Corner Stones (1946)for piano
Nineteen simple contrapuntal studies; Two-part, between Bach and Bartok.
Duration: 10' 00"
SME/EMS
3 Klavierstücke (1947)Pieces of ‘temperately’ modern music.
Tanz - Legende - Finale.
Duration: 7' 00"
SME/EMS
Sonata (1948)for flute and piano
An unusual example of a sonata in three movements of the so-called ‘temperately modern’. A slow introduction, fast first movement with a syncopated theme, adagio, allegro and a kinetic ending.
Duration: 18' 00"
Israel Music Institute
Notturno für Klavier (1949)Short introduction and melody: elements of these two forms are developed further during the course of this piece.
Duration: 4' 00"
SME/EMS
"Morning Song" and "Day is Gone" (1949)for singing and piano
Texts: Elisheba
The morning song is quick and rhythmical, the evening song slow and elegiac.
Duration: 4' 30"
SME/EMS
Mouvement in F (1950)for piano
Energetic key beating, toccata-like segments alternate with a middle eastern influenced melody.
Duration: 15' 00"
SME/EMS
Sextet for Woodwinds and Piano (1951)for flute, oboe, clarinet, horn, bassoon and piano
The sextet is basically a dialogue between the rhythmic ‘Western’ elements of the piano and the lyrical ‘Eastern’ elements of the wind quintet, Both opposing elements are born from the same core.
Duration: 7' 00"
Israel Music Institute
Improvisation (1952)for viola solo
The starting point of this piece was my improvisation based on the liturgical singing style of the Muezzins.
Israel Music Institute
Toccata (1953)for orchestra (2.2.2.2/0.0.0.0/pf/perc/str)
This piece was awarded the Engel prize of the city of Tel-Aviv after its first performance by the Israel Philharmonic Orchestra.
Duration: 10' 00"
Israel Music Institute
Been Arbaim Bayam - Dämmerung beim Meer (1959)for singing and piano
Texts: Dvora Levinson
Quiet but syncopated undulations alternating with highly charged, stormy passages.
Duration: 2' 00"
SME/EMS
Stück für 3 Blockflöten (1962)
Manuscript
5 Birthdays (1965)piano solo
Duration: 5' 00"
Israel Music Institute
Vorlage für Horák (1970)for bass clarinet solo
A model of pitch without any note value. Verbal instructions are to be given in all segments as to what is to be performed; only the first and last segments have the rhythmical configuration exactly notated.
Duration: 4' 00"-6' 00"
Israel Music Institute
Fermaten (1977)piano solo
Wait till silence settles ... a figure consisting of four notes gropes its way upwards, stops ... hits with sforzato ... rewinds into itself ... more take-offs and stops follow.
Duration: 6' 00"-7' 00"
Israel Music Institute
Einwürfe (1984)
for viola
Duration: 6' 30"
Manuscript
Kreise und Signale (1985)for two pianos
Open form, based on given tone material. With the influence of a few rules a free form results.
Duration: 7' 00"-60' 00"
SME/EMS
Alef - Beth - Gimmel (1991-1992)for piano
The whole piece is derived from three chords (Alef, Beth, Gimmel). Already the beginning reproduces the speech rhythm of the first three letters of the Hebrew alphabet.
Duration: 12' 00"
SME/EMS
AIM - Aufruhr in Mykene (1997)
Duet
for two computers, two screens and hi-fi unit
Duration: 7' 00"-11' 00"
Manuscript
Bergvariationen (Versione Milanese) (1999)
Duet
for two computers, two screens and hi-fi unit
Duration: 10' 00"-13' 00"
Manuscript
GS 3 (Versione Milanese) (1999)
Duet
for two computers, two screens and hi-fi unit-30' 00"
Manuscript
S + N (Versione Milanese) (1999)
Duet
for two computers, two screens and hi-fi unit
Duration: 8' 00"-10' 00"
Manuscript
BX / Jan 2000 (2000)
Duet
for two computers, two screens and hi-fi unit
Duration: 8' 00"
Manuscript
NX / März 2000 (2000)
Duet
for two computers, two screens and hi-fi unit
Duration: 8' 00"
Manuscript
ANB - Alpha-numerisches Ballett (2001)
Duet
for two computers, two screens and hi-fi unit
Duration: 5' 00"-20' 00"
Manuscript
Zahl und Zufall (2001)
Duet
for two computers, two screens and hi-fi unit
Duration: 10' 00"
Manuscript
Giovanni Segantini (1997-1998)
Duet
for 2 computers, 2 screens and 1 speaker
Duration: 12' 00"-20' 00" (je nach Text)
Manuscript