Eisenmann Will
(03. 03. 1906 - 20. 08. 1992)
Eisenmann Will
c/o Hanna Eisenmann
Villa Orfeo
CH-6103 Schwarzenberg (LU)
Schweiz
Tel: +41 (0)41 497 27 30
c/o Hanna Eisenmann
Villa Orfeo
CH-6103 Schwarzenberg (LU)
Schweiz
Tel: +41 (0)41 497 27 30
Genre: Classical Music
Biography
* 03. 03. 1906, † 20. 08. 1992.
Will Eisenmann was born in Stuttgart. His studies in art history and philosophy were followed from 1926 until 1929 by music studies at the Württemberg Conservatory in Stuttgart. He then worked as an unpaid assistant at the Württemberg State Theatre, as assistant director at the Wiesbaden State Opera, and from 1930 until 1931 as dramatic producer and director at the theatre in Cologne. From 1932 until 1933 he continued his musical studies under Paul Dukas at the 'Ecole Normale de Musique' and with Charles Koechlin in Paris. In 1935 he settled in Switzerland, founding opera studios in Zurich and Lucerne and contributing to music periodicals at home and abroad. Apart from composing, Eisenmann gave private lessons in Schwarzenberg (Lucerne), where he lived.
"I maintain a colourful polyphonic / polytonal notation which detracts from classification in the usual sense. I belong neither to a particular school, nor follow any of the current tendencies in music. I reject the intellectual materialistic musical concept, that music is based entirely on mathematical and analytical measures of value."
Will Eisenmann was born in Stuttgart. His studies in art history and philosophy were followed from 1926 until 1929 by music studies at the Württemberg Conservatory in Stuttgart. He then worked as an unpaid assistant at the Württemberg State Theatre, as assistant director at the Wiesbaden State Opera, and from 1930 until 1931 as dramatic producer and director at the theatre in Cologne. From 1932 until 1933 he continued his musical studies under Paul Dukas at the 'Ecole Normale de Musique' and with Charles Koechlin in Paris. In 1935 he settled in Switzerland, founding opera studios in Zurich and Lucerne and contributing to music periodicals at home and abroad. Apart from composing, Eisenmann gave private lessons in Schwarzenberg (Lucerne), where he lived.
"I maintain a colourful polyphonic / polytonal notation which detracts from classification in the usual sense. I belong neither to a particular school, nor follow any of the current tendencies in music. I reject the intellectual materialistic musical concept, that music is based entirely on mathematical and analytical measures of value."
Work list
Frauenleben. 7 Madrigale, op. 5 (1932)
Instrumentation: for young voices or three-voice female choir
Texts: Wilhelm Busch, Will Eisenmann, Klabund, japanischer Dichter
Die Rose und das Mägdelein (Wilhelm Busch) - Erwachen einer Empfindsamen (Will Eisenmann) - Die alte Köchin (Klabund) - Leichtes Spiel (Japanese poet) - Bitte an den Hund (Japanese poet) - Um mit Dir zu leben (Japanese poet) - Das Alter (Japanese poet)
Duration: 9' 00"
Manuscript
Kleine Suite, op. 6 (1932)
Instrumentation: for piano
Duration: 9' 00"
Manuscript
Die Stadt, op. 7 (1932-1933)
Instrumentation: for string orchestra
Suitable for a good amateur choir.
Duration: 13' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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Fax +43 1 337 23 400
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A-1010 Wien
Oesterreich
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Concertino, op. 8 (1933)
Instrumentation: for violin (or flute) and piano
Duration: 6' 00"
Manuscript
Primavera española, op. 10 (1934)
Instrumentation: for large orchestra (2.pic.2.2.2.cbn/2.3.3.0/timp.perc/pf/str)
Duration: 20' 00"
Tischer & Jagenberg
Glonn
Die gläserne Wand (Davoser Impressionen), op. 11 (1934)
Instrumentation: for small orchestra (1.pic.1.2.1/2.1.0.0/perc/hp/str)
Suitable for a good amateur ensemble.
Duration: 8' 00"
Manuscript
Der König der dunklen Kammer. Oper in 13 Bildern, op. 12 (1934-1935)
Instrumentation: for fifteen singers, four actors, dancers, choir and orchestra
Texts: Rabindranath Tagore
Primary roles: SA2TBar and various small roles.
Duration: abendfüllend
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Sieben Gesänge aus "Gitanjali", op. 41 (1934/47)
Instrumentation: for high voice and string quartet (or string orchestra)
Texts: Rabindranath Tagore
Duration: 20' 00"
Universal Edition
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Oesterreich
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Nocturne, op. 15 (1935)
Instrumentation: for piano
Duration: 2' 00"
Manuscript
Mallorca-Suite, op. 13 (1936)
Instrumentation: for mixed choir (3.3.2.2)
Texts: Volkslied
Based on Mallorcan folk music.
Duration: 6' 00"
Manuscript
Die Weise von Liebe und Tod des Cornets Christoph Rilke, op. 14 (1936)
Instrumentation: for speaker, speaking choir and small orchestra (1.0.0.1/1.2.1.0/perc/pf/str)
Texts: Rainer Maria Rilke
Duration: 30' 00"
Schott Musik International
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Drei Gesänge aus Seraphine, op. 16 (1936)
Instrumentation: for high voice and small orchestra (2(pic)2.0.1/2.0.1.0/timp/hp.cel/str)
Texts: Heinrich Heine
First version from 1936:
Five songs for high voice and a small orchestra (fl.ob.bn/2hn/timp/pf/str)
Duration: 6' 00"
Manuscript
Bethsabé. Drame-pantomime-oratorio in 3 Szenen, op. 17 (1936)
Instrumentation: for tenor, baritone, speaking voices, actors, pantomimists and orchestra
Texts: André Gide
Schott Musik International
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Hesse-Lieder, op. 32 (1936-1940)
Instrumentation: for medium to high voice and piano
Texts: Hermann Hesse
Geheimer Schmerz - Weg nach innen - Spät auf der Strasse - Bekenntnis- Wenn nichts mehr bliebe
Duration: 10' 00"
Manuscript
Musique en forme de spirale, op. 18 (1937)
Instrumentation: for small orchestra (2.1.1.1/1.1.1.0/perc/str)
Duration: 6' 00"
Manuscript
Hymne au soleil, op. 20 (1937)
Instrumentation: for four female voices and large orchestra (2.pic.panfl.2.2.1/2.1.2.0/timp.cel/hp.pf/str)
Duration: 8' 00"
Manuscript
Trauermusik (Epitaphe pour Maurice Ravel), op. 21 (1938)
Instrumentation: for large orchestra (2pic.1.1.sx.1/1.1.1.1/timp.perc/pf/str)
Duration: 14' 00"
Tischer & Jagenberg
Glonn
Sieben Bilder nach Vincent van Gogh, op. 22 (1938)
Instrumentation: for large orchestra
Duration: 15' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Quartetto mistico (Streichquartett Nr. 1), op. 23 (1938)
Instrumentation: for string quartet
Duration: 8' 00"
Manuscript
Concerto, op. 24 (1938)
Instrumentation: for alto saxophone and large orchestra (3(pic).2.0.1/2.2.0.0/perc/hp/str)
Duration: 12' 00"
Manuscript
Rubaiyat (1. zyklus), op. 35 (1939-1942)
Instrumentation: for medium voice and piano
Texts: Omar Khayyâm
Twenty-five sayings by Omar Khayyâm.
Duration: 31' 00"
Manuscript
Rubaiyat (2. zyklus), op. 35 b (1942-1943)
Instrumentation: for medium voice and piano
Texts: Omar Khayyâm
Twenty-three sayings by Omar Khayyâm.
Duration: 30' 00"
Manuscript
Kleine Ballade / Nevermore, op. 28 (1940)
Instrumentation: for alto saxophone and piano (or organ)
Duration: 5' 00"
Manuscript
Es Wiegeliedli, op. 30 (1940)
Instrumentation: for voice and piano
Texts: Albert Erismann
Composed for the Cabaret Cornichon under Walter Lesch.
Duration: 3' 00"
Manuscript
Duo concertante, op. 33 (1941/57)
Instrumentation: for alto saxophone and piano
Duration: 11' 00"
Carl Fischer
62 Cooper Square
New York
USA
New York
USA
Trio pastorale, op. 37 (1942)
Instrumentation: for string trio
Duration: 8' 00"
Manuscript
Leonce und Lena. Lyrische Komödie in drei Akten, op. 36 (1943-1945)
Instrumentation: for seven soloists, five speaking parts and a large orchestra
Texts: Georg Büchner
People: Lyrical tenor, lyrical soprano, lyrical baritone, alto, bass, tenor buffo, mezzo-soprano, and five speaking rolls.
Duration: abendfüllend
Schott Musik International
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Concerto da camera, op. 38 (1945)
Instrumentation: for alto saxophone and string orchestra
Duration: 15' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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Gesänge im Zwielicht, op. 39 (1945)
Instrumentation: for medium to high voice and piano
Texts: Rainer Maria Rilke, Anette Brun
Herbst - Allerseelen - Advent - Der Abend kommt... - Die Nacht - Eine der weissen Vestageweihten - Nennt ihr das Seele - Du hast so grosse Augen, Kind
Duration: 20' 00"
Manuscript
Streichtrio, op. 39, op. 40 (1946)
Duration: 13' 00"
Manuscript
Symphonie, op. 42 (1947)
Instrumentation: for string orchestra
Duration: 21' 00"
Manuscript
Orpheus, Eurydike, Hermes, op. 43 (1947)
Instrumentation: for speaking voice and ten instruments (1.1.ca.0.1/1.0.0.0/perc/pf/1.0.1.1.0)
Texts: Rainer Maria Rilke
Duration: 22' 00"
Schott Musik International
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BRD
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D-55116 Mainz
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under der linden, op. 44 (1948)
Instrumentation: for high voice and piano
Texts: Walther von der Vogelweide
Under der linden - Winterüberdruss - Ich saz uf eime steine - Werlt, ich hân dînen lôn ersehen - Müeste ich noch geleben - Dô der sumer komen was - Owê war sint verswunden alliu mîniu jâr
Duration: 27' 00"
Manuscript
Fantasie I, op. 45 (1948)
Instrumentation: for organ
Duration: 5' 00"
Manuscript
Alkestis. Dramatische Szene, op. 46 (1948-1949)
Instrumentation: for high voice and large orchestra
Texts: Rainer Maria Rilke
Duration: 20' 00"
Manuscript
Suite der Gegensätze, op. 51 (1949-1951)
Instrumentation: for piano
Duration: 13' 00"
Manuscript
Die Klage Hiobs, op. 49 (1950)
Instrumentation: for baritone, mixed choir, children's choir and large orchestra
Texts: Bibel / Liturgie
Duration: 20' 00"
Manuscript
Marienlegende, op. 50 (1950)
Instrumentation: for high voice, viola and piano
Texts: Klabund
Duration: 7' 00"
Manuscript
Der Teppich des Lebens, op. 52 (1951)
Instrumentation: for high voice and piano
Texts: Stefan George
Der teppich - Die maske - Herzensdame - Die verrufung - Die fremde - Das kloster - Urlandschaft
Duration: 24' 00"
Manuscript
Ballade Nr. 1 und Nr. 2, op. 53, op. 74 (1952-1964)
Instrumentation: for flute and piano
Duration: 8' 00"
Manuscript
Concertino, op. 54 (1953)
Instrumentation: for violoncello and piano
Duration: 8' 00"
Manuscript
Sänge eines fahrenden Spielmanns, op. 56 (1954)
Instrumentation: for alto, viola and piano
Texts: Stefan George
Aus den knospen - Sieh mein kind, ich gehe... - Ist es neu dir was vermocht - Ein edelkind sah vom balkon - Das lied des zwergen I,II,III - Erwachen der braut - So ich traurig bin
Duration: 16' 00"
Manuscript
6 Etüden, op. 57 (1954-1960)
Instrumentation: for piano
Duration: 10' 00"
Manuscript
Divertimento, op. 55 (1954-1955)
Instrumentation: for two clarinets and bassoon
Duration: 10' 00"
Manuscript
Gesänge des Abschieds, op. 58 (1955)
Instrumentation: for medium to high voice and piano
Texts: Georg Heym
Und die Hörner des Sommers verstummen - Die Tänzerin in der Gemme - Die Städte im Walde - Der Tod der Liebenden im Meer - Der sterbende Faun
Duration: 25' 00"
Manuscript
Sechs Gesänge nach Gedichten von Urs Oberlin, op. 59 (1956)
Instrumentation: for medium voice and piano
Texts: Urs Oberlin
Prooemion - Und alles Leben... - Im Federkleid kommst du nachts... - Es muss ein Schattenstern... - Oidipus - Im weissen Fell...
Duration: 12' 00"
Manuscript
Musik, op. 60 (1957)
Instrumentation: for viola and piano
Duration: 8' 00"
Manuscript
Musik für Flöte und drei Streicher, op. 61 (1959)
Instrumentation: for flute, violin, viola and violoncello
Duration: 8' 00"
Manuscript
Acht Gesänge nach Gedichten von Astrid Claes, op. 62 (1959-1960)
Instrumentation: for alto and piano
Texts: Astrid Claes
Abend - Ich suche den... - Whisky - Abschied - The Raven - Die Fackel - Der Lastträger - Die Ratte
Duration: 21' 00"
Manuscript
Lamentatio. In memoriam Clara Haskil, op. 65 (1960)
Instrumentation: for flute, violin and piano
Duration: 5' 00"
Manuscript
Konstellationen, op. 66 (1960)
Instrumentation: for piano
Duration: 7' 00"
Heinrichshofen's Verlag
Liebigstr. 16
D-26389 Wilhelmshaven
BRD
D-26389 Wilhelmshaven
BRD
Haiku I & II. Melodien nach japanischen Dreizeilern, op. 64, op. 83 (1960-1971)
Instrumentation: for high voice and piano
Texts: Japanische Dichter
Haiku I, op.64: Eleven melodies based on Japanese three-lines:
Der Mond von heute Nacht - Die acht Ansichten von Omi am Biwa-See - Der Mogami-Fluss - Die Seta-Brücke - Kleine Mücken - Das Jahr geht zu Ende - Das verirrte Kind und der Leuchtkäfer - Die Windenblüte - Die gefangene Nachtigall - Der Weidenbaum - Das Feuerwerk
Haiku II, op.83: Thirteen melodies based on alactritiously ironic Japanese three-lines:
Zikaden - Fallende Blätter - Herbststurm - Gelbe Chrysanthemen - Krähe an einem Schneemorgen - Abendrauch - Neujahr - Der Schmetterling - Feuerkäferlicht - Hirsche ziehn vorbei - Mond und Flötenbläser - Still wird mein Gemüt - Schnee, den wir zu zweit...
Duration: 8' 00"-17' 00"
Manuscript
Threnoi. 4 madrigale, op. 67 (1961)
Instrumentation: for vocal ensemble (four - six mixed voices)
Texts: Ezra Pound
Threnos - Ione, lang verschieden - Elegiae “Haec Tua, Persephone“ - Pan ist tot
Duration: 13' 00"
Manuscript
Movements, op. 68 (1961)
Instrumentation: for alto saxophone and piano
Duration: 5' 00"
Manuscript
Konzert, op. 69 (1962)
Instrumentation: for soprano and alto saxophones and string orchestra
Duration: 12' 00"
Manuscript
Legende von der Entstehung des Buches Taoteking, op. 70 (1962)
Instrumentation: for medium voice and piano
Texts: Bertolt Brecht
Duration: 13' 00"
Manuscript
Varianten, op. 71 (1962)
Instrumentation: for piano
Duration: 8' 00"
Manuscript
14 Sinnsprüche aus "Der cherubinische Wandersmann", op. 72 (1963)
Instrumentation: for a medium voice and piano
Texts: Angelus Silesius
Die Geburt Gottes währet immer - Gelassenheit - Gott ist ein Punkt und Kreis - Die Perlengeburt - Die Welt ist im Frühling gemacht - Das verlorene Schaf - Das Lautenspiel Gottes - Ein wachend Auge sieht - Man weiss nicht, was man ist - Die Liebe - Die Einigkeit - Ohn warum - Was hilft mich's, Gabriel? - Wer mit den Engeln singen kann
Duration: 11' 00"
Manuscript
Aus canto 81 (Pisaner Gesänge), op. 73 (1963)
Instrumentation: for six-part mixed choir
Texts: Ezra Pound
Duration: 10' 00"
Manuscript
Der blinde Passagier, op. 75 (1964)
Instrumentation: for voice and piano
Composed for and dedicated to Elsie Attenhofer.
Duration: 3' 00"
Manuscript
Lieder 1939-1965 (1939-1965)
Instrumentation: for medium voice and piano
Texts: Klabund, Eva Eisenmann, Rainer Maria Rilke, Hermann Hesse, Matthias Claudius, Hafis, Stefan George, Gottfried Benn, Joachim Ring
Wanderung zur Nacht (Klabund) (1939) - Gebet (Eva Eisenmann) (1943) - Du blasses Kind (Rilke) (1944) - Im Nebel (Hesse) (1944) - Eine Sibylle (Rilke) (1947) - Der Schwarze in der Zuckerplantage (Claudius) (1947) - Sprachen seien viele, viele (Hafis) (1947) - Das Lied (George) (1951) - Welch ein kühn-leichter Schritt (George) (1951) - Einst (Benn) (1959) - Bumerang, op. 63 (Ringelnatz) (1959) - Ein schöner Stern (Heine) - Abend, op. 76d (Petöfi) (1964) - Nur zu oft, op. 76b (v. Platen) (1965) - September-Morgen, op. 76c (Mörike) (1965)
Manuscript
Fantasie II, op. 77 (1966)
Instrumentation: for organ
Duration: 5' 00"
Manuscript
Kleine Klavierstücke, op. 78 (1954-1974)
Instrumentation: for piano
Ballade (1954) - Kleine Ballade (1966) - Pièce de Concert (1966/68) - Rondino (1971) - Balancé (1974)
Duration: 12' 00"
Manuscript
Duo, op. 79 (1970)
Instrumentation: for flute and harp
Duration: 9' 00"
Manuscript
Trois Images und Esquisses, op. 80, op. 82 (1970-1971)
Instrumentation: for piano
Duration: 9' 00"
Manuscript
Liebeslied und Heimat, op. 81 (1971-1974)
Instrumentation: for alto and organ (medium voice and piano)
Texts: Hermann Hesse, H.H. Erler
Duration: 2' 00"
Manuscript
Tanka. 13 japanische Fünfzeiler, op. 84 (1972)
Instrumentation: for deep voice, flute and piano
Texts: Japanische Dichter
Alles lehnt mich ab - Meine Liebe... - Ist ein Mädchen hübsch - Meine Lieder... - Wenn im Osten rot - Sonne oder Mond - Ach, nun bist du fort - Ganz von brennendem Liebessehnen - In den Bäumen weht - Hoch in Himmelshöhn - Von der Lerche... - Wenn auch nur ein Mensch... - Heut ist eben heut
Duration: 13' 00"
Manuscript
Konfrontationen, op. 85 (1972)
Instrumentation: for flute and large orchestra (3.3.3.3/2.2.3.1/timp.perc/hp.pf/str)
Duration: 15' 00"
Manuscript
Haiku III. Melodien nach heiter-ironischen japanischen Dreizeilern, op. 86 (1973)
Instrumentation: for medium voice, oboe and piano
Texts: Japanische Dichter
Kirschenblüten.Mond... - Die Zikadenfrau - Welch ein wilder Sturm - Schlafen möchte ich... - Ganz für mich allein - Krämerseelen, pfui! - Mondesuntergang - Pflaumenblütenzeit - Buddha auf dem Feld - Eine neue Magd - Haiku...
Duration: 6' 00"
Manuscript
Meditationen, op. 88 (1975)
Instrumentation: for flute and organ
Duration: 8' 00"
Manuscript
Der heilige Martin von Tours. Motette, op. 89 (1975)
Instrumentation: for vocal ensemble or four-part mixed choir
Texts: Will Eisenmann
Ecclesiastical music, suitable for a good amateur choir.
Duration: 4' 00"
Manuscript
Gesänge zur Nacht, op. 91 (1976)
Instrumentation: for alto and organ
Texts: Georg Trakl
O Nacht, du stummes Tor - Blumen hörte ich sterben - Du bist der Wein - Mein armes Lächeln
Duration: 6' 00"
Manuscript
Toccata und Reflessioni, op. 90, op. 93 (1976-1977)
Instrumentation: for organ
Duration: 7' 00"
Manuscript
Capriccio, op. 92 (1977)
Instrumentation: for tenor saxophone and piano
Duration: 3' 00"
Manuscript
Mouvements concertants, op. 95 (1977)
Instrumentation: for trumpet and organ
Duration: 8' 00"
Manuscript
Improvisation I & II, op. 94, op. 107 (1977)
Instrumentation: for flute
Duration: 6' 00"
Manuscript
Musica concertante, op. 96 (1977-1978)
Instrumentation: for large orchestra (2.2.2.sx.2/3.3.2.0/timp.perc/cel/str)
Duration: 15' 00"
Manuscript
Praeludium, op. 97 (1978)
Instrumentation: for organ
Duration: 5' 00"
Manuscript
Divertissement, op. 98 (1978)
Instrumentation: for two violins
Duration: 4' 00"
Manuscript
Quartetto brevis, op. 99 (1978)
Instrumentation: for string quartet
Duration: 10' 00"
Manuscript
Evocation, op. 100 (1980)
Instrumentation: for flute and organ
Duration: 7' 00"
Manuscript
Grosser Geist. Gebet nordamerikanischer Indianer, op. 101 (1981)
Instrumentation: for four-part mixed choir
Texts: Indianische Texte
Ecclesiastic music suitable for a good amateur choir.
Duration: 4' 00"
Manuscript
Gesänge nach Worten von Linus David, op. 102 (1981)
Instrumentation: for medium voice and piano (or organ)
Texts: Linus David
Wird es dann nacht? - Der anfang schon vom ende - weil ich leben will
Duration: 6' 00"
Manuscript
Drei Gesänge nach Gedichten von Georg Trakl, op. 103 (1982)
Instrumentation: for deep voice and cello
Texts: Georg Trakl
Rondel - Schweigen - Vor Sonnenaufgang
Duration: 6' 00"
Manuscript
Drei Gesänge "Aus goldenem Kelch", op. 104 (1982)
Instrumentation: for deep voice and piano
Texts: Georg Trakl
Mein armes Lächeln - Einer Vorübergehenden - An Mauern hin
Duration: 8' 00"
Manuscript
Spiel zu dritt, op. 105 (1983)
Instrumentation: for flute, oboe and bassoon
Duration: 6' 00"
Manuscript
Fantasie III, op. 106 (1983)
Instrumentation: for organ
Duration: 6' 00"
Manuscript
Impression, op. 108 (1984)
Instrumentation: for clarinet
Suitable for music students.
Duration: 5' 00"
Nepomuk Musik Verlag
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Walkmühlstrasse 52
D-65195 Wiesbaden
BRD
Tel. +49 (0)611 45 0080
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Walkmühlstrasse 52
D-65195 Wiesbaden
BRD
Tel. +49 (0)611 45 0080
vertrieb@breitkopf.de
www.breitkopf.com
Metamòrfosi, op. 109 (1985)
Instrumentation: for oboe
Duration: 5' 00"
Manuscript
Diskographie
Zeitgenössische Musik für Flöte solo (Jonas Lindenmann) (CD swiss pan, 1998)
Eisenmann, Will: Improvisation I & II, op. 94, op. 107 (1977)
With more works of: Caspar Diethelm, Hans Zellweger, Peter Benary
Works:
Felder, Alfred: Fussspur (1998)Eisenmann, Will: Improvisation I & II, op. 94, op. 107 (1977)
With more works of: Caspar Diethelm, Hans Zellweger, Peter Benary
Info: www.fonoteca.ch
Musik in Luzern. Orgelmusik an der Hofkirche (GALLO Nr. CD-754, 1993)
Garovi, Josef: Partita über "Veni Creator Spiritus" (1958)
Works:
Eisenmann, Will: Praeludium, op. 97 (1978)Garovi, Josef: Partita über "Veni Creator Spiritus" (1958)