Rusconi Michèle
(18. 03. 1960)
Rusconi Michèle
Oetlingerstrasse 169
CH-4057 Basel (BS)
Schweiz
Tel: 141 (0)61 683 29 73
Mobile: +41 (0)76 222 65 04
www.mrusconi.ch
Oetlingerstrasse 169
CH-4057 Basel (BS)
Schweiz
Tel: 141 (0)61 683 29 73
Mobile: +41 (0)76 222 65 04
www.mrusconi.ch
Genre: Classical Music
Biography
Michèle Rusconi dealt with many different types of music and lived in various
countries and continents.
1979 she was a member of the Gamelan orchestra in Basel. Two years later and already a student at Berklee College of Music, Boston, USA, where she majored in Jazz piano, she travelled to Bali for several months to study Grantang and Joged Bumbung (bamboo instruments).
From 1983-87 she lived in Madrid, played with Jazz ensembles, Rock bands and Flamenco singers.
In 1988 she moved to New York. She lived many years in Harlem, studied at City College with Ron Carter and learned with pianists Kenny Baron and Ronnie Matthews. She founded Jazz bands, played a lot of Salsa and Merengue and travelled twice to Haiti to play and study Compas, the traditional music of Haiti.
After living two years in Malysia, she returned to New York and got her BA in performing arts. David del Tredici from Juilliard School of Music became her teacher in composition.
Since 2000 she again lives in Switzerland. In 2003 she received her MA in composition at the Musikhochschule Freiburg where she had studied composition with Matthias Spahlinger and electronics with Mesias Maiguashca.
Michèle Rusconiʼs music has been performed and commissioned by many ensembles in Europe and America: by the Pellegrini Quartett, by the Ensembles Aventure, Phoenix, Antipoden, The New Juilliard Ensemble, Bugallo/Williams Duo, Camilla Hoitenga and many others.
Pieces for tape have been produced in her home studio.
Michèle Rusconi lives in Basel, Switzerland.
countries and continents.
1979 she was a member of the Gamelan orchestra in Basel. Two years later and already a student at Berklee College of Music, Boston, USA, where she majored in Jazz piano, she travelled to Bali for several months to study Grantang and Joged Bumbung (bamboo instruments).
From 1983-87 she lived in Madrid, played with Jazz ensembles, Rock bands and Flamenco singers.
In 1988 she moved to New York. She lived many years in Harlem, studied at City College with Ron Carter and learned with pianists Kenny Baron and Ronnie Matthews. She founded Jazz bands, played a lot of Salsa and Merengue and travelled twice to Haiti to play and study Compas, the traditional music of Haiti.
After living two years in Malysia, she returned to New York and got her BA in performing arts. David del Tredici from Juilliard School of Music became her teacher in composition.
Since 2000 she again lives in Switzerland. In 2003 she received her MA in composition at the Musikhochschule Freiburg where she had studied composition with Matthias Spahlinger and electronics with Mesias Maiguashca.
Michèle Rusconiʼs music has been performed and commissioned by many ensembles in Europe and America: by the Pellegrini Quartett, by the Ensembles Aventure, Phoenix, Antipoden, The New Juilliard Ensemble, Bugallo/Williams Duo, Camilla Hoitenga and many others.
Pieces for tape have been produced in her home studio.
Michèle Rusconi lives in Basel, Switzerland.
Work list
short cuts (2000)
for trombone and harp
Duration: 10' 00"
Manuscript
for trombone and harp
Duration: 10' 00"
Manuscript
3630 (2001)
for ensemble (1.1.1.1/1.1.1.0/perc/pf/1.1.1.1) and wood block
Duration: 19' 00"
Manuscript
for ensemble (1.1.1.1/1.1.1.0/perc/pf/1.1.1.1) and wood block
Duration: 19' 00"
Manuscript
TILT (2001)
Audio tape piece
for 8 loud speakers
Duration: 7' 30"
Manuscript
Audio tape piece
for 8 loud speakers
Duration: 7' 30"
Manuscript
warm up (2002)
for piano and percussion
Duration: 9' 00"
Manuscript
for piano and percussion
Duration: 9' 00"
Manuscript
Rasmunsen (2002)
Radio play
Duration: 11' 45"
Manuscript
Radio play
Duration: 11' 45"
Manuscript
goooool! (2003)
for piano and audio tape
Duration: 11' 20"
Manuscript
for piano and audio tape
Duration: 11' 20"
Manuscript
el conejo metalico (2003)
for percussion, audio tape and video
Duration: 10' 00"
Manuscript
for percussion, audio tape and video
Duration: 10' 00"
Manuscript
lickety split (2004)
for audio tape
Duration: 8' 45"
Manuscript
for audio tape
Duration: 8' 45"
Manuscript
aus-lo-ten (2004)
for trombone, harp and audio tape
Duration: 14' 30"
Manuscript
for trombone, harp and audio tape
Duration: 14' 30"
Manuscript
la mala mordida (2005)
Installation
for 5 loud speakers
Manuscript
Installation
for 5 loud speakers
Manuscript
ein dynosaurier auf dem äschenplatz (2005)
video soundtrack
Duration: 1' 00"
Manuscript
video soundtrack
Duration: 1' 00"
Manuscript
nix wie weg (2005)
for tenor flute
Duration: 10' 00"
Manuscript
for tenor flute
Duration: 10' 00"
Manuscript
transgresion (2006)
an audio-visual room installation
In collaboration with the video artist Carlos Poete.
Manuscript
an audio-visual room installation
In collaboration with the video artist Carlos Poete.
Manuscript
sin embargo (2006)
for accordion
Duration: 7' 45"
Manuscript
for accordion
Duration: 7' 45"
Manuscript
exteriorizando intimidades (2006)
Installation
In collaboration with Carlos Poete.
Manuscript
Installation
In collaboration with Carlos Poete.
Manuscript
no risk no fun (2007)
for trumpet and percussion
Duration: 10' 00"
Manuscript
for trumpet and percussion
Duration: 10' 00"
Manuscript
Membran (2007)
Room installation
for 5 loud speakers
Manuscript
Room installation
for 5 loud speakers
Manuscript
Dissoziationen (2008)
for clarinet, bassoon, horn, 2 violines, viola, cello and double bass
Duration: 15' 00"
Manuscript
for clarinet, bassoon, horn, 2 violines, viola, cello and double bass
Duration: 15' 00"
Manuscript
ratafià (2008)
for string quartet
Duration: 11' 00"
Manuscript
for string quartet
Duration: 11' 00"
Manuscript
Entgiftung ALAT (GPT) 57 U/1 (2008)
for flute, oboe, clarinet, percussion, piano, violine, viola, cello (or double bass)
Duration: 7' 30"
Manuscript
for flute, oboe, clarinet, percussion, piano, violine, viola, cello (or double bass)
Duration: 7' 30"
Manuscript
a bit of bungling on the battlefield (2008)
for piano trio
Duration: 10' 30"
Manuscript
for piano trio
Duration: 10' 30"
Manuscript
Amygdala (2009)
for flute, oboe, clarinet, bassoon, horn, trumpet, piano, violine, viola, cello, and double bass
Duration: 9' 00"
Manuscript
for flute, oboe, clarinet, bassoon, horn, trumpet, piano, violine, viola, cello, and double bass
Duration: 9' 00"
Manuscript
Buda-morph (2009)
for 2 violines, viola, cello and double bass
Duration: 8' 00"
Manuscript
for 2 violines, viola, cello and double bass
Duration: 8' 00"
Manuscript
Buda-morph 14 (2009)
for 8 violines, 3 violas, 2 celli and double bass
Duration: 8' 00"
Manuscript
for 8 violines, 3 violas, 2 celli and double bass
Duration: 8' 00"
Manuscript
Broyer du noir + salt peanuts (2009)
for flute, clarinet, piano and cello
Duration: 10' 00"
Manuscript
for flute, clarinet, piano and cello
Duration: 10' 00"
Manuscript
letʼs cut our losses and go home (2010)
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone and double bass
Duration: 9' 00"
Manuscript
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone and double bass
Duration: 9' 00"
Manuscript
NOMOLL I (2010)
for 2 prepared pianos
Duration: 7' 30"
Manuscript
for 2 prepared pianos
Duration: 7' 30"
Manuscript
NOMOLL II (2010)
for 2 pianos
Duration: 7' 30"
Manuscript
for 2 pianos
Duration: 7' 30"
Manuscript
el leon que mas cicatrices tiene es el jefe (2010)
for 2 harps
Duration: 9' 00"
Manuscript
for 2 harps
Duration: 9' 00"
Manuscript
untitled (2011)
for flute, percussion and harp
Duration: 7' 00"
Manuscript
for flute, percussion and harp
Duration: 7' 00"
Manuscript
postumi (2011)
for string quartet
Duration: 7' 30"
Manuscript
for string quartet
Duration: 7' 30"
Manuscript
opinions only (2011)
for flute, clarinet, trumpet, trombone, percussion, harp, accordion, violine and double bass
Duration: 10' 30"
Manuscript
for flute, clarinet, trumpet, trombone, percussion, harp, accordion, violine and double bass
Duration: 10' 30"
Manuscript
on a whim (2012)
for solo violin, solo percussion or two percussionists or solo oboe or solo harp or solo flute or solo viola or solo tuba
Duration: 4' 00"
Manuscript
for solo violin, solo percussion or two percussionists or solo oboe or solo harp or solo flute or solo viola or solo tuba
Duration: 4' 00"
Manuscript
merry at breakfast-dead by noon (2012)
for flute, percussion and cello
Duration: 9' 00"
Manuscript
for flute, percussion and cello
Duration: 9' 00"
Manuscript
whims+attitudes (2012)
for solo harp
Duration: 7' 00"
Manuscript
for solo harp
Duration: 7' 00"
Manuscript