Corner Stones (1946)
for piano
Nineteen simple contrapuntal studies; Two-part, between Bach and Bartok.
Duration: 10' 00"

CHF: 22.20

3 Klavierstücke (1947)
Pieces of 'temperately' modern music.
Tanz - Legende - Finale.

Duration: 7' 00"

CHF: 18.70

Sonata (1948)
for flute and piano
An unusual example of a sonata in three movements of the so-called ‘temperately modern’. A slow introduction, fast first movement with a syncopated theme, adagio, allegro and a kinetic ending.
Duration: 18' 00"

Notturno für Klavier (1949)
Short introduction and melody: elements of these two forms are developed further during the course of this piece.
Duration: 4' 00"

CHF: 12.70

"Morning Song" and "Day is Gone" (1949)
for singing and piano
Texts: Elisheba
The morning song is quick and rhythmical, the evening song slow and elegiac.
Duration: 4' 30"

CHF: 14.40

Movement in F (1950)
for piano
Energetic key beating, toccata-like segments alternate with a middle eastern influenced melody.
Duration: 15' 00"

CHF: 22.00

Sextet for Woodwinds and Piano (1951)
for flute, oboe, clarinet, horn, bassoon and piano
The sextet is basically a dialogue between the rhythmic ‘Western’ elements of the piano and the lyrical ‘Eastern’ elements of the wind quintet, Both opposing elements are born from the same core.
Duration: 7' 00"

Improvisation (1952)
for viola solo
The starting point of this piece was my improvisation based on the liturgical singing style of the Muezzins.

Toccata (1953)
for orchestra (2.2.2.2/0.0.0.0/pf/perc/str)
This piece was awarded the Engel prize of the city of Tel-Aviv after its first performance by the Israel Philharmonic Orchestra.
Duration: 10' 00"

Been Arbaim Bayam - Dämmerung beim Meer (1959)
for singing and piano
Texts: Dvora Levinson
Quiet but syncopated undulations alternating with highly charged, stormy passages.
Duration: 2' 00"

CHF: 13.30

Stück für 3 Blockflöten (1962)
Manuscript

5 Birthdays (1965)
piano solo
Duration: 5' 00"

Vorlage für Horák (1970)
for bass clarinet solo
A model of pitch without any note value. Verbal instructions are to be given in all segments as to what is to be performed; only the first and last segments have the rhythmical configuration exactly notated.
Duration: 4' 00"-6' 00"

Fermaten (1977)
piano solo
Wait till silence settles ... a figure consisting of four notes gropes its way upwards, stops ... hits with sforzato ... rewinds into itself ... more take-offs and stops follow.
Duration: 6' 00"-7' 00"

Einwürfe (1984)
for viola
Duration: 6' 30"
Manuscript

Kreise und Signale (1985)
for two pianos
Open form, based on given tone material. With the influence of a few rules a free form results.
Duration: 7' 00"-60' 00"

CHF: 15.00

Alef - Beth - Gimmel (1991-1992)
for piano
The whole piece is derived from three chords (Alef, Beth, Gimmel). Already the beginning reproduces the speech rhythm of the first three letters of the Hebrew alphabet.
Duration: 12' 00"

CHF: 16.80

AIM - Aufruhr in Mykene (1997)
Duet
for two computers, two screens and hi-fi unit
Duration: 7' 00"-11' 00"
Manuscript

Bergvariationen (Versione Milanese) (1999)
Duet
for two computers, two screens and hi-fi unit
Duration: 10' 00"-13' 00"
Manuscript

GS 3 (Versione Milanese) (1999)
Duet
for two computers, two screens and hi-fi unit-30' 00"
Manuscript

S + N (Versione Milanese) (1999)
Duet
for two computers, two screens and hi-fi unit
Duration: 8' 00"-10' 00"
Manuscript

BX / Jan 2000 (2000)
Duet
for two computers, two screens and hi-fi unit
Duration: 8' 00"
Manuscript

NX / März 2000 (2000)
Duet
for two computers, two screens and hi-fi unit
Duration: 8' 00"
Manuscript

ANB - Alpha-numerisches Ballett (2001)
Duet
for two computers, two screens and hi-fi unit
Duration: 5' 00"-20' 00"
Manuscript

Zahl und Zufall (2001)
Duet
for two computers, two screens and hi-fi unit
Duration: 10' 00"
Manuscript

Giovanni Segantini (1997-1998)
Duet
for 2 computers, 2 screens and 1 speaker
Duration: 12' 00"-20' 00" (je nach Text)
Manuscript