Hymnus, op. 1 (1965)
for organ
Introductio - Kanon - Laudatio - Meditatio - Conclusio
Duration: 8' 00"
Manuscript

Missa Simplex, op. 3 (1967-1968)
for male choir (4 part), congregation and organ
Kyrie - Gloria - Agnus Dei
Duration: 10' 00"

Doxologie, op. 2 (1965-1970)
for organ
1. Pater - 2. Filius - 3. Spiritus
Duration: 11' 30"
Manuscript

Choralvorspiele zum katholischen Kirchengesangsbuch der Schweiz - Band 1, op. 4a (Choral Prelude to the Catholic Hymnbook of Switzerland - vol.1, op. 4a) (1969-1970)
for organ
Duration: 6' 00"

Igl cant, op. 5 (1971)
Cantata
for male choir (4 part), children's choir (2 part) and piano
Texts: Peder Cadotsch
1. Cant digl univers
2. Cant digl suglegl
3. Cant dell'orma
Duration: 10' 30"
Manuscript

Der Lobpreis, op. 7 (1972)
Three motets
for four-part mixed a-cappella choir
1. Herr, Herr, Deinen Ruhm wollen wir besingen
2. Gottes Volk
3. Doxologie (Durch ihn und mit ihm...)
Duration: 4' 00"
Manuscript

Choralvorspiele zum katholischen Kirchengesangsbuch der Schweiz - Band 2, op. 4b (Choral Prelude to the Catholic Hymnbook of Switzerland - vol.1, op. 4b) (1972-1973)
for organ
Duration: 9' 00"

Gottesdienstmusik, op. 6 (1972-1973)
for mixed choir (4 part) and organ
Introductio - Alleluja - Offertorium - Doxologia - Communio - Toccata ad benedictionem.
Hymn for the Church Mass held in the German language after the revised liturgical order of the Catholic Service.
Cyclic arrangement with organ interludes.
Modern style (12 tone) of a moderate level of difficulty.
Duration: 12' 30"
Manuscript

Choralvorspiele zum katholischen Kirchengesangsbuch der Schweiz - Band 3, op. 4c (Choral Prelude to the Catholic Hymnbook of Switzerland - vol.1, op. 4c) (1973)
for organ
Duration: 5' 00"

Laudate Dominum omnes gentes, op. 8 (1974)
Psalm motet
for four-part mixed a-cappella choir
Duration: 5' 00"
Manuscript

Hochgebet Synode 72, op. 9 (1975)
In Wahrheit ist es würdig und recht...
for cantor (celebrant), choir (4-part), congregation and organ
Duration: 12' 00"
Manuscript

Werden - Vergehen - Sein, op. 10 (1979-1982)
Cantata
for soprano, tenor, 4-8-part mixed choir, wind (1.1.0.1/0.2.3.0), perc (xyl.2tam.4timp) and organ
The cantata (the oratorio) describes and puts into song the progression of the seasons in biblical pictures with texts from the Holy Scriptures ('Zwingli' bible). The work is in ten parts, written using the 12-tone technique and requires an extremely good choir.
Duration: 50' 00"

Adventskantate, op. 11 (1987)
for alto and tenor, speaker, choir (4-part), harp, string orchestra and congregation
Texts: Josef Griesbeck, Rainer Maria Rilke, Maria Luise Thurmair
This work utilises Advent texts from various authors and incorporates the listeners/congregation by way of Advent songs from the Church Hymn Book. The style is modern (12-tone, serial) and requires a good choir, good soloists and an experienced speaker.
Duration: 40' 00"

Cierto Cansancio, op. 12 (1988)
for soli (SATB), speaker, choir (4-part), half chorus (ensemble), woodwind (1.2.0.1), strings (2.1.1.1) and organ
Texts: Pablo Neruda
A commissioned work from the Oberaargau Chamber Choir, the reason why the total-choir parts remain simple (major mediants and progressions). The sound material is a symmetrical 12-tone series proceeding in thirds and a corresponding sound column, which partly defines the pitches. Speaking choirs are included.
Duration: 20' 00"
Manuscript

Ego dilecto meo, op. 13 (1988)
Motet
for six-part mixed a-cappella choir
Text from the Song of Songs (7, 11-14).
Duration: 5' 00"
Manuscript

Ewiges Neubeginnen, op. 14 (1978-1989)
Motet
for 4-8-part mixed a-cappella choir
Duration: 5' 00"
Manuscript

Kommt, lasst uns jubeln vor dem Herrn, op. 15 (1991)
Psalms 95
for tenor, unisono choir and organ
The work is based upon concertante organ music with the inclusion of a unisono choir (mixed) with speaking parts.
Duration: 10' 00"
Manuscript

Ego sum lux mundi (Ich bin das Licht der Welt), op. 16 (1991)
Motet
for soli (SATB) and 6-part mixed choir
This motet is dedicated to the 'Engadiner Kantorei' after a biblical saying in the choir fresco at the church in Bondo (Grisons). The text appears in the German and Latin languages.
Duration: 8' 00"

Psalm 126, op. 18 (1992)
for cantor (m = baritone, f = soprano), congregation and organ
The psalm verses are through-composed. The congregation takes part with an antiphon from the 'Schweizerischen Kirchengesangsbuch'.
Duration: 4' 00"

Psalm 97, op. 19 (1994)
for cantor (m = baritone, f = soprano), congregation and organ
The psalm verses are through-composed. The congregation takes part with an antiphon from the 'Schweizerischen Kirchengesangsbuch'.
Duration: 7' 00"

So spricht der Herr, op. 20 (1995)
Church Service
for cantor (tenor/baritone), mixed choir (SAB) congregation and organ
This work consists of five hymns which can be used as a whole or singularly within the church service. The texts are assembled from Ephesians. The adapted melodies were penned by Gregor Müller, Daniel Meier and Hans Rudolf Basler. Includes original compositions.
Duration: 16' 00"

Gott hat uns geliebt, op. 21 (1995)
Ezekiel 34
for cantor (baritone), choir (SATB), congregation and organ
Duration: 2' 00"

Psalm 150, op. 22 (1997)
for mixed choir (4-8-part), flute, percussion and organ
Duration: 20' 00"
Manuscript

Ich bin das Licht der Welt, op. 23 (1998-1999)
Church Service
for mixed choir (4-part), wind instruments (2tpt.2tbn), organ and congregation
The service consists of original compositions by Stephan Simeon and song adaptations from the New Catholic Hymn Book. They can be performed as a whole or in parts integrated into the service.
Duration: 25' 00"
Manuscript

Auf dem Wasser zu singen, op. 26 (1999)
Evening star
for soprano solo (S or Mez) without accompaniment
Texts: Ulrich Suter
This song, based on a twelve-tone series, is intended for performance on a body of water (lake, pond) from a boat.
Duration: 3' 00"
Manuscript

Wer nur den lieben Gott lässt walten, op. 27 (1999-2000)
Small choral partita
for concertante organ
In five parts:
Choral - Bicinium - Trio (with cantus firmus in the pedal) - cantus firmus (in manual-bass) - choral in canon.


Duration: 5' 00"
Manuscript

Dir, Gott, ist nichts verborgen, op. 25 (1999-2000)
Small song cantata
for choir (2-4-part), soli ad lib (SB), congregation, 2 trumpets, 2 trombones and organ
Texts: Caspar Ulenberg, Maria Luise Thurmair
Duration: 3' 30"

Rosenlieder Miniaturen, op. 28 (2000)
Four lieder
for soprano and piano
Texts: Ulrich Suter
Rosenköpfchen - Tust, Rose - Im Taumel der Welt - Wer ein Dornenreich.
The lieder were composed at The Castle of Heidegg (near Hitzkirch in the Seetal region of Lucerne) within the framework of 'Tales', the Seetal Poetry Summer 2000, and are inspired by the famous rose garden.
Duration: 6' 00"
Manuscript

Doxologie ("Ehre sei dem Vater...") (2000)
for three-part choir (SAB) a-cappella
Manuscript

Eine Freude wird vollkommen sein, op. 29 (2001)
Motet
for six-part mixed a-cappella choir
Motet for a very advanced choir based on the twelve tone technique (symmetrical series of Tritonus intervals).
Commission for the fortieth anniversary of the 'Evangelischen Singgemeinde'.

Duration: 4' 30"

Zwei Choralvorspiele, op. 35a&b (2001)
for organ
Freu Dich, erlöste Christenheit (2nd version) (each 1')
Der Geist des Herrn erfüllt das All (1'15)
Duration: 3' 30"

Jauchzet dem Herrn, alle Welt, op. 24 (1999)
Psalms 100
for mixed choir (4-part) and wind instruments (1.1.ca.0.1/0.2.2.0) or organ
A piece for a good amateur choir often supported, colla parte, by one of the two brass choirs. The Psalm is part of a Psalm cycle consisting of Psalms 130, 42, 70 and 100. This thematically classified cycle ("Von der Dunkelheit zum Licht"), all with the same score is, suitable for performance without the necessity of an organ (e.g. outdoors). The single Psalms, each lasting 6-8 minutes, can be performed as a cycle or singularly.
Duration: 6' 00"

Meine Seele dürstet allzeit nach Gott, op. 30 (2002)
Psalm 42
for mixed choir (4-part) and wind instruments (1.1.ca.0.1/0.2.2.0), congregation
A piece for a good amateur choir often supported, colla parte, by one of the two brass choirs. The Psalm is part of a Psalm cycle consisting of Psalms 130, 42, 70 and 100. This thematically classified cycle ("Von der Dunkelheit zum Licht"), all with the same score is, suitable for performance without the necessity of an organ (e.g. outdoors). The single Psalms, each lasting 6-8 minutes, can be performed as a cycle or singularly.
Duration: 7' 00"
Manuscript

Aus der Tiefe rufe ich, Herr, zu Dir, op. 31 (2003)
Psalm 130
for mixed choir (4-part) and wind instruments (1.1.ca.0.1/0.2.2.0)
A piece for a good amateur choir often supported, colla parte, by one of the two brass choirs. The Psalm is part of a Psalm cycle consisting of Psalms 130, 42, 70 and 100. This thematically classified cycle ("Von der Dunkelheit zum Licht"), all with the same score is, suitable for performance without the necessity of an organ (e.g. outdoors). The single Psalms, each lasting 6-8 minutes, can be performed as a cycle or singularly.
Duration: 5' 00"
Manuscript

Der Herr ist mein Licht und mein Heil, op. 32 (2003-2004)
Psalm 27
for mixed choir (4-part) and wind instruments (1.1.ca.0.1/0.2.2.0)
A piece for a good amateur choir often supported, colla parte, by one of the two brass choirs. The Psalm is part of a Psalm cycle consisting of Psalms 130, 42, 70 and 100. This thematically classified cycle ("Von der Dunkelheit zum Licht"), all with the same score is, suitable for performance without the necessity of an organ (e.g. outdoors). The single Psalms, each lasting 6-8 minutes, can be performed as a cycle or singularly.
Duration: 7' 00"
Manuscript

Kleine Suite, op. 33 (2004)
for string orchestra
Introductio - Arioso - Meditatio - Finale.
Duration: 10' 00"
Manuscript

Wie lieblich sind Deine Wohnungen, Herr!, op. 34 (2004)
Psalms 84
for 4-6-part a-cappella choir
Duration: 5' 00"
Manuscript

Psalm 84 "Wie lieblich sind deine Wohnungen, Herr!" (2004)
for 4-part mixed a-cappella choir
Duration: 4' 00"
Manuscript

Der gute Hirt (2006-2007)
Motet
for four-part choir, string quartet and organ
Manuscript

Stephan Simeon, in: Chorus (Dezember 2003) 8 (2003), S. 21

Reimann, Hannes: Laudinella. Lob einer scheinbar unbedeutenden Idee, Gehrig, Winterthur 1981