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Holliger Heinz

(21. 05. 1939)

Holliger Heinz
Holliger Heinz
Starenstr. 18
CH-4059 Basel (BS)
Schweiz
Tel: +41 (0)61 361 73 07

www.schott-musik.de/shop/persons/az/heinz-holliger/

 

Genre: Classical Music
Professional activity: Composers, Interpreters, Authors
Biography
* 21. 05. 1939 Langenthal.

Heinz Holliger was born in Langenthal (Switzerland, canton of Berne). During his grammar-school education he already studied oboe with Emile Cassagnaud at the Conservatoire of Berne and composition with Sándor Veress. From 1958 he continued his studies with Yvonne Lefèbre (piano) and Pierre Pierlot (oboe) in Paris. Between 1961 and 1963 he studied composition with Pierre Boulez at the Music Academy of Basel. After winning first prizes at international music competitions (Geneva 1959, International Music Competition of the ARD 1961), Holliger began to give worldwide concert performances as an oboist. Contemporary composers such as Hans Werner Henze, Krzysztof Penderecki, György Ligeti, Elliott Carter, Witold Lutoslawski, Karlheinz Stockhausen, and Luciano Berio wrote compositions specially for him. Among his outstanding achievements is the rediscovery of forgotten works by 18th-century composers such as Jan Dismas Zelenka and Ludwig August Lebrun.
Holliger's oeuvre covers all genres – from stage works via orchestral, solo and chamber music works to numerous vocal pieces. Almost all compositions bear testimony to a tireless search for the limits of sound and language. His music is often preceded by an intensive examination of artists' or poets' lives and lyrical texts. He has always been fascinated by artists living on the edge of society or at the edge of life. At this point, the Scardanelli Cycle (1975-85) has to be emphasized, in which Holliger turns the last poems of Friedrich Hölderlin into a cycle of 2.5 hours duration for different instrumentations. For this work, the composer was awarded the Premio Abbiati of the Biennale di Venezia in 1995. In Gesänge der Frühe for choir, orchestra and tape, premiered in 1988, Heinz Holliger combined poems by Friedrich Hölderlin with music by Robert Schumann. In the two song cycles Drei Liebeslieder (1960) and Fünf Lieder (1992-2006) for contralto voice and orchestra, he concentrated on poems by Georg Trakl. In the cycle Glühende Rätsel for contralto voice and 10 instrumentalists (1964) Holliger set verses by Nelly Sachs to music. Even poems by Christian Morgenstern were set to music by Heinz Holliger (Sechs Lieder for soprano and orchestra, composed in 1956/57, orchestrated in 2003).
For the stage, Holliger wrote the opera Schneewittchen which was premiered at the Zurich Opera in 1998. The composer adapted the text from the work of Robert Walser in which, in contrast to Grimm's fairytale, the shadows of the characters meet after the actual story. The ECM recording of Schneewittchen won a Grammy Award in 2002. The examination of texts by Samuel Beckett resulted in the composition of three other short stage works: Come and Go (1966/67), Not I (1978-80), and What where (1988).
Holliger's concert pieces too often refer to biographies or literary works: Concerto Hommage à Louis Soutter for violin and orchestra (1993-95, revised 2002) portrays the life of the Swiss painter. In Siebengesang (1966/67) for oboe, orchestra, singing voices and loudspeaker, he incorporates a poem by Georg Trakl. Holliger has composed numerous chamber music works, including the early wind quintet h (1968), Romancendres for violoncello and piano (2003), Contrechant sur le nom de Baudelaire for (bass) clarinet (2008) as well as two string quartets and solo pieces for almost every instrument.
Holliger has been awarded many awards and prizes: the Frankfurt Music Award 1988, the Ernst von Siemens Music Award 1991, the Prix de Composition Musicale de la Fondation Prince Pierre de Monaco for (S)irató 1994, to name but a few. In 2007 Holliger was the first to receive the Zurich Festival Award, in 2008 he received the Rheingau Music Award. He was composer-in-residence of the Orchestre de la Suisse Romande and the International Music Festival in Lucerne. In April 2003 the Cité de la Musique in Paris dedicated a whole concert week to the composer, conductor and oboist Holliger. With projects such as the Basler Musikforum cofounded by him in 1987 and cooperations with the Junge Deutsche Philharmonie and the Ensemble Modern, Holliger is particularly involved in the presentation of new music.


Work list

Sechs Lieder (1956-1957/2003)

Instrumentation: for soprano and piano

Texts: Christian Morgenstern

Comparable to Alban Berg - whose 'Sieben frühe Lieder' also shine through on a musical level - Heinz Holliger searched over many years for quixotic songs of youth, adapted them a shade and scored them for orchestra. Despite their use in this edition as a reduction for piano, their original purpose is still apparent: a further building block in the great tradition of the German 'Klavierlied'.
I. Vorfrühling
II. Der Abend
III. Schmetterling
IV. Vöglein Schwermut
V. Vor Sonnenaufgang
VI. Herbst

Duration: 12' 00"
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Sechs Lieder (1956-1967/2003)

Instrumentation: for soprano and orchestra (2(2pic, afl).2(2ca).2(bcl).2(2cbn)/2.2.0.0/perc (glsp.tubular bells.mar.cym.tam.lrgedm.glass chimes) (2 players)/hp.cel/str(8.7.6.5.4)or(8.6.5.4.3))

Texts: Christian Morgenstern

Comparable to Alban Berg - whose 'Sieben frühe Lieder' also shine through on a musical level - Heinz Holliger searched over many years for quixotic songs of youth, adapted them a shade and scored them for orchestra.
I. Vorfrühling
II. Der Abend
III. Schmetterling
IV. Vöglein Schwermut
V. Vor Sonnenaufgang
VI. Herbst

Duration: 12' 00"
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Zwei Jugendlieder (1956-1957/2003)

Instrumentation: for 16 voices (SSSSAAAATTTTBBBB)

Texts: Christian Morgenstern

Arranged by: Clytus Gottwald
I Vöglein Schwermut
II Herbst

Duration: 5' 00"
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Sonate (1956-1957/1999)

Instrumentation: for oboe solo

Heinz Holliger has developed and influenced 20th century oboe playing like no other. His early oboe sonata is not only a virtuosic cabinet piece for concert and composition, the 'Capriccio' exhibits a high contrapuntal art and the 'Aria' deep sentiment.
Präludium
Capriccio
Aria
Finale

Duration: 15' 00"
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Choral (1957)

Instrumentation: for oboe and organ

Duration: 5' 00"
Manuscript
Sonatine (1958)

Instrumentation: for piano

Duration: 8' 00"
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Vier japanische Gedichte (1958)

Instrumentation: for soprano, flute, viola and harp

Duration: 2' 00"
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Advent (1959)
Motet

Instrumentation: for soprano, alto and mixed choir

Texts: August Strindberg

Based on the mystery play 'Advent' by August Strindberg.

Duration: 12' 00"
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3 Liebeslieder (1960)

Instrumentation: for alto and orchestra (2(pic).2(ca).2(bcl).2(cbn)/2.4.2.0/timp/pf.cel.hp/str)

Texts: Georg Trakl

Text: Georg Trakl.

Duration: 9' 00"
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Dörfliche Motive (1960-1961/1994)
Bagatelles

Instrumentation: for soprano and piano

Texts: Alexander Xaver Gwerder

Text: Alexander Xaver Gwerder.

Duration: 4' 00"
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Erde und Himmel. Kleine Kantate nach Texten von Alexander Xaver Gwerder (Earth and Heaven. Short Cantata after Texts by A. X. Gwerder) (1961)
Short cantata based on a text by Alexander Xaver Gwerder

Instrumentation: for tenor, flute, violin, viola, violoncello and harp

Texts: Alexander Xaver Gwerder

I. Erde und Himmel "Ich stehe am Ufer und male"; II. 1st interludel; III. Rondo "Ich bin wie schon gestorben"; IV. 2nd interlude; V. Die letzte Stunde "Dies ist die letzte Stunde".

Duration: 8' 00"
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Elis. Drei Nachtstücke (Three Nocturnes) (1961)
Three night pieces

Instrumentation: for piano



Duration: 6' 00"
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Schwarzgewobene Trauer (1961-1962/1966)
Study

Instrumentation: for soprano, oboe, violoncello and harpsichord

Texts: Heinz Weder

Based on a poem by Heinz Weder. I. Nacht der grenzenlosen Kontinente (Night of the Boundless Continents); 1st Interlude (Cadenza); II. Im Schneestern (In the Snowflake), 2nd Interlude (Recitative); III. Kühl schwebt der Tag (The Day Floats with Freshness).

Duration: 6' 00"
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Mobile (1962)

Instrumentation: for oboe and harp

Duration: 12' 00"
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Sequenzen über Johannes I, 32 (1962)

Instrumentation: for harp

Duration: 4' 00"
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Four Miniatures (1962-1963)

Instrumentation: for soprano, oboe d'amore, celesta and harp

Texts: Mechthild von Magdeburg, Anonymus

I. Doppel-Herzkanon; II. Carillon; III. Bicinium; IV. Double.

Duration: 6' 00"
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Elis (1961-1963/1973)
Three nocturnes

Instrumentation: version for orchestra (2(2pic).2.2(bcl).2(cbn)/3.3.2.1/perc(

The three nocturnes for piano were written in 1961. Although the three pieces (based on poems by Georg Trakl) were created for the specific characteristics of piano sound, I tried in 1963 to transpose this "Elis" music to an orchestra (it turned out to be a preliminary work for my scenic project "Der magische Tänzer" 1963/65). Next to a well differentiated organisation of tone colours, I put the main focus on getting the important pedal-resonances of the piano version into the score. I also made a version for orchestra of the 2nd nocturne in 1973 and tried to simplify the metric structure (originating from the use of Indian rhythms) of all three pieces.
The following lines from Georg Trakl's "Elis" poems stand as a motto before the three pieces:
I. "Elis, wenn die Amsel im
Schwarzen Walde ruft,
Dieses ist dein Untergang."
(aus "An den Knaben Elis")
II. "Blaue Tauben
Trinken nachts den eisigen
Schweiß
Der von Elis' kristalliner Stirne
Rinnt."
(aus "Elis II")
III. "Ein goldener Kahn
Schaukelt, Elis, dein Herz am
Einsamen Himmel."
(aus "Elis I")

Duration: 6' 00"
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Glühende Rätsel (1964)

Instrumentation: for an alto voice and ten instrumentalists (fl, bcl(cbcl), va, cimb, cel, hp, 5 perc)

Texts: Nelly Sachs

Text: Nelly Sachs.

Duration: 15' 00"
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Der magische Tänzer (1963-1965)

Instrumentation: for two dancers, two singers, choir, orchestra (3.2.2.3/3.3.3.1/2perc/hp.pf.cel/12.0.7.6.6) and electronic tape

Texts: Nelly Sachs

1. Concertante version for 2 singers, choir and orchestra
2. Versuch eines Ausbruchs, 2 scenes for 2 dancers (marionettes), 2 singers, choir, orchestra and tape

Duration: 35' 00"
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Trio for Oboe (Cor Anglais), Viola and Harp (1966)

Duration: 14' 00"-15' 00"
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Siebengesang (1966-1967)

Instrumentation: for singing voices, oboe, loud speaker and orchestra (2.2.2.1/2.2.2.1/3perc/2hp.cel.pf/7.0.5.4.3)

Texts: Georg Trakl

Text: Georg Trakl.

Duration: 21' 00"
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"h" (1968)

Instrumentation: for wind quintet

Duration: 11' 00"
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Dona nobis pacem (1968-1969)

Instrumentation: for twelve singing voices

Duration: 15' 00"
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Kadenzen zum Englischhornkonzert von Joseph Fiala (1970)

Instrumentation: for cor anglais solo

Duration: 3' 00"
Manuscript
Pneuma (1970)

Instrumentation: for thirty-four wind instruments (4.4.4.4/4.4.4.2/4melodica.4rec head joints), organ, four percussionists and four radios

Duration: 16' 00"
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Psalm (1971)

Instrumentation: for mixed choir

Texts: Paul Celan

Text: Paul Celan.

Duration: 11' 00"
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Cardiophonie (1971)

Instrumentation: for a wind instrument and three magnetophones

A version for oboe and trombone is also available.

Duration: 13' 00"
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Lied (1971)

Instrumentation: for flute solo

Duration: 4' 00"
Breitkopf & Härtel
Postfach 1707
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Studie über Mehrklänge (1971)

Instrumentation: for oboe solo

Duration: 4' 30"
Breitkopf & Härtel
Postfach 1707
D-65195 Wiesbaden
Tel. +49 611 45 00 80
Kreis (1971-1972)

Instrumentation: for between four and seven players

Duration: 14' 00"
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String quartet (1973)

Duration: 30' 00"-35' 00"
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Atembogen (1974-1975)

Instrumentation: for orchestra (3.2afl.0.2.2bcl.cbcl.0/5.0.0.0/6.6.6.6.6)

Duration: 25' 00"
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Chaconne (1975)

Instrumentation: for violoncello solo

Duration: 10' 00"
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Die Jahreszeiten (part of the 'Scardanelli' cycle) (1975-1979)
Lieder after poems from Scardanelli (Hölderlin)

Instrumentation: for mixed a-cappella choir

Duration: 2h 00"
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Come and go (1976-1977)
Chamber opera

Instrumentation: for three flutes or three clarinets or three violas

Texts: Samuel Beckett

Text: Samuel Beckett.

Duration: 35' 00"
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Exercises for Scardanelli (part of the 'Scardanelli' cycle) (1978-1991)

Instrumentation: for small orchestra (2(fl, 2pic).2(ca, obdam).2(bcl).cbcl.2/1(small tpt in high B).1.0.perc(xylorimba.vib.mar.17 Japanese temple bells [=rin].cym.Chinese cym.gong.water gong.tam.tom.lrge dm.superball.darabukka.bull roarer.wind tube.2sandbl.sandpaper.corrugated cardboard)(3 players)/hp.pf/str(1.1.2.2.1 [min. 5 strings].natural lute(dried leaves in a box.dried twigs.glass shards/stones in a metal mortar.sand or small stones on a tambourine.water in a bottle to pour on a well-resonating surface), tape and 4-5 female voices ad lib.

I. Ad marginem (1983) (8')
II. Bruchstücke [from Turm-Musik] (1984)
III. Choral à 4 (1983) (3')
IV. Choral à 8 (1983) (3')
V. Eisblumen (1985) (6')
VI. Engführung (1983/84) (9')
VII. Der ferne Klang (1983/84) (7')
VIII. Glockenalphabet [from Turm-Musik] (1984)
IX. Schaufelrad (1984) (8')
X. Sommerkanon IV (1978) (2')
XI Ostinato funebre (1991) (10')

Duration: 65' 00"
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Sommerkanon IV (1978)

Instrumentation: for chamber ensemble (fl(or hn).afl.obdam.ca.cl.hn(or fl)/va.2vc)

From "Übungen zu Scardanelli".

Duration: 2' 00"
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Not I (1978-1980)
Melodrama / monodrama

Instrumentation: for soprano and electronic tape

Texts: Samuel Beckett

Text: Samuel Beckett.

Duration: 35' 00"
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5 Stücke für Orgel und Tonband (1980)

Duration: 23' 00"
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(t)air(e) (part of the 'Scardanelli' cycle) (1980-1983)

Instrumentation: for flute solo

Duration: 14' 00"
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Trema (1981)

Instrumentation: for viola (or violoncello or violin) solo

Version for violoncello solo 1981; version for violin solo 1983.

Duration: 13' 00"
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Studie Nr. 2 (1981)

Instrumentation: for oboe

Duration: 7' 30"
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Duo (1982)

Instrumentation: for violin and violoncello

Duration: 6' 00"
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Vier Lieder ohne Worte (1982-1983)

Instrumentation: for violin and piano

Duration: 17' 00"
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Choral à 8 (1983)

Instrumentation: for chamber ensemble (0.0.1.bcl.0/2.0.0.0/1.1.2.2.0)

From "Übungen zu Scardanelli".

Duration: 3' 00"
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Der ferne Klang (1983-1984)

Instrumentation: for chamber orchestra and tape (pic.1.0.obdam.ca.2.1/1.0.0.0/1.0.2.1.0)

From "Übungen zu Scardanelli".
The tape (38 cm stereo) is available from the Electronic Studio of the Musikakademie Basel.

Duration: 7' 00"
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Ad marginem (1983)

Instrumentation: for chamber orchestra (2.0.2.0/str(1.1.2.2.1) and tape

From "Uebungen zu Scardanelli".
The tape is available from the Electronic Studio of the Musikakademie Basel.

Duration: 7' 30"
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Engführung (1983-1984)

Instrumentation: for chamber orchestra (afl.obdam.ca.2.1/2.0.0.0/1.1.2.2.1)

From "Uebungen zu Scardanelli".

Duration: 8' 00"
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Schaufelrad (1983-1984)

Instrumentation: for chamber orchestra (afl.0.obdam.ca.1.2/1.1.1.0/1.0.1.1.0)

From "Uebungen zu Scardanelli".

Duration: 8' 00"
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Choral à 4 (1983)

Instrumentation: for 6 players

From "Übungen zu Scardanelli".
Possibilities for instrumentation: 2 violins, 2 violas and 2 violoncelli / alto flute, clarinet, 2 horns, viola and violoncello / English horn, clarinet, horn, trombone and 2 violoncelli

Duration: 3' 00"
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Turm-Musik (Part of the "Scardanelli-Zyklus") (1984)

Instrumentation: for flute solo (afl, bfl) small orchestra (2(afl, pic).2(obdam, ca).2(bcl).2/2.1(small tpt in high B).1(t and b).0/perc (gong.cym.2tam.lrgdm.water gong.17 Japanese temple bells.[Rin].xylorimba.3 tuned glasses.superball) (2-3 players)/pf.hp/str(1.1.2.2.1) and tape (2(afl, pic).2(1obdam, 2ca).2(2bcl).2/2.1tpt-c.1.0/3perc/hp.pf/2.2.2.1)

I. Introduktion; II. Bruchstücke; III. Choral; IV. Glockenalphabet; V. Winter ("Nel cor più non mi sento").
The tape (38cm stereo) is obtainable from the Electronics Studio of the Musikakademie Basel, Leonhardstr. 6, CH-4051 Basel.

Duration: 25' 00"
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Schlafgewölk (1984)

Instrumentation: for alto flute solo (Japanese templeblock or tubular bells ad lib.)

Alternative to the movement 'Glocken-Alphabet' from 'Turm-Musik'.

Duration: 7' 00"
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Eisblumen (1985/2006)

Instrumentation: for seven string instruments (1.1.2.2.1) and small mixed choir ad lib

From "Übungen zu Scardanelli".

Duration: 6' 00"
Manuscript
Lieder ohne Worte II (Songs Without Words II) (1985-1994)

Instrumentation: for violin and piano

Seven pieces for violin and piano (I. Frühlingslied; II. InterMezzo; III. ...fern...; IV. InterMezzo; V. ...Flammen...Schnee; VI. ...sam; VII. Berceuse matinale).

Duration: 23' 00"
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Tonscherben. Orchesterfragmente in memoriam David Rokeah (1985)
Orchestral fragments in memory of David Rokeah

Instrumentation: (4(pic,afl).3(ca).4(Ebcl,bcl).3(cbn)/4.3.3.1/4perc/hp.pf/14.12.10.8.6)

Duration: 15' 00"
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Zwei Liszt-Transkriptionen (1986)

Instrumentation: for large orchestra (4(pic,afl,bfl).3(ca).6(bcl,cbcl).3(cbn)/5.4.4.1/timp.4perc/hp/14.12.10.8.6)

Duration: 12' 00"
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Quodlibet pour Aurèle (1986)

Instrumentation: for two flutes, horn and two violins

Duration: 3' 00"
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Introitus zu "Missa in festo Pentecostes" (1986)

Instrumentation: for electronic tape

Part of a joint composition: Proprium part of the Whitsunday mass by H. Holliger, H.U. Lehmann, J. Haselbach, P. Wettstein, G. Bennett and J. Wildberger.

Duration: 8' 30"
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Praeludium, Arioso und Passacaglia (1987)

Instrumentation: for harp solo

Duration: 12' 00"
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Gesänge der Frühe (1987)

Instrumentation: for choir, large orchestra (4(2pic,afl,bfl).3(obda,ca).4(bcl,cbcl).3(cbn)/5.3.3.1/timp.perc/hp.pf/14.12.10.8.7) and electronic tape

Texts: Friedrich Hölderlin

Based on Schumann and Hölderlin.

Duration: 28' 00"
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What Where. Chamber opera after a Play by Samuel Beckett (1988)
Chamber opera based on the piece by Samuel Becket

Instrumentation: (1 baritone, 3 bass-baritones, 4 trombones, 2 percussionists)

Duration: 35' 00"
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Variazioni su nulla (1988)

Instrumentation: for four singing voices (A2TB)

Texts: Giuseppe Ungaretti

Text: Giuseppe Ungaretti.

Duration: 6' 00"
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Duo II (1988/1994)

Instrumentation: for violin and violoncello

Three for two - VIER Schab- und StriichZIGER - Adagi(tat)o - Mein (G)eigen - Felicity's Shake-Wag.


Duration: 10' 00"
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Jisei I (1988)

Instrumentation: for counter-tenor/alto, two tenors and bass (or four identical voices)

Texts: Japanische Dichter, Ernst Meister

Text: Japanese poets, Ernst Meister.

Duration: 6' 00"
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Jisei II (1989)

Instrumentation: for counter-tenor/alto, two tenors and bass (or four identical voices)

Texts: Japanische Dichter

Text: Japanese poets.

Duration: 6' 00"
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Quintet for Piano and four Wind players (1989)

Instrumentation: (oboe (also cor anglais), clarinet (also bcl), bassoon, horn)

Duration: 17' 00"
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"Beiseit". Twelve Songs after Poems by Robert Walser (1990)
Twelve poems based on the poems of Robert Walser

Instrumentation: for counter-tenor, clarinet (bcl), accordion and double-bass

Duration: 40' 00"
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Alb-Chehr. Geischter- und Älplermüsig fer d'Oberwalliser Spillit (1991)
Ghosts and alp music for the Oberwalliser Spillit

Instrumentation: for speaker and voices ad lib.

Duration: 26' 00"
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Ostinato funebre (1991)

Instrumentation: for small orchestra (2(+2pic).2.2(bcl).cbcl.2/2.1.1.0/timp(lrgedm.Chinese cym.tam [deep].tom [deep].2 Japanese temple bells[rin].bull roar.wind tube.superball.2 sandbl.sandpaper.corrugated cardboard.vib.mar.water gong)(3 players) natural lute(dried leaves in a box.dried twigs.glass shards/stones in a metal mortar.sand or small stones on a tambourine.water in a bottle to pour on a well-resonating surface))

From "Uebungen zu Scardanelli".

Duration: 10' 00"
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Scardanelli-Zyklus (1975-1991)

Instrumentation: for solo flute, small orchestra (2(2afl, pic), 2(1obdam, 2ca).2(2bcl).2/2.2tpt-c.1.0/3perc/hp/2.2.2.1), tape and mixed choir

Texts: Friedrich Hölderlin

1. "Die Jahreszeiten". Songs after poems by Scardanelli (Hölderlin) for mixed a cappella choir, in parts with instruments ad lib. (1975/78/79) (75').
2. "(t)air(e)" for flute solo (1980/83) (14').
3. "Übungen zu Scardanelli" for flute solo, small orchestra and tape (1978/85):
I. Ad marginem (1983) (8');
II. Bruchstücke [from Turm-Musik] (1984);
III. Choral à 4 (1983) (3');
IV. Choral à 8 (1983) (3');
V. Eisblumen (1985) (6');
VI. Engführung (1983/84) (9');
VII. Der ferne Klang (1983/84) (7');
VIII. Glockenalphabet [from Turm-Musik] (1984);
IX. Schaufelrad (1984) (8');
X. Sommerkanon IV (1978) (2').
XI. "Ostinato funebre" for small orchestra (1991) (10').
Many unusual percussion instruments, particularly in the part "Ostinato funebre".
The parts can also be performed separately.

Duration: 2h 30' 00"
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3 Lieder (1992-1993/1998)

Instrumentation: for alto and orchestra (3(2afl.2(2ca).3.(bcl).bcl.2/4.4.2.1/timp.4perc/cel.pf.hp/gtr/14.12.10.8.6)

Texts: Georg Trakl

Text: Georg Trakl.

Duration: 17' 00"
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Jisei III (1992)

Instrumentation: for counter-tenor/alto, two tenors and bass (or four identical voices)

Texts: Heinz Holliger

Text: Heinz Holliger.

Duration: 6' 00"-8' 00"
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(S)irat(ó) (1992-1993)
Monody

Instrumentation: for large orchestra (3(2pic), 3(ca).2.2bcl.cbcl.3(cbn)/4.3.4.1/timp.5perc/pf.cel.cym.hp/14.12.10.10.6)

Duration: 15' 00"
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Zwei Lieder nach Gedichten von Georg Trakl (1992-1993)

Instrumentation: for alto and large orchestra (3(2afl).2(2ca).3(bcl).bcl.2/4.4.2.1/4perc/pf.hp.cel.gtr/14.12.10.8.6)

1. Winterabend
2. Nachtlied

Duration: 14' 00"
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Fünf Lieder nach Gedichten von Georg Trakl (1992-2006)

Instrumentation: for alto and large orchestra (3(2afl).2(2ca).3(2. and 3. bcl).cbcl.2/4.4.2.1/4perc/pf.hp.cel.gtr/14.12.10.8.6)

I Ein Winterabend
II Nachtlied
III Rondel
IV Untergang
V Trompeten

Duration: 37' 00"
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Concerto for Violin and Orchestra "Hommage à Louis Sutter" (1993-1995/2002)

Instrumentation: (3(3pic,3.afl).3(3.ca).4(2.cl-a,3.+4.bcl).2/3.3.3/timp.3perc/hp.cym.cel/6.6.4.4.3)

Duration: 24' 00"
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Chinderliecht (1993-1995)

Instrumentation: for piano

"Chinderliecht": Schtückli für chliini u grossi Ching ou zum Erzeue und zum Mitsinge.
"Kinderleicht": A small piece for big and small children to narrate and sing along to.

Duration: 12' 00"
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Mileva-Lieder (1994)

Instrumentation: for soprano, piano and three instruments

Texts: Mileva Demenga

Text: Mileva Demenga.

Duration: 12' 00"
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Voi(es)x métallique(s) (1994-2000)
"Zinnessang"

Instrumentation: for a hidden percussionist

Duration: 15' 00"
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Sonate (in)solit(aire) (1995-1996)

Instrumentation: for flute solo

Sonate (in)solit(aire) also known as 'le Piemontois Jurassien' or 'de Tramelan-dessus à Hameau-dessus'.

Duration: 16' 00"
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Sieben Stücke (1995-2006)

Instrumentation: for oboe (also oboe d'amore) and harp

Duration: 20' 00"
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Für Rolf (1996)

Instrumentation: version for flute (alto flute ad lib.), English horn and bass clarinet in B

Duration: 2' 00"
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Für Rolf (1996-1999)

Instrumentation: version for flute (also pic), eb clarinet, English horn, contrabass clarinet in B (or bass clarinet in B or bassoon)

Duration: 2' 00"
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Dunkle Spiegel (1996)

Instrumentation: for baritone SMezATB and ensemble (2bcl.cbcl/4tbn/perc.hpd(org).hp/2va.2vc)

Texts: Nelly Sachs, Fernando Pessoa, Johannes von Tepl, Bibel / Liturgie

Text: Nelly Sachs, Fernando Pessoa, Johannes von Tepl, Paulus (ad Corinthios).

Duration: 27' 00"
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Lieder aus 50 Jahren (1956-1997)

Instrumentation: for soprano and harp

"Valeria-Lieder" from Clemens Brentano's "Ponce de Leon" 1803:
O süsser Liebes-Schmerz
O böse Sklaverey
Ich wollt ein Sträußlein binden
Wenn die Sonne weggegangen
Nach Sevilla
"Der Abend" and "Schmetterling" from "6 Lieder" (Christian Morgenstern)
"Langsam" and "Auf der Wölbung" (N°. 3 and 4 from "4 japanische Gedichte")
"Die Hand im Gras" (from "Dörfliche Motive")
"Rondel" (Georg Trakl)
"Emily Dickinson Song" (To Elliott with Love
for soprano or oboe d'amore and Harfe)
"Zwei Linien, sich findend" (for soprano or oboe d'amore and harp)

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Schneewitchen (1997-1998)
Opera

Texts: Robert Walser

Instrumentation: 2(both with pic and afl).2(2. with ca).3(2.,3. with bcl).2(2. with cbn)/2.2.2.1/4perc (tri.tubularbells.crotales.4gongs.3hg.cymbalpair.3tam.3tom.4bongo.2woodentom.paradedrum.4mar.guiro.geophone.2sandbl.2panlids.2metalbl.washboard with thimbles.bellchimes.metalchimes.glasschimes.bamboochimes.glass shards and stones in a clay pot.paper.sandpaper on tam.watergong.windmachine.hyoshigi.rod.ratchet.angle grinder.singingsaw.lotusfl.raintree.anvil.clav.stringdrum.superball.glock.vib.marimba)(4 players)/hp.cel.glassharmonica.acn/str(1.1.2.2.1)
Cast: Snow White – soprano; Queen – mezzo; Prince – tenor; Hunter – baritone; King - bass

Duration: 2h 00"
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Vier Epigramme (1998-1999)

Instrumentation: for four identical or mixed voices

Texts: Friedrich Hölderlin

From "Anhänge zu Scardanelli".

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Souvenirs de Davos (1999-2000)

Instrumentation: for various solo instruments (ob, hp, vn, va, vc)

I for oboe solo - II for violin solo - III for viola solo - IV for violoncello solo - V for harp solo.

Duration: 3' 00"-4' 00"
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Partita (1999)

Instrumentation: for piano solo

Duration: 35' 00"
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My apprentice-ship in two kettles (2000/2001)

Instrumentation: for two timpani (one player)

From: COncErto? ... cErtO!

Duration: 2' 00"
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Recicanto (2000-2001)

Instrumentation: for viola and small orchestra

Duration: 25' 00"
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COncErto? ... cErtO! (2000-2001)
solo for all (lost?....)!

Instrumentation: for orchestra (2(2pic, afl, bfl ad lib).2(ca).2(bcl).2(cbn ad lib)/2.2.1.0/2perc/str: 10.8.8 or 6.6 or 5.5 or 4.3 [number futher reducable])

Soli:
I Das Märchen vom weißen Stein (vn solo)
II Irisierende Jig (vn solo)
III "Frühlingstanz (unstet)" (vn solo and zarb: darabuka, conga, 2 bongos)
IV La Molla (vn solo)
V Polonaise (vn solo)
VI Goldthread (vn solo)
VII für Hanno de Kogel (vn solo)
VIII Souvenirs trémaesques (va solo)
IX Fantasiestück (vc solo)
X Recitativo appassionato (vc solo)
XI Capriccio (trio 3 vc)
XII A reedy Double (for double reeds) (ob solo or duo, or ob solo with a bourdon of 2 hn or cl)
XIII Matthewmatics (bn solo)
XIV Martder aller Arten (bn solo)
XV La MORT d'ENOB (tbn solo)
XVI Cynddaredd-Brenddwyd (fury - dream) (hn solo)
XVII Fanfares (duo 2 tpt)
XVIII My apprentice-ship in two kettles (timp solo)
XIX [solo for percussion]

Duos:
XX Duo 2 violins
XXI Duo 2 violoncelli
XXII Duo 2 horns
XXIII Duo piccolo/flute
XXIV Duo 2 clarinets

Trios:
XXV 1. Trio 3 violins
XXVI 2. Trio 3 violins
XXVII Trio 3 double basses

Quintet:
XXVIII Quintet 5 violins
(optional):
XXIX The General ChairMan-agers unofficial off-Stage-Band

Ensemble/Tutti:
XXX SIGNET (tutti)
XXXI COming togEther (in search of a too well known rhythm) (octet)
XXXII Piccolo COncErto (with Piccolo) (sextet)
XXXIII quasi Scherzo (tutti)
XXXIV 5 Quartets
XXXV Zirkelkanon (4-part)
XXXVI Mehrklänge (ensemble)
XXXVII Soli me tangent (ensemble)
XXXVIII The Bat's Lullaby (ensemble)
XXXIX Linien (played) (tutti)
XXXX A flourished Florish (ensemble)
XXXXI Abeuratio (stru)mentalis (tutti)
XXXXII Flüster-Fuge (over A-B-B-A-Do) (20-part)

Duration: 35' 00" (variabel ab 20')
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Soli (2001)

Instrumentation: for violin

From "COncErto? ... cErtO!".

Schott Musik International
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Souvenirs trémaësques (2001/2009)

Instrumentation: for viola

From "COncErto? ... cErtO!".

Schott Musik International
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Machaut-Transkriptionen (2001-2009)

Instrumentation: for four voices and three violas

Texts: Guillaume de Machaut

Duration: 60' 00"
Schott Musik International
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a reedy Double (2001)
a double reading for doublereeder

Instrumentation: for oboe solo or 2 oboes (or oboe solo with a bourdon using two horns or two clarinets or two string instruments)

From "COncErto? ... cErtO!".

Schott Musik International
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Cynddaredd - Brenddwyd (Fury - Dream) (2001/2004)

Instrumentation: for horn

From "COncErto? ... cErtO!".

Duration: 6' 30"
Schott Musik International
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Fantasiestück und Recitativo passionato (2001)

Instrumentation: for violoncello solo

From "COncErto? ... cErtO!".

Schott Musik International
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Flüsterfuge und Zirkelkanon (2001)

Instrumentation: for 4 violoncelli or 4 bassoons or 4 bass clarinets

From "COncErto? ... cErtO!".

Duration: 9' 00"
Schott Musik International
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KLAUS-UR (2001-2002)
Three pieces

Instrumentation: for bassoon solo

Duration: 12' 00"
Schott Musik International
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Ma'mounia (2002)

Instrumentation: for percussion solo and instrumental quintet (piccolo/flute/alto flute - clarinet in B/bass clarinet - horn in F - violoncello - piano)

Duration: 13' 00"
Schott Musik International
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Puneigä (2002)

Instrumentation: for soprano, flute, clarinet, horn, viola, violoncello and percussion (with cimbalum)

Texts: Anna Maria Bache

10 lieder with interludes after poems by Anna Maria Bacher (in Pumatter Titsch).

Duration: 25' 00"
Schott Musik International
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Unbelaubte Gedanken zu Hölderlins "Tinian" (2002)

Instrumentation: for double-bass solo

Duration: 3' 00"
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Romancendres (2003)

Instrumentation: for violoncello and piano

Duration: 15' 00"
Schott Musik International
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Lay VII (2003)

Instrumentation: for 4 voices (ACtTTB, solo or choral)

Composed by: Guillaume de Machaut
Arranged by: Heinz Holliger

Duration: 14' 00"
Schott Musik International
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Partita (II) (2003-2004)

Instrumentation: for harp solo

Duration: 20' 00"
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Sechs Lieder nach Gedichten von Christian Morgenstern (2003)

Instrumentation: version for soprano and orchestra (2(2.pic and afl).2(2.ca).2(2.bcl).2(2.cbn)/2.2.0.0/2perc/hp.cel/str: 8.7.6.5.4 or 8.6.5.4.3)

I Vorfrühling
II Der Abend
III Schmetterling
IV Vöglein Schwermut
V Vor Sonnenaufgang
VI Herbst

Duration: 12' 00"
Schott Musik International
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Shir Shavur (Zerbrochenes Lied) (2004)
12 poems from David Rokeah

Instrumentation: for mixed a cappella choir with soli (SATBar)

Duration: 20' 00"
Schott Musik International
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Utopie Chorklang (2004)

Instrumentation: for 3 twelve-part choral groups (a third-tone apart)

Duration: 3' 00"
Schott Musik International
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(Ma)(S)Sacrilegion d'horreur (2004)

Instrumentation: for 8 piccolo flutes and 4 parade drums (or field drums) with police whistles

Duration: 8' 00"
Schott Musik International
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Induuchlen (2004)
Four Lider

Instrumentation: for counter tenor and natural horn in F and E flat

After "Briensertiitsch Väärsa" by Albert Streich.


Duration: 19' 00"
Manuscript
pour Roland Cavin (2005)

Instrumentation: for piccolo flute and alto flute

Duration: 3' 00"
Schott Musik International
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Toronto Exercises (2005)

Instrumentation: for flute (alto flute), clarinet, violin, harp and marimbaphone

Duration: 7' 00"
Schott Musik International
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Rosa Loui (2006-2007)
four choral songs in 10 versions based on four poems by Kurt Marti

Texts: Kurt Marti

In the Bernese dialect.

Duration: 18' 00"
Schott Musik International
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6 kleine Klavierstücke, op. 19 (6 little piano pieces, op. 19) (2006)

Adaptation of the piano pieces from 1911.

Schott Musik International
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(é)cri(t) (2006)

Instrumentation: for flute solo

Duration: 8' 00"
Schott Musik International
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Drei Skizzen (2006)

Instrumentation: for violin and viola (viola in the scordatura of Mozart's Sinfonia concertante KV 364)

Duration: 12' 00"
Schott Musik International
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Récit (2007)

Instrumentation: for 4 peadal drums (1 player)

Duration: 11' 30"
Schott Musik International
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Streichquartett Nr. 2 (string quartet N° 2) (2007)

Duration: 22' 00"
Schott Musik International
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Contrechant (2007)
Over the name Baudelaire

Instrumentation: for clarinet

Schott Musik International
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Ardeur noire (2008)
After Claude Debussy

Instrumentation: for large orchestra (3(3pic&afl).2(2ca).ca.3(3bcl).cbcl.3(3cbn)/4.3.3.1/perc(crot.bell plate.gong.2cym.sizzle cym.3tam.lrgedm.[very deep]) (3 players)/2hp.cel/str (14.12.10.8.7[6]) and choir (ad lib.))

Duration: 7' 00"
Schott Musik International
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Duöli (2008-2009)

Instrumentation: for 2 violins (ad lib also violin and viola)

24 Duöli für zwee und meh Giige ou zum Mitsinge und Mitpfyffe.
24 Little duets for two and more violins to sing/whistle along to.

Manuscript
Rechant (2008)

Instrumentation: for clarinet solo

Duration: 7' 00"
Schott Musik International
Weihergarten 5
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Lunea (2009-2010/2012)
23 sentences by Nikolaus Lenau

Instrumentation: for baritone and piano

Schott Musik International
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Preludio e Fuga (a 4 voci) (2009-2010)

Instrumentation: for double bass solo in "Viennese tuning"

Duration: 10' 00"
Schott Musik International
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nicht Ichts - nicht Nichts (2010-2011)
10 monodistics from Angelus Silesius

Instrumentation: for four voices SATB a cappella (a 4, a 8, a 12, a 16)

Texts: Angelus Silesius

Duration: 20' 00"
Schott Musik International
Weihergarten 5
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Janus (2011-2012)
Double concert

Instrumentation: for violin, viola and small orchestra

Schott Musik International
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hölle himmel (2011-2012)
Motet after poems by Kurt Marti

Instrumentation: for a cappella SATB choir (and 1 percussion ad lib)

Texts: Kurt Marti

Duration: 25' 00"
Schott Musik International
Weihergarten 5
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Zwei Stücke nach Mani Matter (2011)

Instrumentation: for piano solo

Duration: 10' 00"
Manuscript
Feuerwerklein (2012)
To "Quatorze juillet"

Instrumentation: for piano

Schott Musik International
Weihergarten 5
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Meta Arca (2012)

Instrumentation: for string orchestra

Schott Musik International
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Biaute ... estrange (2012)
Four Machaut transcription

Instrumentation: for three violins

Composed by: Guillaume de Machaut
Arranged by: Heinz Holliger

Schott Musik International
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Repertory
Heinz Holliger: Mobile for oboe and harp
Heinz Holliger: Sonate for oboe solo
Heinz Holliger: Sieben Stücke for oboe (also oboe d'amore) and harp
Wladimir Vogel: Zusammenspiel, VWV 125 for oboe and string trio
Discography
Metamorphoses (pre art music Nr. PAM 001, 2014)
Interpreters:
Arter, Matthias
Brenner, Andreas
Works:
Holliger, Heinz: Sonate (1956-1957/1999)
With more works of: Benjamin Britten, Emre Sihan Kaleli, Paul Huber
New horizons (GENUIN classics Nr. GEN 14315, 2013)
Interpreters:
Weiss, Marcus
Works:
Holliger, Heinz: Partita (1999)
Kelterborn, Rudolf: Kammersonate in 3 Sätzen (2008)
Wirth, Stefan: Acedia (2012)
With more works of: Bernhard Lang, Helena Winkelman
Info: www.fonoteca.ch
Contrechant - Music for clarinet solo (ECM New Series Nr. 2209, 2011)
Works:
Holliger, Heinz: Contrechant (2007)
Holliger, Heinz: Rechant (2008)
With more works of: Luciano Berio, Elliott Carter, Peter Eötvös, Salvatore Sciarrino
Info: www.fonoteca.ch
Heinz Holliger: Induuchlen (ECM New Series Nr. 2201, 2011)
Interpreters:
Holliger, Heinz
Nopper, Sylvia
Würsch, Matthias
Darbellay, Olivier
Works:
Holliger, Heinz: Ma'mounia (2002)
Holliger, Heinz: Puneigä (2002)
Holliger, Heinz: Induuchlen (2004)
Holliger, Heinz: Toronto Exercises (2005)
Info: www.fonoteca.ch
Schumann / Holliger (ECM New Series Nr. 2104, 2011)
Works:
Holliger, Heinz: Partita (1999)
With more works of: Robert Schumann
Info: www.fonoteca.ch
Yeon-Hee Kwak: Oboe (MDG Nr. 903 1586-6, 2010)
Works:
Holliger, Heinz: Sonate (1956-1957/1999)
With more works of: Antal Dorati, Bohuslav Martinu
Edu Haubensak (Musiques Suisses Nr. MGB CTS-M 118, 2009)
Interpreters:
Holliger, Heinz
Nopper, Sylvia
Bächli, Tomas
Dähler, Jürg
Works:
Haubensak, Edu: Falsches Konzert für 97 Saiten I - IV (1994-1997)
Haubensak, Edu: Sechs Walserminiaturen (1996)
Haubensak, Edu: Fünf Zusammenhänge (2003)
Haubensak, Edu: Suite (2003-2004)
Festival L'art pour l'Aar. Die Konzerte 2008/2009 (Müller & Schade Nr. 5071/2, 2009)
Interpreters:
Bovey, Pierre-André
Works:
Henking, Christian: 3 Bagatellen für 3 Englischhörner (1999)
Darbellay, Jean-Luc: Aulos (2000)
Holliger, Heinz: KLAUS-UR (2001-2002)
Frischknecht, Hans Eugen: FanSolSi (2002)
Wohlhauser, René: Streichtrio (2007)
Keller, Max E.: Cinque (2008)
Schweizer, Alfred: Burleske (2008)
Frauchiger, Katrin: "Estos dias azules" (2008)
Frischknecht, Hans Eugen: D Bewegig - Schmärz (2008)
Darbellay, Jean-Luc: Vif (2008)
Frischknecht, Hans Eugen: Quartett (2009)
With more works of: Gabrielle Brunner, Stefan Werren, Anastasiya Lozova, Theo Hirsbrunner, Daniel Andres, Pierre-André Bovey, Christian Giger, Markus Hofer, Ursula Gut
Info: www.fonoteca.ch
Nachtstücke (OEHMS CLASSICS Nr. OC 733, 2009)
Works:
Holliger, Heinz: Elis (1961)
With more works of: Robert Schumann, Alexander Skriabin, Maurice Ravel, Wolfgang Amadeus Mozart
Romancendres (ECM NEW SERIES Nr. 2055, 2009)
Interpreters:
Holliger, Heinz
Works:
Holliger, Heinz: Gesänge der Frühe (1987)
Holliger, Heinz: Romancendres (2003)
With more works of: Clara Schumann
Info: www.fonoteca.ch
Works for Flute solo (GENUIN GEN Nr. 88129, 2008)
Interpreters:
Renggli, Felix
Works:
Holliger, Heinz: (t)air(e) (Teil des "Scardanelli-Zyklus") (1980-1983)
Holliger, Heinz: Schlafgewölk (1984)
Holliger, Heinz: Sonate (in)solit(aire) (1995-1996)
Holliger, Heinz: pour Roland Cavin (2005)
Holliger, Heinz: (é)cri(t) (2006)
With more works of: Johann Sebastian Bach, Carl Philipp Emmanuel Bach
Info: www.fonoteca.ch
Zürcher Bläserquintet (Musiques Suisses Nr. MGB CTS-M 112, 2008)
Works:
Holliger, Heinz: "h" (1968)
Veress, Sándor: Diptychon (1968)
Wyttenbach, Jürg: Serenade vor Luftschlössern (2003)
Moser, Roland: Kleine Differenzen über einem Grund (2005)
Heinz Holliger (Grammont Nr. MGB CTS-M 105, 2007)
Interpreters:
Holliger, Heinz
Works:
Holliger, Heinz: Atembogen (1974-1975)
Holliger, Heinz: 5 Stücke für Orgel und Tonband (1980)
Holliger, Heinz: (S)irat(ó) (1992-1993)
Holliger, Heinz: Recicanto (2000-2001)
Holliger, Heinz: COncErto? ... cErtO! (2000-2001)
Info: www.fonoteca.ch
Olivier Darbellay (Grammont Porträt Nr. MGB CTS-M 106, 2007)
Interpreters:
Darbellay, Olivier
Works:
Darbellay, Jean-Luc: Spectrum (1993)
Holliger, Heinz: COncErto? ... cErtO! (2000-2001)
Darbellay, Jean-Luc: Espaces magiques (2001)
Holliger, Heinz: Induuchlen (2004)
With more works of: Francis Poulenc, Jane Vignery
Info: www.fonoteca.ch
Aequatuor (Musiques Suisses Nr. 102, 2006)
Interpreters:
Aequatuor
Works:
Holliger, Heinz: Schwarzgewobene Trauer (1961-1962/1966)
Lehmann, Hans Ulrich: Canticum II (1981)
Marti, Valentin: Fernruf J 12 (2001)
Gubler, Rico: KAL (2001)
With more works of: Caspar Johannes Walter, Robert Schumann, Nicolas A. Huber
Gitarren-Duo Scheidegger/Schmidt (Grammont Porträt Nr. 90, 2004)
Interpreters:
Frauchiger, Katrin
Scheidegger, Mats
Works:
Holliger, Heinz: Praeludium, Arioso und Passacaglia (1987)
Feldmann, Walter: how many parts of it – the one, – and [how many] [the] other, nr. 2 the other (2002)
With more works of: Helmut Lachenmann, Adriana Hölszky
Info: www.fonoteca.ch
Violinkonzert "Hommage a Louis Soutter" (ECM NEW SERIES Nr. 1890, 2004)
Interpreters:
Holliger, Heinz
Works:
Holliger, Heinz: Konzert für Violine und Orchester "Hommage à Louis Sutter" (1993-1995/2002)
With more works of: Eugène Ysayë
Info: www.fonoteca.ch
Ensemble Contrachamps (Grammont Porträt Nr. 82, 2003)
Interpreters:
Holliger, Heinz
Cuendet, Olivier
Ensemble Contrechamps
Works:
Lehmann, Hans Ulrich: Book of Songs (1998-1999)
Dayer, Xavier: "J'étais l'heure qui doit me rendre pur..." (1998)
Wen, De-Qing: Piping and Drumming (2000)
With more works of: Brian Ferneyhough, Elliott Carter
Info: www.fonoteca.ch
Camerata Bern (Musikszene Schweiz Nr. MGB CTS-M 69, 2000)
Interpreters:
Holliger, Heinz
Camerata Bern
Works:
Martin, Frank: Pavane couleur du temps (1920)
Schoeck, Othmar: Sommernacht, op. 58 (1945)
Martin, Frank: Etudes (1955-1956)
Kelterborn, Rudolf: Variationen (1960)
Huber, Klaus: Alveare vernat (1965)
Holliger, Heinz: Eisblumen (1985/2006)
Info: www.fonoteca.ch
Scardanelli-Zyklus (1975-1991) (ECM NEW SERIES Nr. 1472, 1993)
Interpreters:
Holliger, Heinz
Works:
Holliger, Heinz: Scardanelli-Zyklus (1975-1991)
Info: www.fonoteca.ch
Robert Suter (Grammont Porträt Nr. 6-2, 1992)
Interpreters:
Holliger, Heinz
Works:
Suter, Robert: Musikalisches Tagebuch Nr. 1 (1946/1960)
Suter, Robert: Sonata per orchestra (1967)
Suter, Robert: La Scesa (1977)
Info: www.fonoteca.ch
Hans Ulrich Lehmann (Grammont Porträt Nr. 4-2, 1989)
Interpreters:
Holliger, Heinz
Schiller, Christoph
Camerata Bern
Works:
Lehmann, Hans Ulrich: Tractus (1971)
Lehmann, Hans Ulrich: Kammermusik II (1979)
Lehmann, Hans Ulrich: Triplum (1984)
Lehmann, Hans Ulrich: Streichquartett (1987-1988)
Info: www.fonoteca.ch
Thomas Demenga: Heinz Holliger/Bach (ECM Nr. 833 307-2, 1987)
Interpreters:
Holliger, Heinz
Demenga, Thomas
Works:
Holliger, Heinz: Studie über Mehrklänge (1971)
Holliger, Heinz: Trema (1981)
Holliger, Heinz: Duo (1982)
With more works of: Johann Sebastian Bach
Info: www.fonoteca.ch
Sándor Veress (Grammont Porträt Nr. 16-2)
Interpreters:
Holliger, Heinz
Füri, Thomas
Camerata Bern
Works:
Veress, Sándor: 4 Transsylvanische Tänze (1944-1949)
Veress, Sándor: Musica concertante (1965-1966)
Veress, Sándor: Konzert (1981)
Info: www.fonoteca.ch
Bibliography
Holliger, Heinz: Diskussion zum Gespräch Kurt von Fischer / Sandor Veress, STV 2006 [Internet]
Holliger, Heinz: Ein Gespräch mit Elliott Carter, in: Dissonanz 95 (2006), S. 35 [Internet]
Holliger, Heinz: Incipit laudatio Romani Brotbecki mediatoris culturae causa. Neun Minuten in der Dampfzentrale, in: Dissonanz (März 10) 109 (2010), S. 30-31 [Internet]
Brotbeck, Roman: Rätselhaft klar: So klingen die Ambivalenzen heller Mondnächte: Überlegungen zu "Lunea", Heinz Holligers komponierter Hommage an den Sprachkünstler Nikolaus Lenau, in: Opernwelt Jahrbuch, Sonder(2018), S. 28-31 2018
Verdier, David: Bad Trip sous Walser. "Schneewittchen" de Heinz Holliger (Theater Basel, 6. avril 2014), in: Dissonanz (Juni 2014) 126 (2014), S. 37-38 [Internet]
Andreyev, Samuel: De l'écrit au perçu. Rélexions sur le premier Quatuor à cordes de Heinz Holliger, in: Dissonanz 124 (2013), S. 10-17 [Internet]
Kenneweg, Friederike: Grammont Sélection 5, in: Dissonanz 122 (2013), S. 76-77 [Internet]
Brotbeck, Roman: Zwischen den Rändern. Zum Scardanelli-Zyklus von Heinz Holliger, in: Salzburg contemporary (5.8.2012) (2012), S. 6-9
Brotbeck, Roman: Zwei mal zwei mal zwei und zwei. Duos und Quartette von Eliott Carter, Gustav Friedrichssohn und Heinz Holliger, in: Salzburg contemporary (13.8.2012) (2012), S. 6-9
Brotbeck, Roman: Grammont Sélection 5. Uraufführungen aus dem Jahr 2011, in: Kuratierung und Kommentierung der CD, Musiques Suisses, Zürich 2012
Verdier, David: Heinz Holliger: Toronto Exercices; Puneigä; Induuchlen; Ma'mounia (ECM New Series 2201), in: Dissonanz 117 (2012), S. 91 [Internet]
Kunkel, Michael: "Ach, wär' ich bei den Zwergen doch". Lob-ABC für Heinz Holliger, in: Dissonanz 105 (2009), S. 33-35 [Internet]
Brotbeck, Roman: Aschenmusik. Heinz Holligers Re-Dekonstruktion von Robert Schumanns Romanzen für Violoncello und Klavier, in: Dissonanz 103 (2008), S. 4-15
Rothfahl, Tobias: Sprechende Feuerzungen, in: Dissonanz 101 (2008) [Internet]
Brotbeck, Roman: Schneewittchen, in: Heinz Holliger. Textes, entretiens, écrits sur son oeuvre, Genève 2007, S. 247-258
Brotbeck, Roman: Musique de cendres. Reconstruction – déconstruction, in: Heinz Holliger. Textes, entretiens, écrits sur son oeuvre, Genève 2007, S. 295-315
Brotbeck, Roman: Werkeinführung zu Heinz Holligers "Beiseit" und "Die Jahreszeiten", in: Internationale Musikfestwochen Luzern 1998: Heinz Holliger Composer in Residence, Luzern 2007, S. 58-64, 85-86
Kunkel, Michael: "…im Dialog mit der Geschichte…". (Keine) Aneignungen im Werk von Heinz Holliger, in: Dissonanz 82 (2003)
Kunkel, Michael: ... Werk? ... Aktion? ... Zu Heinz Holligers "Cardiophonie" für einen Bläser und drei Magnetophone (1971), in: Dissonanz 75 (2002)
vogel, Peter: An den Ursprüngen des schöpferischen Prozesses. Heinz Holliger an den IMF Luzern, in: Luzern heute (10. September 1998) 37 (1998), S. 16
vogel, Peter: Heinz Holliger: Der Schweizer Komponist von seelischen und körperlichen Grenzzuständen, in: Luzern heute (13. August 1998) 33 (1998), S. 12-13
Brotbeck, Roman: Scardanelli et l'/d'après Scardanelli. Heinz Holligers Dichterkreise, in: Heinz Holliger. Komponist. Oboist. Dirigent, hrsg. von Annette Landau, Bern 1996, S. 140–190
Brotbeck, Roman: Komponierte Erkaltung. Anmerkungen zum Scardanelli-Zyklus von Heinz Holliger, in: zur Gesamteinspielung des Scardanelli-Zyklus, ECM Records 1993
Ensembles


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