Oberson René
(27. 06. 1945)
Genre: Musique Classique
Biographie
* 27. 06. 1945.
Following his studies at the conservatories of Fribourg (piano, organ, music theory, orchestration), Geneva (organ improvisation) and Berne (orchestration with Luc Balmer) he went to Paris to benefit as an organist from the teachings of Jean Langlais and as a composer from the advices of Henri Dutilleux.
His activities as a performer lead him to play in Switzerland and abroad: in Marmoutier in France (in celebration of the 25th anniversary of the restoration of the Silbermann organ at the collegiate church), at the Notre Dame in Paris and the Osaka Symphony Hall. In 2001 he was invited by the Fédération Francophone des Amis de l'Orgue (the French-speaking Association for Friends of the Organ) to represent Switzerland at the congress in Alsace, where he gave a recital on the historic organ of Bischoffsheim. He has recorded several CDs as a soloist and together with ensembles.
As a composer he received the jury prize at the composers competition organised by canton Fribourg in celebration of the 500th anniversary of its joining the Swiss Confederation. He received commissions from Radio Suisse Romande, the Swiss Association of Musicians and the Art Foundation of the Swiss Economy, by Jeunesses musicales, by the Festival des Musiques Sacrées of Fribourg and other institutions and individuals.
A great number of his works for symphony orchestra, chamber orchestra, small ensembles and organ have been recorded by the RSR (Radio Suisse Romande) or are published on CD.
Following his studies at the conservatories of Fribourg (piano, organ, music theory, orchestration), Geneva (organ improvisation) and Berne (orchestration with Luc Balmer) he went to Paris to benefit as an organist from the teachings of Jean Langlais and as a composer from the advices of Henri Dutilleux.
His activities as a performer lead him to play in Switzerland and abroad: in Marmoutier in France (in celebration of the 25th anniversary of the restoration of the Silbermann organ at the collegiate church), at the Notre Dame in Paris and the Osaka Symphony Hall. In 2001 he was invited by the Fédération Francophone des Amis de l'Orgue (the French-speaking Association for Friends of the Organ) to represent Switzerland at the congress in Alsace, where he gave a recital on the historic organ of Bischoffsheim. He has recorded several CDs as a soloist and together with ensembles.
As a composer he received the jury prize at the composers competition organised by canton Fribourg in celebration of the 500th anniversary of its joining the Swiss Confederation. He received commissions from Radio Suisse Romande, the Swiss Association of Musicians and the Art Foundation of the Swiss Economy, by Jeunesses musicales, by the Festival des Musiques Sacrées of Fribourg and other institutions and individuals.
A great number of his works for symphony orchestra, chamber orchestra, small ensembles and organ have been recorded by the RSR (Radio Suisse Romande) or are published on CD.
Liste des oeuvres
Ré (1978-1979)
Trio
Instrumentation: pour 2 trompettes et orgue
Durée: 8' 00"
Manuscrit
Instrumentation: pour 2 trompettes et orgue
Durée: 8' 00"
Manuscrit
Renaissance (1979-1980)
Instrumentation: pour baryton solo et orchestre (3,3,3,3 - 4,3,3,1 - cél, hpe, perc(4) - cordes)
Texte: Jean Cocteau, René Oberson
Royaume immuable - chute - enfer dialectique - Renaissance.
Durée: 17' 00"
Manuscrit
Ceng-Men (1980-1981)
Instrumentation: pour orchestre de chambre (3,0,2,2 - 1,1,0,0 - perc - 10,8,6,4,2)
3 mouvements.
Durée: 20' 00"
Manuscrit
L'Exilée (1982-1983)
Instrumentation: pour baryton solo, choeur mixte, 3 petits choeurs de soprano, grand orgue et orchestre symphonique (3,3,2,3 - 4,3,3,1 - perc(3), hpe - cordes)
Texte: Jean-Dominique Humbert
Durée: 26' 00"
Manuscrit
Concerto (1983-1984)
Instrumentation: pour flûte de Pan et orchestre de chambre (2,2,2,2 - 2,0,0,0 - perc(2) - cordes)
Durée: 23' 00"
Manuscrit
Le Grand Cercle (1984-1985)
Instrumentation: pour orchestre de chambre (2,2,2,2 - 2,2,0,0 - perc - 6,6,4,4,2)
Durée: 17' 00"
Manuscrit
Homo Somniens (1987-1988)
"L'Homme ne vit pas, il est vécu par ses rêves, ses chimères"
Instrumentation: pour trompette en do et orgue
4 mouvements:
Rêve martial, rêve sensuel, rêve de rencontre, rêve de joie.
Durée: 20' 00"
Manuscrit
Instrumentation: pour trompette en do et orgue
4 mouvements:
Rêve martial, rêve sensuel, rêve de rencontre, rêve de joie.
Durée: 20' 00"
Manuscrit
Au Seuil de l'Ere du Verseau (1988)
Instrumentation: pour flûte, hautbois, violoncelle et clavecin
Babel - Demasquage - Joie.
Durée: 16' 00"
Manuscrit
Appel (1989)
Instrumentation: pour violon et piano
Durée: 3' 30"
Manuscrit
Lumière intérieur (1990-2004)
Instrumentation: pour grand orgue
Durée: 9' 00"
Manuscrit
... Espoirs... (1990)
Instrumentation: pour 2 trompettes, 2 trombones (dont 1 trombone basse) et orgue
Durée: 15' 00"
Manuscrit
Rebec (1994/96)
Instrumentation: pour orchestre à cordes
Durée: 12' 00"
Manuscrit
Roumious (1996)
Des Pélerins de l'Amour
Instrumentation: pour piano
Durée: 12' 00"
Manuscrit
Instrumentation: pour piano
Durée: 12' 00"
Manuscrit
La Porte mystique (1997-1998)
Instrumentation: pour grand orgue
Durée: 10' 00"
Manuscrit
Amour et Haine (2000)
Instrumentation: pour choeur mixte (18, 10, 7, 9)
Texte: René Oberson
Oeuvre difficile comportant de nombreux divisi de voix.
Durée: 15' 00"
Manuscrit
Ecoute, ô bien-aimé (2002-2003)
Instrumentation: pour soprano et grand orgue
D'après un poème d'Ibn Arabi (1165-1241).
Durée: 12' 00"
Manuscrit
Catharsis (2007-2011)
Instrumentation: pour orgue
Durée: 8' 00"
Manuscrit
Facétie sérieuse (2008)
Instrumentation: pour piano solo
Durée: 4' 00"
Manuscrit
Concerto (2009)
Instrumentation: pour flûte de Pan, orchestre de chambre (2,2,2,2 - 1.0.0.0 - cordes) et percussion
Durée: 19' 00"
Manuscrit
Hommage au plain-chant (2010)
Instrumentation: pour quatuor à cordes
Pérégrinations du "Victimae paschali laudes" dans des Béatitudes.
Durée: 18' 00"
Manuscrit
Concertino (2011)
Instrumentation: pour violoncelle solo et orchestre à cordes
Durée: 13' 00"
Manuscrit
Facétie sérieuse No. 2 (2011)
Instrumentation: pour piano solo
Durée: 4' 00"
Manuscrit
Dernière mise à jour: 2020-10-06 16:48:10