Buhler Philippe
(15. 05. 1919)
Genre: Classical Music
Biography
* 15. 05. 1919.
Phillipe Buhler was born in Lausanne. He completed his secondary school education at the Scheurer-Kestner Highschool in Thann (Haut-Rhin) and made his undergraduate studies(?) at the University of Strasbourg. His studies in music began at the age of 6: first with his mother, who had diplomas from the conservatories of Lausanne and Geneva, and later in Mulhouse at the Conservatoire National under the tutelage of Philippe Strubin (harmony) and Marie Thérèse Frey (piano). From 1941 to 1943 he took refuge in Lyon, he worked with César Geoffray (harmony and choral direction). In 1944/45 he visited courses held by Alexandre Dénéréaz at the Conservatoire de Lausanne. Later, after the war, he lived from 1954 to 1956 in the USA. He studied at the University of Redlands (California) and made his BA and MA in composition and musicology.
From 1942 to 1944 Philippe Buhler taught musical theory and singing at schools in Toulon and Cahors. From 1945 to 1949 he joined the Conservatoire de Mulhouse where he taught a piano class and directed the concert choir Concordia. From 1950 onwards Phillipe Buhler emigrated to the USA and taught in different private schools in Connecticut and later in California. From 1965 to 1971 he taught harmony, musical theory and composition at the North Carolina School of the Arts (Winston-Salem) and directed the vocal ensemble The Camerata Singers, which went on tour through Europe in 1970/71. After returning to Switzerland in autumn 1971 he taught music until 1984 at several secondary schools in Geneva and directed choirs in the cantons of Geneva and Vaud including the Union Chorale du Sentier. Philippe Buhler has been engaged with composition and choral direction since 1985.
Phillipe Buhler was born in Lausanne. He completed his secondary school education at the Scheurer-Kestner Highschool in Thann (Haut-Rhin) and made his undergraduate studies(?) at the University of Strasbourg. His studies in music began at the age of 6: first with his mother, who had diplomas from the conservatories of Lausanne and Geneva, and later in Mulhouse at the Conservatoire National under the tutelage of Philippe Strubin (harmony) and Marie Thérèse Frey (piano). From 1941 to 1943 he took refuge in Lyon, he worked with César Geoffray (harmony and choral direction). In 1944/45 he visited courses held by Alexandre Dénéréaz at the Conservatoire de Lausanne. Later, after the war, he lived from 1954 to 1956 in the USA. He studied at the University of Redlands (California) and made his BA and MA in composition and musicology.
From 1942 to 1944 Philippe Buhler taught musical theory and singing at schools in Toulon and Cahors. From 1945 to 1949 he joined the Conservatoire de Mulhouse where he taught a piano class and directed the concert choir Concordia. From 1950 onwards Phillipe Buhler emigrated to the USA and taught in different private schools in Connecticut and later in California. From 1965 to 1971 he taught harmony, musical theory and composition at the North Carolina School of the Arts (Winston-Salem) and directed the vocal ensemble The Camerata Singers, which went on tour through Europe in 1970/71. After returning to Switzerland in autumn 1971 he taught music until 1984 at several secondary schools in Geneva and directed choirs in the cantons of Geneva and Vaud including the Union Chorale du Sentier. Philippe Buhler has been engaged with composition and choral direction since 1985.
Work list
Concertino (1946/56)
Instrumentation: for piano and orchestra (2.2.2.2/0.0.0.0/str)
Duration: 14' 30"
Manuscript
Andante (1955)
Instrumentation: for large orchestra (pic.2.1.ca.2.2/4.2.3.1/timp/str)
Duration: 8' 00"
Manuscript
Sonatine en trois mouvements (1956)
Instrumentation: for piano
Duration: 10' 00"
Manuscript
Quatuor à cordes (1956)
Duration: 14' 00"
Manuscript
Symphonic Essay (1956-1957)
Instrumentation: for orchestra (2(pic).2.2.2/4.3.3.1/2perc/xyl/str)
Duration: 10' 00"
Manuscript
The Songs of Al Mu-Tamid, King of Seville (1957)
Instrumentation: for soprano and piano
Al Mu-Tamid, roi de Seville, 11ème siècle.
Duration: 8' 30"
Manuscript
Cantate Domino (1960)
Psalms 149
Instrumentation: for soprano, tenor, choir, brass ensemble and kettle drums
Duration: 26' 00"
Manuscript
Instrumentation: for soprano, tenor, choir, brass ensemble and kettle drums
Duration: 26' 00"
Manuscript
Symphony in "E" (1961)
Symphony N° 1
Instrumentation: for orchestra (2.2.2.2/2.2.3.1/perc/pf/str)
Duration: 30' 00"
Manuscript
Instrumentation: for orchestra (2.2.2.2/2.2.3.1/perc/pf/str)
Duration: 30' 00"
Manuscript
Suite (1964)
Instrumentation: for flute
In 5 movements over a scale centred on the note 'd'.
Duration: 14' 00"
Manuscript
Six Short Stories for the Piano (1967)
Duration: 15' 00"
Manuscript
Orchésographie (1969)
Symphony N° 2
Instrumentation: for chamber orchestra (2.2.2.2/2.2.1.0/2perc/prep pf/str)
In three movements.
Variable duration with aleatoric passages in the 2nd and 3rd movements.
Duration: 20' 00"
Manuscript
Instrumentation: for chamber orchestra (2.2.2.2/2.2.1.0/2perc/prep pf/str)
In three movements.
Variable duration with aleatoric passages in the 2nd and 3rd movements.
Duration: 20' 00"
Manuscript
Sonata for 2 pianos (1970-1971)
Duration: 19' 00"
Manuscript
Sonate (1976)
Instrumentation: for piano
Duration: 15' 00"
Manuscript
Quatre Haïkus du poète japonais Issa (1976-1977)
Instrumentation: for soprano and tenor or piano
Duration: 6' 30"
Manuscript
Trois poèmes tirés de "Monsieur, Monsieur" de Jean Tardieu (1985)
Instrumentation: for soprano (or baritone) and piano
Duration: 7' 00"
Manuscript
Six Balades (1985)
Instrumentation: for soprano and piano
Texts: Harry Kleiner
Duration: 13' 00"
Manuscript
2 Duos (1970-1986)
Instrumentation: for 2 traverse flutes
Duration: 8' 00"
Bibliothèque Cantonale Universitaire de Lausanne
1014 Lausanne
Suisse
Suisse
Aucassin et Nicolette (1987)
Scenic work
Instrumentation: for one narrator and fidler, soprano and baritone solo, mixed choir and an ensemble of ancient instruments
Based on a 'chant fable' from the 13th century.
Duration: 85' 00"
Manuscript
Instrumentation: for one narrator and fidler, soprano and baritone solo, mixed choir and an ensemble of ancient instruments
Based on a 'chant fable' from the 13th century.
Duration: 85' 00"
Manuscript
Thème et variations en style classique (1987)
Instrumentation: for oboe (or flute) and bassoon
Duration: 16' 30"
Manuscript
Trois choeurs (1987)
Instrumentation: for four-part choir
Texts: Dominique Porte
Ma maison
Veiller
Michèle
Duration: 6' 00"
Manuscript
Laudate Dominum de caelis (1988)
Psalms 148
Instrumentation: for choir, brass ensemble and kettle drums (or choir or organ)
Duration: 10' 00"
Manuscript
Instrumentation: for choir, brass ensemble and kettle drums (or choir or organ)
Duration: 10' 00"
Manuscript
Suite (1988)
Instrumentation: for double bass and piano
In 4 movements.
Duration: 12' 00"
Manuscript
Six Sonnets de Louise Labé (1989-1990)
Instrumentation: for a-cappella choir (same or mixed voices)
Texts: Louise Labé
Duration: 24' 00"
Manuscript
Raconte-moi ton village (1991)
Small poetic and instrumental suite in 12 pictures
Instrumentation: for soprano solo, choir and instrumental ensemble (fl.ch/hp/2.1.1.1)
Texts: Edmond Pidoux
Duration: 45' 00" ((avec lecture des textes))
Manuscript
Instrumentation: for soprano solo, choir and instrumental ensemble (fl.ch/hp/2.1.1.1)
Texts: Edmond Pidoux
Duration: 45' 00" ((avec lecture des textes))
Manuscript
Deux compositions (1991)
Instrumentation: for mixed choir
Texts: Edmond Pidoux
Mon frère d'acajou
Nos coeurs, nos yeux
Duration: 2' 30"
Manuscript
Deux choeurs (1991)
Instrumentation: for identical voices (SSAA)
Prière Cathare (texts in Occitan from the 13th century)
Ballad as a prayer to Our Lady.
Duration: 10' 00"
Manuscript
Sonate (1994)
Instrumentation: for violin and piano
Duration: 12' 00"
Manuscript
Sonate (1995)
Instrumentation: for flute and piano
Duration: 13' 00"
Manuscript
La mort du cerf (1996)
Instrumentation: for baritone and piano
Poem extracted from 'Echos de Vénerie' by G. Rochard.
Duration: 4' 00"
Manuscript
Echos de Vénérie (1997)
Instrumentation: for baritone, mixed choir, brass ensemble, bugle ensemble and kettle drums
Duration: 1h 45' 00"
Manuscript
Messe de St. Hubert (1998)
Instrumentation: for soprano, baritone, mixed choir, brass ensemble, bugle ensemble and three kettle drums
Duration: 70' 00"
Manuscript
Sérénade (1990-2000)
Instrumentation: for alphorn and organ (or piano)
Duration: 6' 00"
Manuscript
Deux Duos (1970-2001)
Instrumentation: for transverse flutes
Duration: 4' 30"
Manuscript
L'Art d'être Grand-Père (2003)
Instrumentation: for soprano and piano
Texts: Victor Hugo
Duration: 24' 00"
Manuscript