large orchestra (3(pic).3(ca).3.2/4.3.2.1/timp.perc/hp/str)
Texts: Leconte de Lisle
Duration: 20' 00"

Trois chansons du XVIIIe siècle (1911)
for orchestra

Ode and sonnet (1912)
for three female voices with violoncello ad lib.
Texts: Pierre de Ronsard
Duration: 5' 00"

Sonata I (1913)
for violin and piano
Duration: 18' 00"

Suite (1913)
for orchestra (2(pic).3(ca).3.3(cbn)/4.4.2.1/timp.perc/hp/str)
Duration: 15' 00"

Symphony (1915)
for burlesque orchestra (flute, cuckoo, quail, child's trumpet, glockenspiel, tam tam, drum, tambourine, castanets, triangle, piano, strings ad lib., hn in D, small bell in H, gtr)
Duration: 11' 00"

Les Dithyrambes (1915-1918)
for four soloists (SATB), mixed choir (SATB), children's choir and orchestra (3(pic).2(ca).3(bcl).3(cbn)/4.3.3.1/timp.perc/cel.hp.pf/str)
Texts: Pierre Martin
Duration: 60' 00"

Le roy a fait battre tambour (1916)
for alto and small orchestra (2.2(ca).1.1/1.0.0.0/timp.dm/str)
Popular texts.
Duration: 5' 00"

Quintet (1919)
for piano, two violins, viola and violoncello
Duration: 23' 00"

Pavane couleur du temps (1920)
for string orchestra
Duration: 6' 00"

Sketch (1920)
for orchestra (2(pic).2.2.2/2.2.0.0/timp/perc/hp.pf/str)
Duration: 12' 00"

Pavane couleur du temps (1920)
for string quintet (two violins, viola and two violoncelli)
Original version.
Duration: 6' 00"

Chantons, je vous en prie (1920)
for mixed choir (SATB) piano and several instruments
Texts: Arnoul Gréban
Chorals for a nativity play by Pauline Martin. They are based on old French Christmas carols taken from "Mystère de la Passion" by Arnoul.
Manuscript

Pavane couleur du temps (1920)
for four-handed piano
Duration: 6' 00"

Four Sonnets to Cassandra (1921)
for mezzo-soprano, flute, viola and violoncello
Texts: Pierre de Ronsard
Duration: 12' 00"

Oedipe-Roi (1922)
Stage music with choirs
for male choir, female choir and several instruments (1(pic).2(ca).2.2/0.2.2.0/timp/hp/2db)
Texts: Sophocle (Jules Lacroix)
Duration: 29' 00"

Messe (1922-1926)
for double a-cappella choir
Duration: 26' 00"

Oedipe à Cologne (1923)
Stage music with choirs
for two soloists (SBar), small choir and small orchestra
Texts: Sophocle (André Secretan)
Duration: 28' 00"

Chanson du Mezzetin (1923)
for soprano and mandolin or oboe, violin and violoncello
Texts: Paul Verlaine
Duration: 3' 00"
Manuscript

Concerto pour les instruments à vent et le piano (concert for wind instruments and piano) (1924)
for wind ensemble (2.0.2.asx.2/2.2.2.0/timp.perc/pf)
Duration: 10' 00"

Entr'acte (1924)
for orchestra (pic.1.1.1/1.2.1.0/timp.perc/2pf/str)
Duration: 8' 30"
Manuscript

Ouverture and foxtrot (1924)
for two pianos
Duration: 8' 30"

Trio based on popular Irish melodies (1925)
for violin, violoncello and piano
Duration: 18' 00"

Rythmes (1926)
Three symphonic movements
for large orchestra (3.3.3.sx.3/4.3.3.1/timp.4perc/cel.2hp.pf/str)
Duration: 18' 00"

Le divorce (1928)
Theatre music
for flute (or piccolo), saxophone (or clarinet or basset horn), percussion and piano
Texts: Jean-François Regnard

La Nique à Satan (1928-1931)
Popular spectacle
for baritone solo, male choir, female choir, children's choir, wind instruments, percussion, two pianos and double-bass
Texts: Albert Rudhardt
Duration: 3h 00"

Jeux du Rhône (1929)
Marches and choruses for the 'Fêtes du Rhône'
for mixed choir and wind orchestra
Texts: René-Louis Piachaud

Romeo and Juliet (1929)
Stage music and choir
for alto solo, mixed choir (SATB) and ensemble (fl, vn, bthn, timp, dm, vadg, db)
Texts: René Morax
Duration: 30' 00"

Le coucou (1930)
Canon with seven female voices
Texts: Paul-Jean Toulet
Duration: 3' 00"

Chanson (1930)
for four female voices
Texts: Charles Ferdinand Ramuz
Le petit village.
Duration: 3' 00"

18 Chansons (1930-1931)
for mixed choir and piano
Texts: Albert Rudhardt
Taken from "La Nique à Satan".

Chanson en canon (1930)
for mixed choir (SATB)
Texts: Charles Ferdinand Ramuz
Le petit village.
Duration: 3' 00"

Sonata II (1931-1932)
for violin and piano
Duration: 16' 00"

Chaconne (1931-1932)
for violoncello and piano
Taken from "Sonate II".
Duration: 9' 00"

Concerto I (1933-1934)
for piano and orchestra (2.2.2.2/4.3.3.0/timp.perc/str)
Duration: 17' 00"

Four Short Pieces (1933)
for guitar
Duration: 8' 00"

Guitar (1933)
for piano
Version of 'Quatre pièces brèves pour guitare' (Four Short Pieces for Guitar) for piano.
Duration: 8' 00"

Guitar (1934)
for orchestra (2(pic).2(ca).3.asx.3/4.3.3.0/timp/perc/2hp/str)
1. Prélude
2. Air
3. Plainte
4. Comme une gigue
Duration: 8' 00"

Rhapsody (1935)
for string orchestra
Duration: 14' 00"

Rhapsody (1935)
for two violins, two violas and double-bass
Duration: 14' 00"

Danse de la peur (1935)
for two pianos and small orchestra (0.0.2.2sx.0/0.2.3.1/timp.perc/cel/str)
Taken from "Die blaue Blume".
Duration: 15' 00"

Die Blaue Blume (1935-1936)
Ballet music
Not instrumented.
Duration: 75' 00"

String trio (1936)
for violin, viola and violoncello
Duration: 16' 00"

Symphony (1936-1937)
for large orchestra (3(2pic).0.3.3sx.cbn/0.3.3.1/timp.5perc/cel.2pf/str)
Duration: 27' 00"

Little White March and a Black Trio (1937)
for two pianos
Duration: 2' 00"
Manuscript

Les grenouilles, le rossignol et la pluie (1937)
for two pianos
Duration: 2' 00"
Manuscript

Le vin herbé (1938-1941)
for twelve solo voices, 2vn, 2ca, 2vc, db, pf
Texts: Joseph Bédier
cast:
The mother of Isolde (A)
Isolde the blond (S)
Brangaine (Mez)
Isolde of the white hands
Tristan (T)
Kaherdin (T)
Marc (Bar)
Two silent secondary roles.
After the book 'Tristan and Isolde'.
Duration: 90' 00"

Ballad (1938)
for alto saxophone and string orchestra, timp, perc and piano
Duration: 13' 00"

Sonata da chiesa (1938)
for viola d'amore and organ
Duration: 14' 00"

Du Rhône au Rhin (1939)
Official March of the Swiss National Exhibition in Zurich
for orchestra (3(pic).3(ca).3.3(cbn)/4.3.3.1/timp.3perc/str)
Duration: 4' 30"

Ballad (1939)
for piano and orchestra (2(pic).2(ca).2.2/2.2.3.0/timp.3perc/hp/str)
Duration: 15' 00"

Ballad for flute (1939)
for flute and piano
Original version.
Duration: 8' 00"

Ballad (1939)
for flute and large orchestra (0.2.2.sax.1/2.0.0.0/timp/cel.hp/str)
Instrumentation by Ernest Ansermet.
Duration: 8' 00"

Ballad for trombone (1940)
for trombone (or tenor saxophone) and piano
Original version.
Duration: 7' 00"

Cantata for the First of August (1941)
for mixed choir or vocal quartet (SATB) and piano or organ
Texts: Charly Clerc

Das Märchen vom Aschenbrödel (Cinderella) (1941)
Ballet by Marie-Eve Kreis
for soprano, mezzo-soprano, alto, tenor and small orchestra (1.1.0.2sx.0/0.1.1.0/timp.perc/pf)
Texts: Jacob Grimm Wilhelm Grimm
Duration: 60' 00"

Sonata da chiesa (1941)
for flute and organ
Duration: 14' 00"

Little Lament (1941)
for oboe and piano
Taken from 'Das Märchen vom Aschenbrödel' (Cinderella).
Duration: 3' 30"

Ballad (1941)
for flute, string orchestra and piano
Duration: 8' 00"

Ballad (1941)
for trombone (or tenor saxophone) and small orchestra (2.2.2.2/2.2.2.0/timp/pf/str)
Duration: 7' 00"

Danse grave (1941)
for piano
Taken from "Das Märchen vom Aschenbrödel" (Cinderella).
Manuscript

Der Cornet (1942-1943)
Die Weise von Liebe und Tod des Cornets Christoph Rilke
for alto and small orchestra (2(pic).1(ca).1.sx.1/2.1.1.0/timp/hp.pf.cel/str)
Texts: Rainer Maria Rilke
Duration: 58' 00"

Petite église (1943-1944)
for female (or male) choir
Texts: Henri Devain
Duration: 2' 00"
Manuscript

Janeton (1943-1944)
for male choir
Texts: Roland Stähli
Duration: 2' 00"
Manuscript

Si Charlotte avait voulu (1943-1944)
for male choir
Texts: Roland Stähli
Duration: 2' 00"
Manuscript

Six Monologues from 'Jedermann' (1943-1944)
for baritone and piano
Texts: Hugo von Hofmannsthal
Original version.
Duration: 17' 00"

Ein Totentanz zu Basel im Jahre 1943 (1943)
An open-air dance spectacle
for male choir, boys' choir, string orchestra, jazz ensemble and Basel drums
A project by Mariette Meyenbourg and Frank Martin.
Duration: 65' 00"

Ein Totentanz zu Basel im Jahre 1943 (1943/11)
Concert Suite
for jazz ensemble and Basel drums
Implemented by Bastiaan Blomhert, Maria Martin and Edith Habraken.
Duration: 32' 00"

Six Monologues from 'Jedermann' (1943-1944)
for baritone or alto and orchestra (2.2(ca).2.2/2.2.3.0/timp.perc/cel.hp.pf/str)
Texts: Hugo von Hofmannsthal
Duration: 17' 00"

Little Concertante Symphony (1944-1945)
for harp, piano and two string orchestras
Duration: 22' 00"

Passacaglia (1944)
for organ
Original version.
Duration: 13' 00"

Concertante Symphony (1944-1946)
for orchestra (3.3.3.3/4.3.3.1/timp.perc/hp/pf/str)
Version of the 'Petite symphonie concertante' (Little Concertante Symphony) for large orchestra.
Duration: 22' 00"

Canon for Werner Reinhart (1944)
for eight voices (SSAATTBB)
Texts: Pierre de Ronsard
Duration: 2' 00"

In terra pax (1944)
Short oratorio
for five soloists (SATBarB), two mixed choirs (SATBSATB) and orchestra (2(pic).2(ca).2.2/4.2.3.1/timp.3perc/cel.2pf/str)
To biblical texts.
Duration: 43' 00"

Little Fanfare (1945)
for two trumpets, two horns and two trombones
Duration: 3' 00"
Manuscript

A la foire d'amour (1945)
for male choir
Texts: Francis Bourquin
Duration: 3' 30"
Manuscript

Chansons des jours de pluie (1945)
for male choir
Texts: Roland Stählin
Duration: 2' 30"
Manuscript

Dédicace (1945)
for tenor and piano
Texts: Pierre de Ronsard
Duration: 2' 30"

Golgotha (1945-1948)
Passion oratorio
for five soloists (SATBarB), mixed choir (SATB), orchestra (2(2.pic).2(1.obdam, 2.ca).2(2.cl-e).2/4.2.3.0/timp.2perc/pf/str) and organ
To texts from the Bible and St. Augustus.
Duration: 90' 00"

Ouverture for Athalie (1946)
for orchestra (2.2.2.2/4.2.1.0/timp/hp.pf/str)
Duration: 9' 00"

Athalie (1946)
Incidental music and choruses
for alto, two girl's choirs and small orchestra (2.2.2.2/4.2.1.0/timp.perc/hp.pf/str)
Texts: Jean Baptiste Racine
Duration: 40' 00"

Quant n'ont assez fait do-do (1947)
for tenor, guitar and four-handed piano
Texts: Charles d'Orléans
Duration: 2' 30"

Huit préludes (Eight Preludes) (1947-1948)
for piano
Duration: 21' 00"

Three Christmas Carols (1947)
for soprano, flute and piano
Texts: Albert Rudhardt
Duration: 6' 00"

Concerto (1949)
for seven wind instruments (1.1.1.1/1.1.1.0/timp.perc/str)
Duration: 22' 00"

Ballad (1949)
for violoncello and small orchestra (2.2(ca).1.1/1.0.0.0/timp.2perc/hp/str)
Duration: 16' 00"

Ballad for violoncello (1949)
for violoncello and piano
Original version.
Duration: 16' 00"

Concerto (1950-1951)
for violin and orchestra (2(pic).2.2.2/2.2.1.0/timp/hp.pf/str)
Duration: 30' 00"

Ariel (1950)
Five chansons of Ariel
for mixed choir (SATB)
Texts: William Shakespeare
Duration: 13' 00"

Concert (1951-1952)
for harpsichord and small orchestra (2.1.1.1/2.1.0.0/str)
Duration: 20' 00"

Sonata da chiesa (1952)
for viola d'amore and string orchestra
Duration: 14' 00"

Passacaglia (1952)
for string orchestra
Duration: 13' 00"

Der Sturm (1952-1955)
Opera in three acts
for ten male voices, one female voice, a dancer, male choir, small mixed choir behind the scenes, ballet troop and large orchestra (3(pic).3(ca).3.sx.3(cbn)/4.3.3.1/timp.perc/hp.pf/str) and small orchestra (fl.2hn.tpt)
Texts: William Shakespeare (Friedrich Schlegel)
Cast:
The King Alonso (B)
Sebastian (B)
Prospero (BarB)
Antonio (T)
Ferdinand (T)
Gonzalo (BarB)
Adrian (T)
Caliban (B)
Trinculo (T)
Stephano (Bar)
A Bossmann (Bar)
Miranda (S)
Ariel, dancer
A Skipper
Iris
Ceres
Juno
Nymphs
A reaper
Ballet of sailors
Male choir
After "The Tempest"
Duration: 2h 30' 00"

Three excerpts from the opera 'Der Sturm' (The Tempest) (1952-1955)
for baritone and orchestra (2(pic).3(ca).3.3(cbn)/4.3.3.1/timp.perc/cel.hp.pf/str)
Texts: William Shakespeare
Overture and two airs of Prospero.
Duration: 25' 00"

Claire de lune (1952)
for piano
Duration: 3' 00"

Pavane couleur du temps (1954)
for small orchestra (1.1.1.1/1.0.0.0/timp/hp/str)
Duration: 6' 00"

Au clair de la lune (1955)
Three variations
for four-handed piano
Duration: 5' 00"
Manuscript

Etudes (1955-1956)
for two pianos
After the 'Etudes pour orchestre à cordes' (Etudes for String Orchestra).
Duration: 20' 00"

Etudes (1955-1956)
for string orchestra
Duration: 20' 00"

Overture in homage to Mozart (1956)
for orchestra (pic.2.2.2.2/2.2.0.0/timp/str)
Duration: 7' 00"

Short Piece (1957)
for flute, oboe and harp
Taken from 'Mystère de la Nativité' (The Mystery of the Nativity).
Duration: 5' 00"

Le Mystère de la Nativité (The Mystery of the Nativity) (1957-1959)
Christmas oratorio
for nine soloists, small mixed choir, male choir, large mixed choir and large orchestra (pic.2(2.pic).3(3.obdam).ca.3(3.bcl).2.cbn/4.3.3.1/timp.4perc/2hp/str)
Texts: Arnoul Gréban
Duration: 1h 45' 00"

Geneva Psalms (1958)
for mixed choir (SATB), male choir, orchestra (0.4(ca).0.2/0.3.3.0/timp.perc/str) and organ
Texts: Théodore de Bèze Clément Marot
Duration: 22' 00"

Rondeau Overture (1958)
for orchestra (3(pic).3(ca).3(bthn).3(cbn)/4.3.3.0/timp/xyl/2hp/str)
Duration: 11' 00"

Sonata da chiesa (1958)
for flute and string orchestra
Duration: 14' 00"

Drey Minnelieder (1960)
for soprano and piano
Texts: Anonymus; Dietmar von Eist; Walter von der Vogelweide
Duration: 9' 00"

Monsieur Pourceaugnac (1960-1962)
Comedy theatre in three acts
for two sopranos, alto, five tenors (or 2), two baritones, six bass (or 3) and orchestra (2.2.2.sx.2/2.2.3.1/timp/4perc/hp.pf/str)
Texts: Jean-Baptiste Molière
Cast:

Monsieur de Pourceaugnac (B)
Oronte (B)
Julie, daughter of Oronte (S)
Nérine, a scheming woman (A)
Lucette, a fake Languedocian (S)
Eraste, Julie's lover (Bar)
Sbrigani, Neapolitan, a scheming man (T)
First doctor (B)
Second doctor (T)
The chemist (Bar)
A liberated man (Bar)
A composer (S)
First musician (T)
Second musician (B)
First solicitor (B)
Second solicitor (T)
First Swiss (B)
Second Swiss (T)
A farmer
Two archesr
Two small girls
A man (silent extra)
Group of dancers
Duration: 1h 45' 00"

Drey Minnelieder (1960)
for soprano, flute, viola and violoncello
Texts: Anonymus; Dietmar von Eist; Walter von der Vogelweide
Duration: 9' 00"

Ode to music (1961)
for mixed choir (SATB) one trumpet, two horns, three trombones, piano and double-bass
Texts: Guillaume de Machaut
Duration: 9' 00"

Verse à boire (1961)
for mixed choir (SATB)
Folk tune from Anjou.
Duration: 3' 00"

Agnus Dei (1962)
for organ
Taken from "Messe".
Duration: 4' 30"

Passacaglia (1962)
for orchestra (3(pic).3(obdam&ca).2(bthn).3/4.2.3.1/timp/str)
Version of 'Passacaille pour orgue' (Passacaglia for organ, (1944)) for large orchestra.

Duration: 13' 00"

Inter arma caritas (1963)
for orchestra (2(2pic).4(obdam and ca).4(bthn).3/4.2.3.1/timp/str)
Duration: 7' 00"

Les quatres éléments (The Four Elemens) (1963-1964)
Symphonic etudes
for large orchestra (pic.2(2.pic).2ca.2(2.cl-e).bcl.asx.2.cbn/4.3.3.1/timp.3perc.glock.vib.2xyl/2hp.cel.pf/str)
1. La terre (Earth)
2. L'Eau (Water)
3. L'Air (Air)
4. Le Feu (Fire)
Duration: 20' 00"

Pilate (1964)
Short oratorio
for baritone (Pilate), mezzo-soprano, tenor, bass, mixed choir and orchestra (2(pic).2.2.2/4.2.3.1/timp.4perc/cel.pf/str)
Texts: Arnoul Gréban
Duration: 30' 00"

Concerto (1965-1966)
for violoncello and orchestra (2(pic).1.2.sx.1/2.1.1.0/timp.4perc/cel.hp.pf/str)
Duration: 28' 00"

Etude rythmique (1965)
for piano
Homage to Jaques-Dalcroze.
Duration: 2' 30"

Esquisse (1965)
Etude for the reading
for piano
Duration: 3' 15"

String Quartet (1966-1967)
for string quartet
Duration: 22' 00"

Concerto II (1968-1969)
for piano and orchestra (2(pic).2(ca).2.sx.2(cbn)/2.2.1.0/timp.2perc/hp/str)
Duration: 25' 00"

Maria-Triptychon (1968)
for soprano, violin solo and orchestra (2.2(ca).2.2(cbn)/2.2.1.0/timp/hp.pf/str)
1. Ave Maria (Martin Luther)
2. Magnificat (Martin Luther)
3. Stabat Mater (Paroissien Romain)
Duration: 22' 00"

Poems of Death (1969-1971)
for three male voices (TBarB) and three electric guitars
Texts: François Villon
1. Mort saisit sans exception
2. Mort, j'appelle ta rigueur
3. Ballade des pendus
Duration: 17' 00"

Erasmi monumentum (1969)
for large orchestra (3(pic).3(obdam.ca).3.sx.3(cbn)/4.3.3.1/timp.3perc/pf/str) and organ
Duration: 22' 00"

Three Dances (1970)
for oboe, harp, string quintet and string orchestra
Duration: 18' 00"

Requiem (1971-1972)
for four soloists (SATB), mixed choir and orchestra (2.(2.pic).2.2.2(2.cbn)/4.3.3.1/timp.5perc/hpd[=glock]/str) and organ
1. Introitus
2. Kyrie
3. Dies irae
4. Offertorium
5. Sanctus
6. Agnus Dei
7. In Paradisum
8. Lux aeterna

Duration: 45' 00"

Agnus Dei (1971-1972)
for alto and organ
Taken from "Requiem".
Duration: 5' 00"

Ballad (1972)
for alto and wind orchestra (2(pic).2(ca).2(bcl).2(cbn)/2.2.1.0/timp/hp/hpd)
Duration: 13' 00"

Polyptyque (1973)
for violin solo and two string orchestras
Duration: 25' 00"

Fantasy to the Flamenco Rhythm (1973)
for piano and dance ad lib.
Duration: 14' 00"

Notre père (1973)
for mixed unisono choir and organ
Duration: 2' 00"
Manuscript

Et la vie l'emporta (1974)
Chamber cantata
for alto solo and baritone solo, small vocal and instrumental ensmble (2fl.ob.obdam/hp.pf.posorg/6vn.2va.2vc.db)
Texts by Maurice Zundel, Martin Luther, Frank Martin, and anonymous from the 16th century.
Duration: 26' 00"

Frank Martin: Intégrale des oeuvres pour flûte (Musiques Suisses Nr. MGB CD 6275, 2012)

Works:

Martin, Frank: Ballade (1939)
Martin, Frank: Ballade (1941)
Martin, Frank: Sonata da chiesa (1958)
Martin, Frank: Ballade pour flûte (1939)
Martin, Frank: Sonata da chiesa (1941)

Frank Martin: Werke für Gitarre (Musiques Suisses Nr. MGB CD b6264, 2009)

Interpreters:

Brütsch, Tino

Works:

Martin, Frank: Etudes (1955-1956)
Martin, Frank: Quatre pièces brèves (1933)
Martin, Frank: Quant n'ont assez fait do-do (1947)
Martin, Frank: Drey Minnelieder (1960)
Martin, Frank: Poèmes de la mort (1969-1971)

Frank Martin: Cantate pour le temps de Noël (Musiques Suisses Nr. MGB 6259, 2007)

Interpreters:

Koch, Alois

Works:

Martin, Frank: Trois Chants de Noël (1947)

Info: www.fonoteca.ch

Frank Martin: Musique de chambre (Musiques Suisses Nr. 6241, 2006)

Works:

Martin, Frank: Sonate I (1913)
Martin, Frank: Sonate II (1931-1932)
Martin, Frank: Trio sur des mélodies populaires irlandaises (1925)
Martin, Frank: Quatre pièces brèves (1933)

Info: www.fonoteca.ch

20th Century. Swiss Organ Music (Guild Nr. 7285, 2005)

Works:

Honegger, Arthur: Fugue et choral, H. 14 (1917)
Martin, Frank: Agnus Dei (1962)
Martin, Frank: Passacaille (1944)
With more works of: Paul Müller-Zürich, Hans Vollenweider, Ernst Hess, Conrad Beck, Max Kuhn

Info: www.fonoteca.ch

Juon, Martin, Schnyder: Klaviertrios (Musiques Suisses Nr. 6215, 2004)

Interpreters:

Schweizer Klaviertrio

Works:

Martin, Frank: Trio sur des mélodies populaires irlandaises (1925)
Juon, Paul: Litaniae, op. 70 (1929)
With more works of: Daniel Schnyder

Info: www.fonoteca.ch

Camerata Bern (Musikszene Schweiz Nr. MGB CTS-M 69, 2000)

Interpreters:

Holliger, Heinz
Camerata Bern

Works:

Kelterborn, Rudolf: Variationen (1960)
Schoeck, Othmar: Sommernacht, op. 58 (1945)
Martin, Frank: Pavane couleur du temps (1920)
Martin, Frank: Etudes (1955-1956)
Huber, Klaus: Alveare vernat (1965)
Holliger, Heinz: Eisblumen (1985/2006)

Info: www.fonoteca.ch

Molto furioso (Musica Helvetica Nr. 99.2, 1997)

Works:

Martin, Frank: Ballade (1938)
With more works of: Paul Kletzki, Rolf Liebermann

Info: www.fonoteca.ch

Schweizer Chor-Musik, Vol. 2 (Swiss Pan Nr. 510 072, 1994)

Works:

Pagliarani, Mario: Paesaggio - Madrigale (1991)
Martin, Frank: Verse à boire (1961)
Furer, Arthur: Drei lieder nach texten von kurt marti (1977)
With more works of: Otto Barblan, Frank Martin, Robert Blum, Michel Hostettler

Info: www.fonoteca.ch

Konzertante Werke für Violine und Orchester von Schweizer Komponisten (Gallo Nr. CD 582, 1988)

Works:

Baer, Walter: Konzert für Violine und Orchester (1987)
Martin, Frank: Concerto (1950-1951)
Meier, Jost: Trames 1-4 (1969)

Info: www.fonoteca.ch

Martin, Frank: Correspondance 1934-1968, hrsg. von Jean-Claude Piguet, Neuchâtel 1976

Martin, Frank: A propos de ... Commentaires de Frank Martin sur ses oeuvres, Neuchâtel 1984

Martin, Frank: Lettres à Victor Desarzens, hrsg. von Peter Sulzer, Lausanne 1988

Martin, Frank: Ecrits sur la rythmique et pour les rythmiciens, les pédagoges, les musiciens, hrsg. von Marie-Laure Bachmann, Genève 1995

Martin, Frank: Correspondance Frank Martin - Jean-Claude Piguet (1965-1974), hrsg. von Jean-Claude Piguet, Chêne-Bourg Genève 2001

Lütteken, Laurenz: Artikel "Martin, Frank (Théodore)", in: Die Musik in Geschichte und Gegenwart (Zweite Auflage), Personenteil, Bd. 11, hrsg. von Ludwig Finscher, Kassel 2004, Sp. 1169-1175

Gärtner, Susanne: "...das religiöse Kunstwerk müsste seinen Urheber vergessen lassen...". Frank Martins "Golgotha" (1945-1948), in: "Entre Denges et Denezy...". Dokumente zur Schweizer Musikgeschichte 1900-2000, hrsg. von Ulrich Mosch, Mainz 2000, S. 199-205

Schreieck, Corinna: Aspekte zu "In terra pax" von Frank Martin, in: Musica Sacra 1 (2000), S. 10-12

Billeter, Bernhard: Frank Martin. Werdegang und Musiksprache seiner Werke, Mainz 1999

Billeter, Bernhard: Artikel "Frank Martin", in: Komponisten der Gegenwart. Loseblatt-Lexikon, München 1998

Klek, Konrad: "...auf dass Friede laut werde". Beobachtungen an Frank Martins Oratorium "In terra pax", in: Musik und Kirche 68 (1998), S. 178-185

Godel, Didier: Redécouverte d'une cantate de Frank Martin, in: Revue Musicale de Suisse Romande 49 (1997), S. 43-46

Hanheide, Stefan: "...das Wunder einer vollständigen Umwandlung des menschlichen Denkens und Fühlens". Zum friedensutopischen Gehalt von Frank Martins Oratorium "In terra pax", in: Osnabrückner Jahrbuch Frieden und Wissenschaft 3 (1996), S. 105-116

Schüssler, Kerstin: Frank MartinsMusiktheater. Ein Beitrag zur Geschichte der Oper im 20. Jahrhundert (Kölner Beiträge zur Musikforschung 193), Kassel 1996

Frank Martin, musique et ésthétique musicale. Actes du colloque de La Chaux-de-Fonds 1990, hrsg. von Eric Emery, Yverdon-les-Bains 1995

Baltensberger, André: Fragen des Métiers bei Frank Martin. Untersuchungen zu den Skizzen des Violinkonzerts, in: Quellenstudien I. Gustav Mahler - Igor Strawinsky - Anton Webern - Frank Martin, hrsg. von Hans Oesch (Veröffentlichungen der Paul Sacher Stiftung 2), Winterthur 1994, S. 157-234

Frank Martin. Das kompositorische Werk. 13 Studien, hrsg. von Dietrich Kämper (Kölner Schriften zur neuen Musik 3), Mainz 1993

Billeter, Bernhard: Die Harmonik in den Werken von Frank Martin, in: Harmonik im 20. Jahrhundert. Kongressbericht Hochschule für Musik und Darstellende Kunst Wien, hrsg. von Claus Ganter, Wien 1993, S. 9-17

Martin, Donna Sherrell: The piano music of Frank Martin. Solo and orchestral, Dissertation University of Cincinatti 1993

Seedorf, Thomas: Portrait der literarischen Form. Rilkes "Cornet" in der Vertonung von Frank Martin, in: Die Musikforschung 3 (1993), S. 254-267

Artikel "Martin, Frank", in: Baker's biographical dictionary of musicians (Achte Auflage), hrsg. von Nicolas Slonimsky, New York 1992, S. 1147-1148

Brandt, Regina: Religiöse Grundzüge im Werk von Frank Martin (Kölner Beiträge zur Musikforschung 174), Regensburg 1992

Szoka, Marta: Quelques remarques sur certaines aspects de la technique de basse obstinée dans l'oeuvre de Frank Martin, in: Mitteilungen der Paul Sacher Stiftung 5 (1992), S. 24-26

Dreher, Simone: Frank Martin. Ballade für Flöte und Klavier. Zum 100. Geburtstag des Komponisten am 15. September 1990, in: Tibia. Magazin für Freunde alter und neuer Bläsermusik 16 (1991), S. 347-357

Baltensberger, André: Frank Martin. Musikmanuskripte (Inventare der Paul Sacher Stiftung 10), Basel 1990

Billeter, Bernhard: Die geistlichen Werke von Frank Martin. Zum hundertsten Geburtstag, in: Musik und Kirche 60 (1990), S. 233-244

Cooke, Mervyn: Frank Martin's early development, in: Musical Times 1771 (1990), S. 473-478

King, Charles W.: Frank Martin. A bio-bibliography (Bio-bibliographies in music 26), Westport, CT 1990

Martin, Maria: Souvenirs de ma vie avec Frank Martin, Lausanne 1990

Stegemann, Michael: Die wiedergefundene Mitte. Zum 100. Geburtstag des Komponisten Frank Martin, in: Musica 5 (1990), S. 297-301

Melroy, Mardia: Frank Martin's "Golgotha", Dissertation University of Illinois 1988

Piguet, Jean-Claude: Frank Martin, in: Komponisten des 20. Jahrhunderts in der Paul Sacher Stiftung, hrsg. von Felix Meyer, Basel 1986, S. 159-168

Schubert, Giselher: Frank Martin. Violinkonzert, in: Melos 4 (1986), S. 20-35

Shigihara, Susanne: In terra pax. Anmerkungen zu Frank Martins Oratorium, in: Beiträge zur Geschichte des Oratoriums seit Händel. Festschrift Günther Massenkeil zum 60. Geburtstag, hrsg. von Rainer Cadenbach, Bonn 1986, S. 513-532

Tappolet, Walter: Briefwechsel mit Frank Martin, in: Musik und Gottesdienst 40 (1986), S. 11-13

Frank Martin. Die Welt eines Komponisten, hrsg. von Société Frank Martin, Genève 1984

Billeter, Bernhard: Frank Martins Bühnenwerke, in: Schweizer Theaterjahrbuch 45 (1983), S. 90-108

Vantine, Bruce Lynn: Four Twentieth-Century Masses. An analytical comparison of style and compositional technique, Disseration University of Illinois 1982

Martin, Maria: Un compositeur médite sur son art. Ecrits pensées recueillis pas sa femme, Neuchâtel 1977

Billeter, Bernhard: Werkverzeichnis Frank Martin, in: Schweizerische Musikzeitung 5 (1976), S. 378-381

Billeter, Bernhard: Die letzten Vokalwerke Frank Martins, in: Schweizerische Musikzeitung 5 (1976), S. 344-351

Regamey, Constantin: Les Eléments flamenco dans les dernières oeuvres de Frank Martin, in: Schweizerische Musikzeitung (1976), S. 351-359

Stenzl, Jürg: Bibliographie der Schriften von Frank Martin, in: Schweizerische Musikzeitung (1976), S. 381-383

Martin, Bernard: Frank Martin ou la réalité du rêve, Neuchâtel 1973

Billeter, Bernhard: Die Harmonik bei Frank Martin. Untersuchungen zur Analyse neuerer Musik (Publikationen der Schweizerischen Musikforschenden Gesellschaft 23), Bern 1971

Fischer, Kurt von: Frank Martin, in: Schweizerische Musikzeitung (1971), S. 3-7

Billeter, Bernhard: Frank Martin. Ein Aussenseiter der neuen Musik (Wirkung und Gestalt 9), Frauenfeld 1970

Ansermet, Ernest: Frank Martins historische Stellung, in: Österreichische Musikzeitschrift 24 (1969), S. 137-141

Frank, Martin: Entretiens sur la musique, hrsg. von Jean-Claude Piguet, Neuchâtel 1967

Klein, Rudolf: Frank Martins jüngste Werke, in: Österreichische Musikzeitschrift 20 (1965), S. 483-486

Artikel "Martin, Frank", in: Schweizer Musiker-Lexikon, hrsg. von Willi Schuh (et al.), Zürich 1964, S. 245-247

Tupper, Janet Eloise: Stylistic analysis of selected works by Frank Martin, Dissertation University of Indiana 1964

Koelliker, Andrée: Frank Martin. Biographie, les oeuvres, ecriture et expression musicale, Lausanne 1963

Klein, Rudolf: Frank Martin. Sein Leben und Werk, Wien 1960

Ansermet, Ernest: Der Weg Frank Martins, in: Österreichische Musikzeitschrift 11 (1956), S. 172-175

Gagnebin, Henri: Artikel "Frank Martin", in: 40 Schweizer Komponisten der Gegenwart, hrsg. von Schweizerischer Tonkünstlerverein, Amriswil 1956, S. 105-113

Frank, Alan: New music works by Frank Martin, in: Musical Times 1328 (1953), S. 461-462

Fischer, Kurt von: Frank Martin. Überblick über Werk und Stil, in: Schweizerische Musikzeitung 3 (1951), S. 91-96

Ansermet, Ernest: Ce qu'il y a de nouveau dans la musique de Frank Martin, in: Mitteilungen des Basler Kammerorchesters, Basel 1948, S. 23-24

Schuh, Willi: Frank Martin, in: Schweizer Musik der Gegenwart. Kritiken - Essays - Ansprachen (Kritiken und Essays 3), Zürich 1948, S. 131-145

Artikel "Martin, Frank", in: Schweizer Musikbuch. Musikerlexikon, Bd. 2, hrsg. von Willi Schuh (et al.), Zürich 1939, S. 135-136

Artikel "Martin, Frank", in: Historisch-Biographisches Musikerlexikon der Schweiz, hrsg. von Edgar Refardt, Leipzig Zürich 1928, S. 202