Sieben Winter-Lieder, op. 1 (1926)
for alto and piano
Texts: Hans Roelli
1. Anfang: "Das Land ist bis zur Ferne hart"
2. Erster Schnee: "Und war die Dämmerung lange hier"
3. Schnee: "Und woher aus welchen Fernen kommt der Schnee so still und zart"
4. Winterwald: "Begleite mich. Ich gehe in ein Wunder ein"
5. Die unerträgliche Stille: "Schnee, ich werfe Dich rastlos auf"
6. Am Jahresend zu singen: "In dieser Nacht ist jeder Mensch"
7. Ende: "Das Scheien ist zu Ende"

Dagmar, op. 2 (1927-1928)
an opera in two acts (six scenes)
for voices, choir (SATB) and orchestra (2.2.ca.2.bcl.2/4.0.0.0/str)
Texts: Theodor Storm (Hans Schaeuble)
People:
Dagmar (S)
Her father - Castellan at Haderslevhuus (B)
The cousin - Dagmar's governess (A)
Rulf Lembeck - Wulfhild's second husband (T)
Wulfhild - his wife, born in Schauenburg (S)
Gaspard the raven - her clerk and confidant (Bar)
Four companions of war (TTBB)
Maidservant (silent role)
Publican (silent role)
Page (boy soprano or T)
Priest (B)
nuns, nobility, cavaliers, citizens, servants, page boys

Essay in four short movements, op. 3 (1928)
for string quartet
1. Allegro
2. Andante
3. Scherzo
4. Finale

Songs from Hellas, op. 4 (1928)
for alto and string quartet
1. Besonnenheit: "Sinkst du nieder" [Archilochos (Hans Voss)]
2. Mondlied: "Vor dir bergen ihr Antlitz alle Gestirne" [Sappho (Hans Voss)]
3. Elegie: "Gleich den Blättern im Wald" [Mimnermos (Hans Voss)]
The Songs from Hellas, op. 4 have been incorporated into The Songs from Hellas, op. 28.

Songs from Hellas, op. 28 (1928)
for alto, baritone, string quartet or double string quartet
1. Besonnenheit: "Sinkst du nieder" [Archilochos (Hans Voss)]
2. Mondlied: "Vor dir bergen ihr Antlitz alle Gestirne" [Sappho (Hans Voss)]
3. Gebet: "Kypris, lösche Glut" [Theognis (Hans Voss)]
4. Regen: "Rinnt von Quittenbaums Zweigen" [Sappho (Hans Voss)]
5. Fragment I: "Schön ists im Kampf ums Vaterland" [Tyrtäos (Hans Voss)
6. Elegie: "Gleich den Blättern im Wald" [Mimnermos (Hans Voss)]
7. Fragment II: "Denn sonst wahrhaftig ist nirgendwo und nichts" [Homer (Hans Voss)]

Piano Music 1929, op. 5 (1929)
for piano
1. Praeludium
2. Fuge [later discarded]
3. Intermezzo
4. Toccata

Requiem, op. 6 (1929-1930)
for alto and baritone solo, mixed choir and orchestra (2.2.2.2/2.2.2.1/timp/pf/str)
Texts: Robert Prechtl
1. Vom irdischen Leben: "Des Menschen Leben ist mit Flammenzeichen ins ewige Buch des Schicksals eingeschrieben"
2. Vom Sterben: "Weisst du, was sterben heisst?"
3. Vom ewigen Leben: "Auf Gewesenem stehst du wo du auch bist"

Sonate in E minor, op. 7 (1930/31)
for violin and piano
1. Animato
2. Adagio (Tema con Variationi I & II) - Intermezzo 1 (quasi Scherzo) - Adagio (Variatione III) - Intermezzo 2 (con passione) - Adagio (Tema)
Also entitled 'Fourth Chamber Music' by Schaeuble.

Introduction (Prelude) and Choral Variations, op. 15 (1930-1934/76)
for organ

Fabula aeterna, op. 26 (1931-1933)
A dance play
for orchestra (2(2.picfl).2.2.0/3.2.2.0/timp/str)
1. Sarabande (from op. 9)
2. Duo (Allegro) (from op. 9)
3. Passacaglia (Duet) (from op. 12)
4. Pastorale (Intermezzo) (from op. 12)
5. Apotheose (Allegro) (from op. 12)
6. Sarabande (Reprise) (from op. 9)

Concert, op. 9 (1931-1932/34)
for piano and orchestra (2(2.picfl).2.2.2/2.3.3.0/timp/str)
1. Allegro assai
2. Sarabande
3. Alla breve

Quartet, op. 8 (1931-1976)
for string quartet
1. Moderato
2. Scherzo
3. Largo
4. Finale
This work is lost. Only a fragment remains in the 'Zentralbibliothek' in zurich.

Toccata, Passacaglia and Finale, op. 12 (1933)
for orchestra (2(2.picfl).2(2.ca).2.bcl.2/4.3.3.1/timp/str)

Cantata, op. 11 (1933/45)
"Wer dich einmal sah"
for alto solo and chamber orchestra (2.2(2.ca).2(2.bcl).2(2.cbn)/2.1.1.0/timp/str)
Texts: Christian Morgenstern
Also known by Schaeuble as the 'Sixth Chamber music'.

Sonatina, op. 13 (1934/79)
for piano
1. Intrada
2. Aria
3. Finale
This work was originally entitled 'Piano Piece 1934' and consisted of five movements.

Music, op. 19 (1934-1935/79)
for string quartet
1. Expanded
2. Flowing
3. Quick
4. Slow
5. quick

For the Birthday of Kurt Engisch (1934)
for piano

Solo Cantata, op. 14 (1934)
for soprano, oboe, violin and viola
Texts: Hans Leifhelm
1. Sinfonia
2. Recitative and Arioso: "Also ward auch gegeben allen ein Werdegebot"
3. Duo/Canon: "Samenknospen und Blüten"
4. Aria: "Jedes kommt und vergeht"
5. Choral: "Uns ist geboten zu hüten"

Music, op. 18 (1935-1950/59)
for two violins and string orchestra
Reconstruction of the corroded score from 1950.

Toccata, Passacaglia and Finale, op. 16 (1935)
for two pianos
An adaptation from 'Toccata, Passacaglia and Finale', op. 12.

Motet (1935)
"Auf Gewesenem stehts du wo du auch bist"
for alto and baritone soli, mixed choir (SATB) and organ
Texts: Robert Prechtl
An adaptation of the second part of the 'Requiems', op. 6.

Music for Seven Wind and Strings, op. 20 (1936-1937)
for fl.ob.cl.bn/2tpt.tbn/str

Fünf Chöre, op. 21 (1936-1975)
for mixed choir (SATB)
Texts: Rudolf Pestalozzi
1. Büblein, nun fängst auch du die Bahn
2. Sind deine Tage wie die meinen
3. Im Feuer schmilzt das Gold
4. Ob auch Gebirg und Tal
5. Und wieder liegt ein Kindlein

Symphonic Music, op. 22 (1937-1938)
for large orchestra (2(2.picfl).2(2.ca).2.bcl.2(2.cbn)/4.2.3.0/timp/str)

Symphonic Variations over an Own Theme for Piano Quintet, op. 17 (1937)
for two violins, viola, violoncello and piano
1. Toccata
2. Passacaglia
3. Finale
This is an adaptation from 'Toccata, Passacaglia and Finale', op. 12.

Music, op. 23 (1938/57)
for viola and orchestra (2.2(2.ca).2(2.bcl).2/3.2.3.0/timp/str)
1. Sonata
2. Divertimento (Arietta - Scherzo - Trio)

Concert, op. 24 (1939-1940/72)
for violin and orchestra (2(2.picfl).2.2.2/3.2.3.0/timp/str)

Praeludium, op. 15a (1941)
for orchestra (2.2.2.2/2.2.1.0/str)
Adaptation of the 'Praeludium for Organ', op. 15.

Symphony, op. 25 (1941-1942)
for large orchestra (3(3.picfl).2(2.ca).3(3.bcl).2(2.cbn)/4.3.3.0/timp/str)
1. Langsam - Schnell - Langsam
2. Langsam
3. Schnell
Schaeuble adapted the second movement of the 'Symphony', op. 25 for two pianos for the second movement of the 'Concert for Piano and Orchestra', op. 50.

Fabula aeterna, op. 26a (1942)
Suite No. 1
for orchestra (2(2.pic).2.2.0/3.2.2.0/timp/str)
1. Praeludio (new composition)
2. Pastorale (op. 26, No. 4)
3. Capriccio (new composition)
4. Finale (op. 26, No. 5)

Fabula aeterna, op. 26b (1942-1945)
Suite No. 2
for orchestra (2/2.picfl).2.2.0/3.2.2.0/timp/str)
1. Sarabande (op. 26, No. 1)
2. Intermezzo (op. 26, No. 2)
3. Passacaglia (new composition)
4. Finale (not preserved)

In Memoriam, op. 27a (1943-1944/45)
Symphonic music
for string orchestra (version 1944) or for string orchestra and kettle drum (version 1978)
1. Larghetto
2. Allegro - Meno mosso - Largo
Reworking of the third and fourth movements from the 'Symphony No. 2', op. 27.

Symphony No. 2, op. 27 (1943-1944)
for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2(2.cbn)/4.3.3.0-timp/str)
1. Andantino (Preamble)
2. Allegro vivace (Scherzo)
3. Moderato
4. Allegro (Finale)
The first movement is a reworking of the 'Praeludium for Orchestra', op. 15a.

Hymnus, op. 29 (1945)
for orchestra (2(2.picfl).2(2.ca).2.2(2.cbn)/4.3.2.0/timp.cym/str)

Sarabande, Intermezzo and Canon, op. 26c (1945)
for two pianos
1. Sarabande (from the ballet 'Fabula aeterna', op. 26, No. 1)
2. Intermezzo (from 'Fabula aeterna', op. 26, No. 2)
3. Canon (from 'Music for Viola and Orchestra', op. 23)

Capriccio, op. 30 (1946)
for piano and orchestra (2(2.picfl).2.2.2/3.3.3.0/timp.perc(tri, cym, small dm)/str)
1. Tempo di Scherzo
2. Pavane (quasi Trio)
3. Tempo di Scherzo
The first movement is an adaptation of the second movement of the 'Symphony', op. 27.

Sonata No. 2, op. 31 (1946/77)
for violin and piano
1. Introduction
2. Allegro scherzando
3. Lento (quasi fantasia)
4. Andante - Allegro - Andante

Dorian Gray, op. 32 (1947/62)
opra in two parts (seven scenes)
for voices, speaker, choir (SATB) and orchestra (2.2.2.2/4.3.3.0/timp.perc(tri, cym, small dm)/hp/str)
Texts: Oscar Wilde (Hans Schaeuble)
people:
Dorian Gray (T)
Lord Henry Wotton (Bar)
Basil Hallward (Bar)
Olivia (S)
Sibyl Vane (S)
Frau Vane (A)
Romeo (speaker)
Julia (speaker)
Servant(T)
Majordomo (B)
Valet de place (silent Role)
Theatre director (silent Role)
Ladies and Gentlemen of the English society, public, passers-by etc., extras

Concert, op. 34 (1949/73)
for piano and orchestra (2.2.2.2/4.3.3.0)/timp.perc(tri, cym, small dm)/str)
Allegro giusto - Andante - Allegro vivo - Scherzando

Symphonic Concertante Variations over an Own Theme, op. 33 (1949/73)
for orchestra with obligatory piano

Los Caprichos, op. 36 (1950-1951)
Choreographic suite
for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/4.3.3.0/timp.perc(tri, cym, claves, small dm, tamb, castanets)/hp.str)
1. Cortejo noble
2. Genio alegre
3. Novela pastoral
4. Capricho
5. Fandango
6. Habanera
7. Farandula

String Quartet, op. 35 (1950)
for string quartet
1. Allegro
2. Andante
3. Scherzo
4. Allegro

Los Caprichos, op. 36 (1950-1951)
Choreographic suite
for two hands or four hands or two pianos
1. Cortejo noble
2. Genio alegre
3. Novela pastoral
4. Capricho
5. Fandango
6. Habanera
7. Farándula
An adaptation of the ballet bearing the same name.

Ombra adorata, op. 38 (1952-1953)
Little symphony
for orchestra (2.2(2.ca).2.2/3.2.1.0/timp.small dm/str)
1. Preambel
2. Allegro scherzando
3. Andante (semplice)
4. Allegro giocoso

Solo Cantata, op. 37 (1952/79)
for baritone and organ
Texts: Robert Prechtl
1. Introduction (choral prelude "Wenn ich einmal soll scheiden")[1a.] Weisst du was Sterben heisst
2. Arioso: "Noch einmal lasse mich die Sonne schau'n"
3. Meditation: "Zu sterben spricht sich leicht"
4. Fugato
5. Doch wem das dunkle Los geworfen wird
6. Ein grosser Lehrherr ist der Tod
[7.] Choral prelude da capo
This cantata is an adaptation of the second part of the 'Requiem', op. 6.

Sonata, op. 39 (1953-1954)
for piano
1. Allegro
2. Andante (con moto)
3. Allegro (giocoso)

Aspects et perspectives, op. 40 (1954/59)
Divertimento
for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/4.3.2.0/timp.perc(tri, cym, small dm)/str)

Concert, op. 41 (1955)
for violoncello and orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/2.2.2.0/timp.perc(cym, small dm)/str)
1. Intrada
2. Rondo (Scherzando - Moderato - Cadenza)
3. Allegro vivace

Serenade B Major op. 42 (1956)
for string orchestra
1. Concerto grosso
2. Romanze - Scherzando - Trio - Scherzando - Romanze
3. Finale
The final movement (Finale) is an adaptation of the prelude from 'Die Rose und der Schatten', op. 43.

Aspects et perspectives, op. 40 (1956/78)
for two-handed piano
An adaptation of the ballet bearing the same name.

Die Rose und der Schatten, op. 43 (1957-1958/77)
Ballet
for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/3.2.2.0/timp.perc(xyl, tri, cym, small dm, tamb)
Prelude
1. Scene
Intermezzo
2. Scene
After the novella 'Peter Schlemihl' by Adalbert von Chamisso. Concept by Robert Borer and Hans Schaeuble.

Die Rose und der Schatten, op. 43 (1957-1958/77)
for piano solo resp. for two pianos
An adaptation of the ballet bearing the same name.

Variations for Piano over the Birthday Duet from Paul Burkhard's 'Schwarzem Hecht' (1957/69)
for piano

Concertino, op. 44 (1959/80)
for oboe and string orchestra

Trio, op. 45 (1960)
for violin, violoncello and piano
1. Moderato
2. Andante
3. Allegro

Concertino, op. 47 (1961-1962/66)
for flute and string orchestra
1. Moderato - Poco meno - Moderato
2. Gigue
3. Moderato - Poco meno
4. Intermezzo
5. Allegro deciso

Concertino, op. 46 (1961/69)
for clarinet and string orchestra
1. Andante (Elegie)
2. Allegro

Music, op. 46 (1961/69)
for clarinet and string orchestra
1. Allegro
2. Andante (Elegie)
3. Allegro vivace
Second version of the 'Concertino for Clarinet and String Orchestra' with an added third movement (reworking of the third movement from the 'Cello Concert', op. 41).

Concertino, op. 47a (1961-1962/66)
for flute and piano
1. Moderato - Poco meno - Moderato
2. Gique
3. Moderato - Poco meno
4. Intermezzo
5. Allegro deciso
An adaptation of the 'Concertino for Flute and String Orchestra', op. 47.

Monopartita, op. 48 (1963/83)
for string orchestra

Diario, op. 49 (1964-1965/69)
for piano
1. Prelude
2. Allegro
3. Lento (Notturno)
4. Scherzo - Intermezzo (quasi Trio) - Scherzo - Coda

Monopartita, op. 48a (1964/71)
for two pianos
An adaptation of the 'Monopartita for Large String Orchestra', op. 48.

Epitaph for Heinrich Pestalozzi (1964)
'They may find peace deep in the earth'
for mixed choir (SSAATBarBB)
Texts: Johann Heinrich Pestalozzi

Adagio, op. 25a (1965)
for two pianos
An adaptation of the second movement of the 'Symphony' op. 25.

Concert, op. 50 (1967/71)
for piano and string orchestra
1. Pavane
2. Adagio
3. Allegro
The second movement is an adaptation of the second movement of the 'Symphony', op. 25.

Paradise lost, op. 51 (1968-1969/77)
Symphonic poem
for orchestra (2.2.2.2/4.2.2.0/timp.perc(cym, small dm)/str)

Paradise lost, op. 51a (1968-1969/77)
Symphonic poem
for two pianos
An adaptation of the orchestral work bearing the same name.

Praeambel - Cadenza - Coda, op. 47b (1976)
for flute solo
An adaptation of the 'Concertino for Flute and String Orchestra', op. 47.

Introduction and Fantasia, [op. 31] (1981)
for English horn and piano
An adaptation of the first and third movements from the 'Violin sonata', op. 31.

Swiss String Quartets (Guild Nr. GMCD 7303, 2006)

Works:

Schmid, Erich: Streichquartett, op. 4 (1930-1931/1934)
Schaeuble, Hans: Musik, op. 19 (1934-1935/1979/1980)
Schütter, Meinrad: Streichquartett (1990)

Info: www.fonoteca.ch

Christopher Hogwood Conducts (Guild Nr. 7253, 2003)

Works:

Burkhard, Willy: Sonatine für Orgel, op. 52 (1938)
Schaeuble, Hans: Praeludium, op. 15a (1941)
With more works of: Paul Müller-Zürich, Adolf Brunner

Info: www.fonoteca.ch

20th Century Concertos for Flute and Clarinet (Guild Nr. 7250, 2002)

Interpreters:

Camerata Zürich

Works:

Schaeuble, Hans: Concertino, op. 47 (1961-1962/1966/1976)
With more works of: Hermann Haller, Wladimir Vogel, Robert Blum

Info: www.fonoteca.ch

Schaeuble, Hans: Hugo Distler (1908-1942), in: Schweizerische Musikzeitung 83 (1943), S. 10-11

Fischer, Urs: Artikel "Schaeuble, Hans Joachim", in: Die Musik in Geschichte und Gegenwart (Zweite Auflage), Personenteil, Bd. 14, hrsg. von Ludwig Finscher, Kassel 2005, Sp. 1167-1168

Plummer, Annalise: Hans Schaeuble and Dodecaphony, in: Musik im Exil. Die Schweiz und das Ausland (1918-1945), hrsg. von Antonio Baldassarre (et al.), Bern 2005, S. 255-277

Walton, Chris: Inner exile? The peculiar case of Hans Schaeuble, in: Musik im Exil. Die Schweiz und das Ausland (1918-1945), hrsg. von Antonio Baldassarre (et al.), Bern 2005, S. 289-299

Prieberg, Fred K.: "Dass ich nicht vertreten bin..." Der Komponist Hans Schaeuble. Ein biographischer Essay, Winterthur 2002

Plummer, Annalise: A search for identity. Hans Schaeuble and his "Musik", op. 18, in: Tempo. A quarterly review of modern music 127 (2001), S. 20-27

Aerni, Heinrich: Hans Schaeuble. Nachlassverzeichnis, Zürich 2000

Prieberg, Fred K.: Der Komponist Hans Schaeuble mit einem Werkverzeichnis von Günter Birkner, Zürich 1992

Muggler, Fritz: Artikel "Schaeuble, Hans (Joachim)", in: The New Grove dictionary of music and musicians (Erste Auflage), Bd. 16, hrsg. von Stanley Sadie, London 1980, S. 587

Artikel "Schaeuble, Hans", in: Schweizer Musiker-Lexikon, hrsg. von Willi Schuh (et al.), Zürich 1964, S. 322-323

Schuh, Willi: Artikel "Schaeuble, Hans Joachim", in: Die Musik in Geschichte und Gegenwart (Erste Auflage), Bd. 11, hrsg. von Friedrich Blume, Kassel 1963, Sp. 1539

Leeb, Hermann: Artikel "Hans Schaeuble", in: 40 Komponisten der Gegenwart, hrsg. von Schweizerischer Tonkünstlerverein, Amriswil 1956, S. 160-165

Mieg, Peter: Blick auf das neuere kompositorische Schaffen in Zürich, in: Schweizerische Musikzeitung 5 (1950), S. 238-239

Schuh, Willi: Die Musik in der alemannischen Schweiz, in: Der Schweizerische Tonkünstlerverein im zweiten Vierteljahrhundert seines Bestehens. Festschrift zur Feier des 50jährigen Jubiläums 1900-1950, hrsg. von Hans Ehinger, Zürich 1950, S. 236

Artikel "Schaeuble, Hans", in: Schweizer Musikbuch. Musikerlexikon, Bd. 2, hrsg. von Willi Schuh (et al.), Zürich 1939, S. 175-176