Sonate (1926)
for piano

Kleine Suite (small suite) (1929)
for piano

Sextett (1930)
for flute, oboe, clarinet, bass clarinet, horn and bassoon

Vier Lieder nach Gedichten von C. F. Meyer (four lieder after poems by C. F. Meyer) (1930)
for voice and piano

Quatuor à cordes (en forme de suite), op. 1 (string quartet in the form of a suite, op. 1) (1932)
Duration: 14' 00"

Sonatine (1932)
for violin and piano

Hymnes (1933)
for string orchestra

Scherzo (1933)
for piano

Trio (1933)
for 2 violins and viola

Printemps, op. 2 (1939)
for female choir and piano
Texts: Louise Wicki
Duration: 6' 00"

Tourbillon, op. 3 (1942)
for violoncello and piano
Duration: 4' 00"

Mariae Sehnsucht, op. 4a (1934)
for two voices (soprano) and string quartet
Texts: Joseph von Eichendorff
Duration: 5' 00"

La Vierge au jardin, op. 4b (1934)
for soprano, flute and strings
Texts: Louise Wicky
"Mariae Sehnsucht", second version.
Duration: 5' 00"

Sérénade, op. 5 (1934)
for string orchestra
Duration: 10' 00"

Trois Chansons, op. 6 (1935)
for three female voices and violoncello
Texts: Louis Tournier

Morgenlied (1935)
for male choir
Texts: Joseph von Eichendorff

Fantaisie (1935-1936)
for piano and orchestra
Duration: 14' 30"

Suite, op. 7a (1940)
for flute, violin, viola, violoncello and harp
Duration: 16' 00"

Prologue et quatre danses, op. 7b (1942)
for clarinet, violin, viola, violoncello and piano
Duration: 6' 00"

Cinq chansons dans le style populaire, op. 8a (1943)
for monophonic choir (or soprano) and piano
Texts: Louise Wicky
Duration: 12' 00"

Airs d'outre-manche, op. 8b (1939-1940)
Twenty popular English songs
for 2 or 3 voices
Texts: Alice Pigott

Quintette, op. 9 (1943)
for piano and string quartet
Duration: 25' 00"

Trois pièces, op. 10 (1944)
for violoncello and piano
Duration: 13' 00"

Petit concerto, op. 11a (1946)
for harp and six wind instruments (fl.ob.cl-a.Ebsx.bn/tpt)
Duration: 23' 00"

Concerto, op. 11b (1946/49)
for harp and orchestra (2.2.2.2/2.2.1.1/timp.perc/str)
Duration: 23' 00"

Enluminures, op. 12 (1942-1944)
six pieces
for large organ
Duration: 21' 00"

Sancta et Immaculata, op. op. 13, 1 (1943)
Motet
for soprano, baritone and organ
Duration: 4' 00"

Cantate Domino, op. 13, 3 (1943)
for 4 part mixed choir
Duration: 3' 00"

Introduction et Allegro (1946)
for 2 pianos
Duration: 7' 00"

Musique de Concert, op. 14 (1947)
for string orchestra
Duration: 18' 00"

Suite, op. 15 (1947)
for harp
Duration: 10' 00"

La boîte de Pandore, op. 16 (1946)
Ballet in one scene
version for piano
Duration: 25' 00"

Suite, op. 16b (1948)
for ondes Martenot and harp
Duration: 12' 00"

Dix préludes aux Psaumes, op. 17 (1947)
for organ (without pedals)
Duration: 17' 00"

Requiem, op. 18 (1948)
for a-cappella choir and soprano solo
Duration: 26' 00"

Recueil de 40 pièces de difficultés progressives, op. 19 (1945-1946)
for harmonium or organ without pedal

Melos, op. 20 (1948)
Ballet
reduction for piano

Il me souvient des heures claires, op. 21 (1949)
Chanson
for mixed a-cappella choir
Texts: Louise Wicky

Their Bodies are Buried in Piece, op. 22 (1949)
Anthem
for soprano solo, mixed choir and organ

Choral, Interlude et Adagio, op. 23 (1948-1949)
for harp and organ

Cantate médiévale, op. 24 (1937)
for mixed choir, soprano, bass, organ, 2 trumpets and string quartet
Texts: Jean Prudhommeaux

Palm-Sunday, op. 25 (1950)
Anthem
for soprano solo, mixed choir and organ

Concert pour les violons du Roi, op. 26 (1949)
for string orchestra
Composed after a basso continuo by Jean-Féry Rebel (1666-1747).
Duration: 10' 00"

From All that Dwell, op. 27 (1950)
Anthem
for choir and organ
Duration: 3' 00"

Lasset die Kindlein zu mir kommen, op. 28 (1950)
A small oratorium
for bass or alto solo, mixed choir, flute and organ
Duration: 14' 00"

Paradis perdu, op. 29 (1951)
for four-part mixed choir
Texts: Maurice Faure
Duration: 7' 00"

Triptyque, op. 30 (1951)
for flute and guitar
Ballade - Songe - Jeux.
Duration: 10' 00"

Trois mélodies, op. 31 (1950)
for soprano and piano
Texts: Lucien George-Graves
1. Destination
2. Sommeil
3. Joie
Duration: 9' 00"

Abendlieder, op. 32 (1951)
Three pieces
for piano
Crépuscule - Soirée - Minuit.
Duration: 10' 00"

Horizons d'or, op. 33 (1952)
Suite
for chamber orchestra
1. Sur la grande route
2. La cantique des étoiles
3. Panorama
Duration: 12' 00"

La fille au fouet, op. 34 (1952)
Film music
for orchestra
The editor Choudens has published a "Suite valaisanne" for orchestra based on this film music.

Das magische Schattenspiel, op. 35 (1953)
5 melodies
for baritone and piano
A round of songs after Persian poems from the 11th century.
German translation by Friedrich von Schack.
Duration: 10' 00"

Spirit Divine, op. 36a (1952-1953)
Anthem
for soprano and organ or piano
Duration: 3' 00"

Saviour, Like a Shepard Lead Us, op. 36b (1957)
Anthem
for soprano, alto, bass and organ

Townscape, op. 37 (1953)
Symphonic poem
for orchestra (pic.1.2.2.2/4.3.3.0/timp.3perc/2hp/str)
Duration: 11' 00"

Grange-Blanche, op. 38 (1953)
Film music
for orchestra and two a-cappella choirs

Fünfstimmiger Kanon für einen Geburtstag, op. 39 (five-part canon for a birthday, op. 39) (1954)
Texts: Bernard Schulé

Fünfzig Intonationen, op. 40a (fifty intonations, op. 40a) (1932-1953)
for organ

Dreiunddreissig Intonationen, op. 40b (thirty-three intonations, op. 40b) (1955)
for organ

Triptyque, op. 41 (1954)
for organ
Duration: 10' 00"

Miroirs contrastes, op. 42 (1952-1954)
for baritone, mixed choir and chamber orchestra (2.2.2.2/2.2.1.0/2perc/pf/str)
Texts: Jean-Joël Barbier
Duration: 22' 00"

Almighty God, Give Us Grace, op. 43 (1952)
Anthem
for soprano, mixed choir and organ
Duration: 4' 00"

Anthem for Easter, op. 44 (1952)
for mixed choir with solo and organ
Duration: 4' 00"

S'Waisechind vo Engelberg, op. 45 (1958)
From the Swiss film bearing the same name
for orchestra
This work is extracted from the film of the same name (French title "Bonjour jeunesse), the first Swiss film made in color.

Klage der Menschheit, op. 46 (1955-1957)
for speaker, mezzo-soprano or tenor and orchestra (2.2.2.2/3.2.1.0/2perc/hp/str)
Texts: Hermann Hiltbrunner
Duration: 15' 00"

Petit livre d'orgue, op. 47 (1958)
Partita
for large organ

Open your eyes, op. 48 (1959)
for orchestra
Music for a documentary film about Morocco by the World Health Organisation.
Duration: 20' 00"

Quatre pièces de William Byrd, op. 49 (1943-1946)
Arrangements
for organ

Land und Ländli, op. 50a (1959)
for bass or baritone, mixed choir and orchestra
Texts: Max Werner Lenz
Duration: 46' 00"

Terre libre, op. 50b (1960)
for mixed choir
Texts: Maurice Budry

Terre libre, op. 50c (1960)
for male choir
Texts: Maurice Budry

Métamorphoses sur un ancien air, op. 51 (1960)
for large orchestra
Duration: 12' 00"

Schlummerlied, op. 52 (1960)
for flute, violin, two-part choir and piano
Texts: Karl Stamm
Duration: 2' 00"

ntroitus ad ceremoniam, op. 53 (1960)
for orchestra (pic.2.2.2.bcl.2.cbn/4.3.3.1/timp.2perc/hp/str)
Duration: 7' 30"

Nicolas mon ami, op. 54 (1961)
Film music
for chamber orchestra
Duration: 25' 00"

Mit Siegeln bekräftigt, op. 55 (1959)
Cantata
for bass or baritone, mixed choir and piano
Texts: Max Werner Lenz

Christ ist erstanden, op. 56 (1959)
for unisono choir (and organ ad libitum)
Texts: Arno Pötzsch
Duration: 3' 00"

Land of Promise, op. 57 (1959-1960)
An opera in one act
Texts: William Somerset Maugham

Résonances, op. 58 (1961)
for brass quintet (1.2.1.1)
Duration: 8' 00"

Perspectives, op. 59 (1962)
7 pieces
for piano
Duration: 13' 00"

Diptychon, op. 60 (1961)
Sonata
for violin solo
Duration: 9' 30"

Receuils artificiels de chansons isolées, op. 61 (1960-1975)
for voice and piano
Composed for Elsie Attenhofer.

Schiffsreise, op. 62 (1960-1975)
Collection of chansons
for voice and piano
Composed for Elsie Attenhofer.

Victoria in Jolywood, op. 63 (1959)
Musical
for four-handed piano and complete percussion
Texts: Max Werner Lenz

Pardonnez-nous nos démences, op. 64 (1963)
Spoken opera
with large orchestra
Texts: Bernard Falciola
Duration: 33' 00"

Adagio, op. 64 (1963)
for orchestra

Lobe den Herren, den mächtigen König (1963)
for organ without treadle

Le Tourniquet, op. 65 (1964)
Short overture
for orchestra
Duration: 1' 15"

Circarama, op. 66a (1964)
Film music
for orchestra
For the Walt Disney production at the SBB pavilion of the Swiss National Exhibition in Lausanne 1964.
Duration: 19' 00"

Magie du rail, op. 66b (1964)
Version for concert
for orchestra (2.1.2.1.cbn/4.3.3.1/timp.perc/hp/str)

Helanca-Story, op. 67 (1965)
Advertisement jingle
for orchestra

Hymn de l'UIT, op. 68 (1965)
for fanfare (brass orchestra)
For the International Telecomunications Union.
Duration: 2' 00"

Indicatif (1965)
for symphonic orchestra

Strophe et danses, op. 69 (1966)
Suit in 5 pieces
for flute and harp
Duration: 16' 00"

To Day Africa, op. 70 (1966)
Film music
for a light instrumental ensemble

Geheimnis Leben, op. 71 (1966)
Film music
for orchestra

Vier Lieder, op. 72 (1966)
for voice and piano
Texts: Alfred Stückelberger
1. Am Abend
2. Der Ruf
3. DEr Engel
4. Frühling
Manuscript

Crescendo, op. 73 (1966)
for symphonic orchestra (2.1.2.1/2.2.2.0/timp.2perc/hp.cel/str)
Duration: 4' 00"

Der Affe, op. 74 (1967)
Chanson
for voice and instrumental ensemble

L'esprit et l'epouse, op. 75 (1967)
Piece for television
for precentor and orchestra (2.2.2.2/3.2.1.0/timp.perc/str)
Texts: Rolland Chaput de Saintonge
After a spiritual hymn by Saint John of the Cross.
Duration: 13' 00"

L'Or de leurs corps, op. 76 (1967)
Cantata
for baritone and orchestra (2.2.2.2/3.2.1.0/timp.2perc/hp/str)
Texts: Bernard Falciola

"... und denken nicht, was geschehen", op. 77 (1967)
Oratorium
for speaking choir, speaking soli and orchestra (1.1.2.1/2.2.1.0/perc/pf)
Texts: Daniel Bischofberger
Duration: 37' 00"

Eglogue, op. 78, 1 (1967)
Film music
for harp solo

Ahsante, op. 78, 2 (1966-1967)
Film music
for small orchestra

Gerbe pour Dolly, op. 79 (1968)
7 pieces
for piano
Duration: 14' 00"

Deuxième Sérénade, op. 80 (1968-1969)
for flute, piano and string orchestra
Duration: 12' 00"

Gong and Strings, op. 81 (1969)
Concerto
for double bass and chamber orchestra
Duration: 18' 00"

Visages, op. 82 (1969)
for twelve a cappella voices
Texts: Bernard Falciola
Duration: 6' 00"

Petite livre de formes musicales, op. 83 (1969)
Eight rather easy pieces
for flute or oboe and piano
Duration: 13' 00"

Musique pour un film imaginaire, op. 84 (1969-1970)
for harp solo

Géométrie animée, op. 85 (1970)
for percussion and electronic tape
Duration: 8' 00"

Bis zu dem Ende aller Enden, op. 86 (1970)
Three pieces
for mixed choir and instruments (2fl.ob[=cl]/hn/str.quintet)
1. Die KInder (Max Werner Lenz)
2. Das ABC des Clowns (Erwin Tauber)
3. Herr, in Deine Hände (16. Jh.)
Duration: 14' 00"

Angeli musicanti, op. 87 (1971)
Three pieces
for organ
Duration: 11' 00"

Concertino, op. 88 (1971)
for piano and wind orchestra
Duration: 13' 00"

Glissando, op. 89 (1974)
Film music
for orchestra
Duration: 14' 00"

Passage au Zénith, op. 90 (1972-1973)
for pre-recorded clarinet and electronic sounds superposed with clarinet
Duration: 8' 00"

Variationen über ein Urner Tanzlied, op. 91 (1975)
for brass band
Duration: 9' 00"

Sinfonie, op. 92 (1972)
for children's orchestra (recorders, violins, celli, percussion, guitar and piano)
Duration: 10' 00"

Stern und Lampe, op. 93 (1973)
for male choir and wind orchestra
Texts: Hans Schumacher
Duration: 12' 00"

Il Clar, op. 94 (1973)
for male choir (4-part male choir)
Texts: Hendri Spescha
Duration: 4' 00"

Das Doppelglück der Töne, op. 95 (1973)
Two Goethe poems
for male choir, any four wind instruments and percussion
Texts: Johann Wolfgang Goethe
Duration: 8' 00"

Antithèse, op. 96 (1973)
for brass ensemble
Duration: 5' 00"

Konzert, op. 97 (1974)
for oboe and wind orchestra
Duration: 14' 00"

Hommage à l'accord majeur, op. 98 (1975)
Concerto grosso
for principal violin and orchestra (2.1.0.0/2.0.0.0/timp/str)
Duration: 10' 00"

Fêtes au soleil, op. 99a (1976)
Chanted story
for monophonic choir and instruments (flute, 2 trumpets, baritone, tuba, piano)
Texts: Huguette Junod
Duration: 23' 00"

Fêtes au soleil, op. 99b (1976-1977)
Histoire chantée
for choir and piano
Texts: Huguette Junod
Duration: 23' 00"

Und werdet sein wie Gott, op. 100 (1976)
Music in the form of an oratorio
for soli (SAT), mixed choir, speaking choir and orchestra
Texts: Peter Anliker, Emil Wächter
Duration: 56' 00"

Quadrille, op. 101 (1976)
for guitar

Gaillarde symphonique, op. 102 (1977)
for wind orchestra
Duration: 7' 00"

Urbs salve regia, op. 103a (1977)
for brass band or brass ensemble
Duration: 8' 00"

Urbs salve regina, op. 103b (1977/79)
for transverse flute ensemble
Duration: 8' 00"

Contraste, op. 104 (1977-1978)
for wind orchestra
Duration: 8' 00"

Sonate, op. 105 (1977)
for double bass and string quartet
Duration: 18' 00"

La musique s'approche...., op. 106 (1977)
for male choir, piano, trumpet, double bass and small percussion
Texts: Marc Bosset
Duration: 9' 00"

Scènes de cortège, op. 107 (1978)
for wind orchestra
Duration: 8' 00"

Le taupier, op. 108 (1978)
for male choir
Texts: Charles Ferdinand Ramuz

Le lodi degli angeli, op. 10 (1979)
for string orchestra
Duration: 10' 00"

Tumulte aux pays des épices, op. 110 (1979)
Scenic fantasy
for children's choir and instrumental ensemble
"Tumulte aux pays des épices" is a scenic work in the form of a triptych in which Schulé has composed the music for the second picture.

Jubilation, op. 111 (1979)
for five flutes or other instruments
Duration: 10' 00"

Arc-en-ciel, op. 112a (1980)
Original version
for soprano or tenor, mixed choir, children's choir, trumpet and piano
Texts: Huguette Junod, Muriel Bernardi, Jean des Vignes

Arc-en-ciel, op. 112b (1980/82)
Definitive version
for soprano or baritone ad lib., mixed choir, female choir, trumpet and choir
Texts: Huguette Junod, Muriel Bernardi, Jean des Vignes

Swiss Sally, op. 113 (1980)
for brass band

Kirchenfeld Serenade, op. 114 (1980)
for orchestra (2.1.2.1/2.1.0.0/timp.perc/str)
Duration: 16' 00"

Mélodie pour un ami, op. 115 (1980)
In memory of Daniel Buffat
for soprano, violin and piano
Texts: Vio Martin
Duration: 11' 00"

Nocturne, op. 116 (1981)
for male choir, children's voice, trumpet and piano
Texts: Jean de Vignes
Duration: 7' 00"

Le Temps de Noël, op. 117 (1980)
for children's choir, piano, glockenspiel and violoncello ad libitum
Texts: Edith Collet
Duration: 4' 00"

Spieluhr-Sinfonie, op. 118 (1981)
for junior ensemble
Duration: 9' 00"

Bonjour Genève, op. 119 (1981)
March
for wind instruments or fanfare
Duration: 4' 00"

Die Ballade von der Grille, op. 120 (1981)
A narrative to be sung
for children's choir with piano, violin and optional percussion
Texts: Magdalena Niklaus
Duration: 8' 30"

Serrières, enfant de la rivière, op. 121 (1981)
Electronic music
Written together with Emile Ellberger for a "promenade spectacle" (sound and light) in Serrières.

Un souffle d'espérance, op. 122 (1982)
for mixed a-cappella choir or for children's choir and instruments
Texts: Huguette Junod

Les promesses du blé, op. 123 (1981)
Cantata in three movements
for baritone solo, mixed choir and brass ensemble
Texts: Georges Haldas
Duration: 13' 00"

Fanfares et Chansons de bergers, op. 124 (1981-1982)
for reed trio (oboe or clarinet and bassoon or bass clarinet)

Cantate du carillon, op. 125 (1982)
for monophonic choir and instruments with piano
Texts: Gil Pidoux

Carillon de fête, op. 126 (1982)
Fresco
for glockenspiel and brass ensemble (fanfare) with unisono choir ad libitum
Texts: Gil Pidoux

Élégie, op. 127 (1982)
for string orchestra
Duration: 7' 00"

Mariastein-Diptychon, op. 128 (1982)
for brass band
Duration: 7' 00"

Reste avec nous, Seigneur, op. 129 (1982)
for mixed choir (with or without organ)
Texts: François Chagneau
Duration: 3' 00"

Concerto pour les moineaux, op. 130 (1983)
for four-handed piano
Duration: 9' 00"

La trompette en or, op. 131 (1983)
Suite
for choir with three identical voices (or mixed choir) and four-handed piano
Texts: Jacques Debronckart
Duration: 4' 00"

La Barcarolle, op. 132, 1 (1983)
for monophonic choir, glockenspiel and violoncello
Texts: Pierre Riehling

Un triste Sire, op. 132, 2 (1984)
for 1 or 2-part choir (and melodic instrument ad libitum)
Texts: Pierre Riehling
Duration: 3' 00"

Büsserach, op. 133 (1983)
for brass band

S Schwyzerländli (1983)
for mixed choir
Harmonisation and yodel based on a popular theme by J.C. Willi.

Poème à la vie, op. 134 (1984-1985)
Tryptic
for mixed choir and instrumental ensemble (fl, pf, string quintet)
Texts: Pierre Riehling

Messe des colombes, op. 135 (1984)
for ensemble and mixed a-cappella choir or with organ and orchestra (2.0.3.0/0.1.1.0/str) ad lib.
Duration: 12' 00"

Nos charmants petits villages (1984)
for mixed a-cappella choir
Harmonisation of a melody by Emile Jaques-Dalcroze for voice and piano.

Capriccio festivo, op. 136 (1985)
for wind band
Duration: 8' 00"

Richard Wagner: "Träume", op. 137 (1983)
Arrangement
for violin solo and string orchestra
Duration: 5' 00"

L'autre Don Juan, op. 138 (1984)
Theatre music for the play by Eduardo Manet
for soli, strings and ensemble (fl, pf, perc)

Le masque dansant, op. 139 (1985)
for wind band
Dedicated to Claude Delley.
Duration: 5' 00"

Fanfare et envol, op. 140 (1985)
Two pieces
for symphonic orchestra (2.0.3.bcl.0/2.1.3.0/timp.perc/str)
Duration: 6' 00"

Campanae Turicenses, op. 141 (1985)
Zurich bells - festive music
for wind band or brass band

Neuf chansons populaires de Provence, op. 142 (1983)
for choir with two identical voices and small orchestra (recorders, flutes, clarinets, sax, perc, strings without viola)
Texts: Laura Trinidad

Sonne, Wellen, Wolken, op. 143 (1985)
Concert waltz
for wind band
Duration: 11' 00"

L'album de Nicolas, op. 144 (1985)
Themes
for 1,2 or 3 recorders

Le Noël de mes frères, op. 145, 1 (1985)
for mixed a-cappella choir
Texts: Bernadette Beaud

Chante carillon, op. 145, 2 (1985)
for mixed choir and glockenspiel ad libitum
Texts: Pierre Riehling

Intercession, op. 145, 3 (1985)
for mixed a-cappella choir

Hommage à Charles ves, op. 146 (1985)
for flute, viola and piano
Duration: 2' 00"

Louange, op. 147 (1985)
Motet
for mixed choir and organ
Extract from "La trompette en or", op. 131.
Duration: 5' 00"

Sinfonietta, op. 148 (1986)
for strings
Duration: 8' 00"

Vision du printemps, op. 160 (1985)
for symphonic orchestra (2.2.2.2/3.3.3.1/dm,cym,bdrm,timp/str)
Duration: 15' 00"

Pantalon et Colombine (1995)
for guitar
Duration: 6' 30"

Suite Valaisanne
for orchestra (2.2.2.2/2.2.1.0/perc/pf.hp/str)
Fête à Zermatt - Orage sur le Furka - Reflets de Saas Fee - Valseurs à Leukerbad.
Other composer: Felix Jean Jardon.
Duration: 14' 00"

Les regards du Lac
for youth ensemble (fl, 2vn, vc, pf)
Duration: 10' 00"

Accord parfait, op. 182
Trio
for flute, violoncello and piano
Duration: 13' 00"

Diptychon, op. 183
for four harps
Duration: 8' 00"

Rhapsodie, op. 184
for violin, violoncello and piano
Duration: 14' 00"

Un hommage à Nadia Boulanger
Sonata
for violoncello and piano
Duration: 14' 00"

Brèves pièces de musique de chambre, op. 187
for two violins and piano
Chanson - Ballade - Danse.
Duration: 8' 00"

Variations sur un Noël anglais, op. 189
for harp
Duration: 6' 00"

Schulé, Bernard: Vom Theorieunterricht in Paris, in: Der Bindebogen (6. Juni 1933) (1933), S. 102-103

Schulé, Bernard: Le concerto pour deux pianos d'Igor Stravinsky, in: Le Monde musical (31. déc. 1935) (1935)

Schulé, Bernard: Musik in Paris, in: Der Bund (25. Nov. 1937) (1937), S. 3

Schulé, Bernard: Rostands "Aiglon" als Oper, in: Neue Zürcher Zeitung (7. Sept. 1937) (1937)

Schulé, Bernard: Organistes parisiens, in: Der Organist (Sept. 1946) (1946), S. 69-71

Schulé, Bernard: Schweizer Musik in Paris, in: Der Bund (3. März 1947) (1947), S. 3

Schulé, Bernard: Ein Schweizer Ballet in Genf, in: Neue Zürcher Zeitung (5. Nov. 1963) (1963)

Schulé, Bernard: Warum ich als Komponist in religiöser Musik auch dem Jazz entlehnte Elemente benütze, in: Warum neue Religiöse Lieder? Eine Dokumentation, hrsg. von Günter Hegels, Gustav Bosse, Regensburg 1964, S. 58-59

Schulé, Bernard: L'accord majeur et l'accord mineur. Essai d'une nouvelle explication, in: Revue musicale de Suisse romande 1 (1975)

Schulé, Bernard: En hommage à Nadia Boulanger, in: Revue musicale de Suisse romande 2 (1980), S. 70-75

Schulé, Bernard: Rienzi ist Meyerbeers beste Oper. Frankreichs Einfluss auf Richard Wagner und Richard Wagners Einfluss auf Frankreich, in: Der kleine Bund. Beilage für Literatur und Kunst (17. Sept. 1983) (1983), S. 1

Schulé, Bernard: Wagner, Paris et la musique française, in: Revue musicale de la Suisse romande (mai 1984) (1984), S. 72-78

Schulé, Bernard: Richard Wagners Einfluss auf die Verwendung von Blasinstrumenten bei Französischen Komponisten um die Jahrhundertwende, in: Alta Musica 8 (1985), S. 21-30

Brändli, Beat: Bernard Schulé - ein glücklicher Komponist, in: Schweizer Musiker-Revue (Sept. 1985) (1985), S. 9

Matthey, Jean-Louis: A propos des oeuvres pour fanfares, harmonies, brassbands et ensembles de cuivres du compositeur suisse Bernard Schulé, in: Revue des musiques suisses (31 août 1985) (1985), S. 25-27

Vaney, Jean-François: Bernard Schulé, 75 ans: un compositeur heureux dont la musique invite à la fête, in: Cahiers suisses de pédagogie musicale (juin 1984) (1984), S. 64-65

Tappolet, Willy: Artikel "Bernard Schulé", in: Die Musik in Geschichte und Gegenwart, Supplementband 1979

Poulin, Jean-Claude: Présence du compositeur, in: Journal de Genève (18 nov. 1978) (1978)

Meylan, Pierre: Interview de Bernard Schulé, in: Revue musicale de Suisse romande (mars 1972) (1972), S. 14-15

Strubin, Blanche: L'éclectique Bernard Schulé, in: La Tribune de Genève (23-24 mars 1963) (1963)

Tappolet, Willy: Bernard Schulé, in: Revue musicale suisse 103 (1963), S. 208-212

Ehinger, Hans: Bernard Schulé, in: 40 Compositeurs suisses contemporains, Bodensee-Verlag, Amriswil 1956, S. 180-184

Mangeot, André: Bernard Schulé, in: Le Monde musical (30 avril 1939) (1939)

Naville, René: Musiciens suisses à Paris, in: Vie (mars 1936) (1936), S. 21