Sonate für Bratsche und Klavier (1977)
Duration: 25' 00"
Manuscript

Sechs Lieder nach frühen Gedichten von Robert Walser (1977)
for soprano and piano
Texts: Robert Walser
Abend - Wiegen - Nicht - Im Mondschein - Stille - Tiefer Winter.
Duration: 10' 00"

Traum (1978-1979)
for orchestra (rec.fl.ob.ca.bthn.bcl.bn/4.2.2.0/timp/str)
Duration: 18' 00"

Erstes Streichquartett (1980)
Duration: 12' 00"

Fuge (1980)
for string quartet
Duration: 8' 00"

Klavierstück über die Reihe des "Kinderstücks" von Anton Webern (1980)
Duration: 2' 00"

Miniaturen (1980)
for piano trio
Four short pieces based on the series of 'kinderstücks' (childrens pieces) by Anton Webern.
Duration: 4' 00"

Berge in der Nacht (1980)
Fantasy
for alto and three cellos
Texts: Hermann Hesse
Duration: 12' 00"

Florestan und Eusebius (1981)
for 2 orchestras (1: 2tpt.btpt.2hn.3tbn/3perc; 2: 2.1.2.2/0.0.0.0/str) and solo group (fl(pic).ob.cl/tpt/vn)
Duration: 15' 00"

Kirchen (-Raum-) Musik (1981)
Five scenes
for alto, speaker, violine, grand and positive organs with assistants and actress ad lib.
Texts: Daniel Glaus, Ernst Kappeler, Rudolf Steiner, Emanuel Swedenborg
Duration: 25' 00"

Kreuz (1981)
for sixteen voices
Duration: 6' 00"

Stille (1982)
Study
for violin solo
A study of the quality of silence in music. A great challenge for each interpretation.
Duration: 12' 00"

Zerstreute Wege, Kammeroper, Ton- und Schauspiele (1981-1983)
for mezzo-soprano, orator, pianoforte, three pianos, flute, three clarinets, three trombones, three violins and a four-channel electronic tape
Texts: Hans Georg Nägeli
Based on thoughts by Hans Georg Nägeli.
Duration: 30' 00"

Trio aus "Zerstreute Wege" (1982-1983)
for clarinet trio, trombone trio and guitar trio
Duration: 8' 00"

"Trilogie" I: "Im Anfang war der Logos" (1983)
Eight short pieces
for small organ
Duration: 13' 00"

Trilogie II: "und die Finsternis habens nicht begriffen", Mauerwerk mit Edelsteinen (1983)
for grand organ, positive organ and harpsichord or any melodic instrument and organ
Duration: 18' 00"

"Trilogie" III: "... als ein durchscheinend Glas..." (1983-1984)
for harpsichord, flute in G and clavichord
Within the crepuscular sound world of the cembalo (double manual with 8' and 4' registers; 4' on the first), the flute explores the very flexible and sensitive areas between air and sound, and between pizzicato, slap and tenuto. The steady circling of the clavichord shimmers through from the background.
Duration: 15' 00"

Edelsteinsplitter (1983-1984)
for organ
From "Trilogie II".
Duration: 4' 00"
Manuscript

Mauerwerk (1984)
for organ
Duration: 16' 00"

"Il y a une autre espèce de cadence" (G. Tartini) (1984)
Partita
for Baroque or modern violin or the two instruments combined (or viola or violoncello or flute with clarinet ad lib.)
Allows the interpreter a great amount of freedom.
Version I: for Baroque or modern violin or the two instruments combined
Version IIa: for violoncello with bass clarinet ad lib.
Version IIb: for viola with clarinet ad lib.
Version III: for flute (arranged by Suzanne Huber)
Duration: 6' 00"-8' 00"

Toccata per Girolamo (... pour Claude) (1985)
for piano solo
The single parts of this piece can be played separately or as a freely chosen selection.
Sponsored by the SME Lucerne.

Duration: 29' 00"

Edelsteine. Zwölf kurze Stücke (Jewels. Twelve Short Pieces) (1985)
Twelve short pieces
for any melodic instrument and organ
Jaspis - Saphir - Calcedonier - Smaragd - Sardonich -
Chrysolit - Beril - Topasier - Chrysopras - Hyacinth -
Ametist.
Duration: 8' 00"

Anmerkung zu Bach (1985)
for piano
Duration: 4' 00"
Manuscript

Zieh' einen Kreis aus Gedanken (1986)
for voice, strings (5.4.3.1) and two-channel electronic tape with Indian text
Texts: Indianische Texte
The strings are divided into four trios, these are positioned around the audience and conducted by the central solo violin.
Duration: 25' 00"

Toccatacet. Sette versetti per organo piccolo (1986)
Seven verses for piccolo organ
These expansive virtuosic toccatas for organ are sunk in a sea of silence and can only be perceived in the swelling of the waves.
Duration: 6' 00"

Zweites Streichquartett (... vom Abgrund nämlich) in sieben Teilen (1986-1987)
in seven parts
From the oratorium 'Hüllen des Abgrunds'.
Duration: 43' 00"

Hüllen des Abgrunds. Oratorium über die Offenbarung des Johannes (1986-1987)
Oratorium about the Book of Revelation
for string quartet, soprano, tenor, baritone, instrumental ensemble, string orchestra, forty-nine voice speaking choir and two choirs
Duration: 75' 00"

Mein barfüssig Lob (1987)
for oboe d'amore, trombone, guitar, harp, double-bass and tam-tam, or for soprano and guitar
Texts: Kurt Marti
Duration: 12' 00"
Manuscript

Meteorsteine (1987)
for orchestra (1(pic).1.1.asx.1/1.1.1.0/3perc/hp.cel.pf/gtr/strquartet.db/str)
Duration: 7' 00"

Truncken von dem Blut (1987)
for baritone and violin
Texts: Martin Luther
Duration: 4' 40"
Manuscript

Musikalisches Frühlingsblumensträusschen (1988)
Five short pieces
for violin and harpsichord
Duration: 8' 00"

Gottsplitter zerstreut (1988)
for tenor, viola and organ
Texts: Andreas Urweider
Duration: 6' 00"

Fragment "Die hellen Nächte" (1988-1989)
for six violins and double-bass
Duration: 6' 00"

Chammawet ahawah (1989)
Cantata over Solomon's Song of Songs
for soprano and harp with string quartet ad libitum.
Version with string quartet: ca. 30'
Version without string quartet: ca. 23'
Duration: 23' 00"-30' 00"

Sunt lacrimae rerum (1988-1989)
Oratorio for the Planets of Life
for two male lectors, female lector, female speaker, male speaker, soprano, alto, baritone, 16 vocalists, 4 choirs and instrumental ensemble
Texts: Kurt Marti, Adolf Muschg, Dorothea Sölle
1. De Profundis
2. Erde, Planet des Lebens (Erwählung der Erde, Entstehung des Lebens, Grenzen)
3. Atomon
4. Babel
5. Aus fiefer Not (Teschuva)
Duration: 2h 00"

Teschuvah (1989)
for sixteen voices
From the oratorio "Sunt lacrimae rerum".
Duration: 7' 00"

"De Angelis" (in memoriam Luigi Nono) I (1990)
for large organ
Between huge ff sounding blocks stand almost unbearably long (and even louder!) silences, which gradually increase in texture as the piece progresses (partly purely improvised indications).
Duration: 15' 00"

"De Angelis" (in memoriam Luigi Nono) II (1990-1991)
for mezzo-soprano, vocal ensemble, flute, clarinet, violoncello, percussion (and organ with live electronic)
Texts: Andreas Urweider, Rainer Maria Rilke
Part A: 'Und nur ein Lidschlag', A. Urweider - without organ or electronics.
Part B: 'Selbst Sonnen tragen den kühlen Kern', A. Urweider, R.M. Rilke - with organ and electronics.

Duration: 28' 00"

"De Angelis" (in memoriam Luigi Nono) III (1991)
for flute and organ with mechanical action (tracker)
This piece deals with individuality (flute) and collectivism (organ) and an attempt to approach each other.
Duration: 16' 00"

De Angelis IV: Motetten und Gesänge zu Karfreitag (1992)
for cantor, gregorian schola cantorum, congregation, alto and vocal ensemble
Texts: Rainer Maria Rilke, Bibel / Liturgie
Pietà I (R.M. Rilke) for alto voice alone (6')Pietà II (R.M. Rilke) for alto voice alone (3')Domine exaudi (Psalms 101, 1&2), for alto voice and vocal ensemble (7')Christus factus est (Phil 2,8,9), for vocal ensemble (4')Kulla. The words of Jesus on the cross (from Mark, Luke and John) for vocal ensemble (11')Ecce lignum cruces, for vocal ensemble (1'30)'Dein Kreuz, o Herr', for cantor and congregation (2')Popule meus (Michael 6,3) for alto voice, cantor and vocal ensemble (9')Kyrie for chorister and congregation (1')Crux fidelis, Hymn for Schola Cantorum, alto voice and vocal ensemble (8')
Duration: 55' 00"

Miserere mihi. Proprium missae pro hebdomada vigesima secunda (1992)
Proprium missae pro hebdomada vigesima secunda
for two sopranos
Texts: Bibel / Liturgie
Singers willing to face challenges can impose a sense of great urgency on this composition.
Duration: 18' 00"

Tractus (1992)
for cello and piano
Duration: 12' 00"
Manuscript

De Angelis V (1993)
for two organs (main and choir organs) improvising clarinettists and three instrumental ensembles (1.0.1.0/2.2.1.0/2perc/hp/5.0.3.2.1)
Duration: 26' 30"

In hora mortis. Neun Versuche über die gregorianische "Missa pro Defunctis" (1987-1994)
Nine attempts based on the Gregorian ‘Missa pro Defunctis’
for piano trio
I. Cello solo, II. Trio, III. Piano solo, IV. Cello, piano, V. Trio, VI. Trio, VII. Violin, piano, VIII. Trio, IX. Violin solo.Parts II, V, VI, VIII: Piano trio (1988) (17')

"O uberweseliches Gut" (1993)
Attempts at the sequence 'Granum sinapis'
for voice and percussion
Duration: 12' 00"

Kulla. Die Worte Jesu am Kreuz (1992-1993)
The words of Jesus on the cross
version for deep female voice and organ
Texts: Bibel / Liturgie
From 'De Angelis' IV.
Duration: 11' 00"

Kulla. Die Worte Jesu am Kreuz (1992-1994)
The words of Jesus on the cross
version for string quartet
From 'De Angelis' IV.
Duration: 11' 00"

Echo Fantasie (1994)
for organ
Duration: 7' 00"

Komposition zu Meister Eckhart (1994-1995)
for alto, baritone, double choir and instrumental ensemble (0.1.1(bcl).1(cbn)/1.1.1.0/perc/hp.org/2.1.1.2)
Duration: 54' 00"

Vier Beleuchtungen einer dorischen Erinnerung (1995)
for square piano
Duration: 8' 00"

Eja, ein Lied (1995)
for singing
Texts: Andreas Urweider
Duration: 10' 00"

Das Schweigen verflochten im Haar (1995-1996)
Zacharias cantata
quadruple choir for soprano, boy's choir, tenor, three choirs, three trombones, six strings, lector and organ
Texts: Andreas Urweider
Text: Andreas Urweider.
Duration: 22' 00"

Omnia tempus habent (1996)
Cantata
for voice, oboe and mixed choir
Duration: 21' 00"

Hoch hebt den Herrn mein Herz (1995-1997)
Magnificat-Motette
for mixed choir
Duration: 15' 00"

Zaffaraya (1997)
for three percussionists
Duration: 15' 00"

Quid? - Omnia (1997)
Double motet
for mixed choir
Texts: Bibel / Liturgie
For the liturgical cantata 'Omnia tempus habent'.
Duration: 4' 00"

Pater Noster (1997)
for female voice solo
Texts: Bibel / Liturgie
For the liturgical cantata 'Omnia tempus habent'.Versions for soprano and alto are available.
Duration: 5' 00"

Die hellen Nächte (1987-1997)
Chamber opera in three acts
for alto and violin (principle roles), flute (alt and bass), clarinet (bass and contrabass), bassoon, accordion and cello
Texts: Andreas Urweider

Opuscule avec double (1997)
for organ and medium voice
Duration: 3' 00"

Drei Intavolierungen für Orgel (1997)
for organ
From: Omnia tempus habent.
Duration: 6' 00"
Manuscript

Lied (1997-1998)
Septet
for alto saxophone, bass flute, bass clarinet, bassoon, violin, violoncello and double-bass
Duration: 8' 00"

Tastendes Leuchten (1998)
Piano piece
four four hands
Duration: 11' 00"

Les 24 couleurs éternelles (1998)
Rolandslied
for soprano, trumpet and swallow's nest organ
Texts: Andreas Urweider
Duration: 17' 00"

Engel in der Bahnhofstrasse (1998)
for female voice and piano
Texts: Andreas Urweider
Duration: 14' 00"

Kulla. Die Worte Jesu am Kreuz (1992-1998)
The words of Jesus on the cross
version for baritone and eleven strings (5.3.2.1)
Texts: Bibel / Liturgie
From 'De Angelis' IV.
Duration: 11' 00"

Pasa calle (1998)
for flute solo
Introduction pour clef de si - Schreiten I - Schreiten II.
Duration: 34' 00"

Tiphereth (1999)
Sextet
for oboe, alto flute, bass clarinet, accordion, violin and violoncello
N° VI from "Sephiroth".
Duration: 14' 00"

Réminiscences - évoquées par la Passacaille de Bach (1999)
for violoncello and orchestra (1.afl.1.ca.1.bcl.2/2.2.0.0/2perc/hp/7.0.3.2.2)
Duration: 23' 00"
Manuscript

... aussi loin qu'un endroit fusionné avec au delà... (1999)
Fantasy
for violin and organ
Duration: 14' 00"
Manuscript

Pasar calle de cristal (1999)
for euphonium, pyrophone, verrophone, chromatic and micro-intervallic crystalophones (four players)
Duration: 19' 00"
Manuscript

Quid? - Omnia (1997-2000)
Two songs
for alto and organ
Texts: Bibel / Liturgie
For a short version of the liurgical cantata 'Omnia tempus habent'.
Duration: 4' 00"

Bisbigliando (2000)
Card game
for guitar(s) and/or celtic harp(s)
Duration: var.

Air (2000)
for organ
Duration: 5' 00"
Manuscript

Bethesda (2000)
Cantata
for soprano, mixed choir and strings
Duration: 9' 00"
Manuscript

Psalm 42 (2000)
Choral fantasy
for organ
Duration: 8' 00"
Manuscript

Wie der Hirsch nach frischer Quelle (2000)
Choral prelude
for organ
Duration: 5' 00"
Manuscript

Zeitspuren (2000)
for speaker, piano, viola and organ
Texts: Raphael Urweider
Duration: 47' 00"
Manuscript

Musikosmologischer Kreis-Kanon zum Jahrtausendwechsel (2000-2001)
for up to 26 voices, up to 24 instruments and 4 gongs (bells, plates rods)
Duration: 10 Minuten bis unendlich
Manuscript

3. Streichquartett (2001)
Naezach
N° VII from "Sephiroth".
Duration: 11' 00"
Manuscript

Per il flauto traverso (2001)
or "Hauch aus Hauch" or "Chochmah"
N° II from "Sephiroth".
Duration: 6' 00"

"Und Ihr werdet hören, durch den Schlaf hindurch" (2001)
for female voice, viola and speaker (ad lib.)
Texts: Nelly Sachs, Jürgen Rennert
I. "Lange haben wir das Lauschen verlernt"
II. Several sound traces for viola to the "Neun Sonetten zum Fries
der Lauschenden" by J. Rennert
III. "Sanft ins Empfinden eingehüllt"
IV. "Presst, o presst an der Zerstörung Tag …"
Duration: 18' 00"
Manuscript

Nunc dimittis (2002)
Canticum Simeonis
for seven-part choir and trombone ad libitum
Duration: 7' 00"
Manuscript

Wo bleiben die Fahnen von Wind und Sand (Zwei Fahnen für Döfe Burkhardt, Nr. 1) (2002)
for soprano, clarinet, violoncello and piano
Texts: Andreas Urweider
Duration: 2' 00"
Manuscript

Der Wind fällt über mich her von Süden (Zwei Fahnen für Döfe Burkhardt, Nr. 2) (2002)
trio
for flute (afl), oboe (ca) and violin
Duration: 7' 00"
Manuscript

Hymnus de spiritu sancto (2002)
for mezzo-sopranorganoviolinist or for mezzo-soprano, violin and any discant-melody instrument
Duration: 6' 00"
Manuscript

Geburah (2002)
Duo
for flute and oboe
N° V from "Sephiroth".
Duration: 14' 00"

Sephirah VIII (2002)
for clarinet, tenor saxophone, trumpet, trombone, 2 percussion instruments, piano, violin, violoncello and double bass
N° VIII from "Sephiroth".
Duration: 12' 00"

Zwei Fahnen für Döfe Burkhardt (2002)
for soprano, flute, oboe, clarinet, piano, violin and violoncello
Texts: Andreas Urweider
Duration: 8' 00"
Manuscript

Chessed (Tierce en taille) (2003)
for violin and viola
N° IV from "Sephiroth".
Duration: 10' 00"

Erste Sephiroth-Symphonie (2003-2004)
Spatial music
for chamber orchestra (afl.ob.bcl.bn.cbn.asx.tsx.barsx/4.3.3.1/timp.4perc/pf/6.5.4.3.2)
"Kether" – "Chochmah" – "Binah".
Dedicated to Klaus Huber for his 80th birthday.
Duration: 21' 00"

Zweite Sephiroth-Symphonie (1999-2003)
Chamber symphony
for flute, oboe, bass clarinet, accordion, violin, viola and violoncello
"Chessed" (Tierce en Taille) – Duo for violin and viola
"Geburah" - Duo for flute and oboe
"Tipheret" - Sextett for alto flute, oboe, bass clarinet, accordion, violin and violoncello
Duration: 40' 00"

Dritte Sephiroth-Symphonie (2001-2003/04)
Orchestral music
for large orchestra (3.4.3.3.3.sx/4.3.3.2/timp.4perc/hp.pf.acn/14.12.10.8.6)
"Nezach" - "Hod" - "Yesod".
Duration: 32' 00"

Vierte Sephiroth-Symphonie (2002-2004)
Concert
for violin and large orchestra (3.4.3.3.3.sx/4.3.3.2/timp.4perc/hp.pf.acn/obligatory solo viola/14.12.10.8.6)
"Malchuth".
Duration: 35' 00"

Sola quae cantat audit et cui cantatur (2009)
Oratorio
for 7 voices (2S2ATBar,B), brass quintet (2tpt, hn, tbn, tba), string quintet (2v, va, vc, db) and arciliuto
Texts: Bernhard von Clairvaux
Duration: 90' 00"

3 Sinfonische Passagen (2010)
for large organ
Duration: 15' 00"

Aube et aurore (2010)
for small organ
Duration: 3' 00"

Von den vier Enden der Welten (2010-2011)
Oratorio
for 4 voices (countertenor, tenor, bass I+II), speaker and symphony orchestra (3.2.ca.1.bcl.cbbcl.2.cbn/4.3.distributed wind instru.2t/btbn.cbtbn/timp.4perc/14.12.10.8.6)
Texts: Giuseppe Ungaretti
Duration: 60' 00"

BQ 144 (2011)
for bass clarinet and organ
Duration: 8' 00"
Manuscript

3 Improvisationen (2011)
for bass clarinet and organ
Duration: 16' 00"
Manuscript

Passacailles fugitives (2011)
for violoncello and Berne Minster's large bell
Duration: 11' 00"
Manuscript

Redeuntes I (2013)
for wind instrumentalists in the tower, on the square and bells
Duration: 15' 00"

Redeuntes II (2011-2013)
for wind instrumentalists distributed around the room and four orchestras
Duration: 14' 00"

Redeuntes III (2011-2013)
for wind instrumentalists distributed around the room and four orchestras
Duration: 7' 00"

atmend - Numen (2013)
2 improvisations
for organ
Duration: 18' 00"
Manuscript

Grammont Sélection 5 (Musiques Suisses Nr. MGB CTS-M 137, 2012)

Interpreters:

Gubler, Rico
Brotbeck, Conradin
Kernjak, Anton
Näf, Fritz
Henneberger, Jürg
Scheidegger, Mats
Leimgruber, Urs
Blum, Dominik
Basler Madrigalisten
Cattrall

Works:

Wüthrich, Hans: Peripherie und Mitte (2009-2011)
Roth, Michel: Räuber-Fragmente (2011)
Keller, Max E.: Die Schwestern (2011/2012)
Henking, Christian: Keine Zeit ist zeitig mit der Sehnsucht Zeit (2011)
Glaus, Daniel: Passacailles fugitives (2011)
Weissberg, Daniel: Hausmusik für H.G. (2011)
Profos, Felix: Real Fire (2011)
Holliger, Heinz: Zwei Stücke nach Mani Matter (2011)
Schneider, Urs Peter: Dieselben (2009-2010)
Tara, Dragos: Horde (2011)
Fachard, Antoine: L'instant c'est déjà la solitude... (2011)
Satapati, Rajiv: Im Keim der Liebe erschlagen (2011)

Info: www.fonoteca.ch

Festival l'art pour l'Aar. Januar 2003 (Müller &Schade Nr. 5041/2, 2006)

Interpreters:

Monot, Pierre-Alain
Ebner, Matthias

Works:

Darbellay, Jean-Luc: Concerto pour Violoncelle (1989)
Darbellay, Jean-Luc: Incident Room (1998)
Darbellay, Jean-Luc: Alea (2003)
Glaus, Daniel: "Il y a une autre espèce de cadence" (G. Tartini) (1984)
Glaus, Daniel: Tiphereth (1999)
Holliger, Heinz: Scardanelli-Zyklus (1975-1991)
Holliger, Heinz: Duo II (1988/1994)
Wyttenbach, Jürg: Harmonie mit schräger Dämpfung (1990)
Frischknecht, Hans Eugen: Oktett für drei Bläser und fünf Streicher (1996)
Werren, Stefan: Akróasis 1 (1996)
Bovey, Pierre-André: Une lueur dans l'infini (1997)
Frauchiger, Katrin: Es ist alles anders (1999)
Veress, Sándor: Sonate (1967)
With more works of: Gerhard Holzer, Beatrix Graf, Sandor Veress, Christian Giger, Thomas Demenga, Alfred Schweizer

Robert Walser in der Schweizer Musik (Musiques Suisses Nr. 6231, 2005)

Interpreters:

Schneider, Urs Peter
Radermacher, Erika

Works:

Frey, Jürg: Lachen und Lächeln (1978)
Glaus, Daniel: Sechs Lieder nach frühen Gedichten von Robert Walser (1977)
Neidhöfer, Christoph: 4 Lieder nach Robert Walser (1995)
Haubensak, Edu: Sechs Walserminiaturen (1996)
With more works of: Annette Schmucki, Aleksander Gabrys

Daniel Glaus: Komposition zu Meister Eckhart (Müller &Schade Nr. 5014/2, 1997)

Works:

Glaus, Daniel: Komposition zu Meister Eckhart (1994-1995)

Info: www.fonoteca.ch

Daniel Glaus: In hora mortis (Müller und Schade Nr. 5008/2, 1995)

Works:

Glaus, Daniel: In hora mortis (1987-1994)

Info: www.fonoteca.ch

Tetraclavier (Jecklin Szene Schweiz Nr. 289-2, 1993)

Interpreters:

Dünki, Jean-Jacques
Sublet, Pierre

Works:

Dünki, Jean-Jacques: Tétraptéron 0-IV (1981-1992)
Glaus, Daniel: Toccata per Girolamo (... pour Claude) (1985)
Pepi Alós, Jorge: Metamorfosis I (1989)
Zimmerlin, Alfred: Klavierstück 2 (1985)
With more works of: Karlheinz Stockhausen

Info: www.fonoteca.ch

Kenneweg, Friederike: Grammont Sélection 5, in: Dissonanz 122 (2013), S. 76-77 [Internet]

Brotbeck, Roman: Grammont Sélection 5. Uraufführungen aus dem Jahr 2011, in: Kuratierung und Kommentierung der CD, Musiques Suisses, Zürich 2012

Renggli, Hanspeter: Klang-Raum-choreographie. Ein Oratorium zu Bernhard von Clairvaux von Daniel Glaus, in: Dissonanz (März 10) 109 (2010), S. 32-37

Hirsbrunner, Theo: Glaus, Daniel, Ein Porträt, in: Au carrefour des mondes, édition dissonance 1 (2008), S. 154-162

Kunkel, Michael: "... alle Orte der Welt, aus allen Winkeln gehört ..." . Die "Sephiroth-Symphonien" (1999-2004/ ...) von Daniel Glaus, in: Dissonanz 93 (2006) [Internet]

Brotbeck, Roman: Gott im Kindbett wie eine Frau. "Komposition zu Meister Eckhart" von Daniel Glaus, in: Dissonanz, Nr. 47 (Februar 1996) 47 (1996) [Internet]

Hirsbrunner, Theo: Daniel Glaus. Ein Portait, in: Dissonanz 49 (1996)