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Bianchi Oscar

(05. 08. 1975)

Bianchi Oscar
Bianchi Oscar
Berlin
Deutschland


www.oscarbianchi.com

 

Genre: Musique Classique
Activités: Compositeurs/Compositrices
Biographie
* 05. 08. 1975.

Born n Milan, holding dual Italian-Swiss citizenships, Oscar Bianchi completed degrees in composition, choir conducting and electronic music at the Giuseppe Verdi conservatory of Milan. He pursued studies in composition taking part in master programs such as at IRCAM - Centre Pompidou and with a doctoral degree at Columbia University in New York.
Vitality, pulsing rhythms, and virtuosity are the hallmarks of the music created by Bianchi, who reveals a sensible interest in new phrasings and new ornamentations, something to be expected from someone whose ears are finely attuned to the music from all corners of the globe. A vocal quality, even in his instrumental work, can strike us as a prominent feature of his music. Exuberant and intelligent, this vocal dimension plays with a refined art of accentuations in all its intermediate degrees. We know him now increasingly interested in cantata and opera: at its core, Bianchi's music continues to be guided by the challenge of dramaturgical and formal issues. The unexpected contrasts between voluble virtuosity and contemplative stasis are the driving force of his flair for dramatic gesture. His music is joyfully violent in breath and in song but may suddenly come to rest in prayer, via a specific harmony, as though struck by the noonday light.
Commissioned by the Aix-en-Provence Festival and Théâtre & Musique, his first opera, Thanks to My Eyes, libretto and direction by Joël Pommerat, received critical acclaim by audiences and critics alike (A masterly portrait of Melancholy, Le Monde, July 7, 2011). His music has been performed by outstanding ensembles and orchestras such as Orchestre Philharmonique de Radio France, Deutsche Symphonie Orchester, Ensemble Modern, Klangforum Wien, JACK quartet, Les Percussions de Strasbourg, Ictus, Quatuor Diotima, Ensemble Remix, Nieuw Ensemble, Ensemble l'Itineraire, Ensemble Contrechamps, International Contemporary Ensemble, Alarm Will Sound, David Grimal, Kammerensemble für neue Musik Berlin, Phoenix Ensemble, Collegium Novum Zürich, Drumming Grupo de Percussão from Porto, Ensemble Laboratorium, Osterreichiches Ensemble für neue Musik, Sound'arte.
Upcoming projects include new works for the Gewandhaus in Leipzig and Maestro Riccardo Chailly, The Bavarian Radio Symphony Orchestra, Ensemble Modern, Hebbel am Ufer and Neuevocalsolisten Stuttgart. A monographic CD will be released in 2013 while an extraordinary recording of his cantata MATRA has been just released under the label Cypres.
The works of Oscar Bianchi have been performed throughout Europe and the Americas in prestigious venues such as Alice Tully Hall (Lincoln Center); Merkin Hall, New York; Luzern Festival; Muziekgebouw, Amsterdam; Venice Biennale; Musica Festival in Strasbourg; Warsaw Autumn Festival; Ultrashall, Berlin; Eclat, Stuttgart; Gasteig, Munich; Ars Musica, Bozar, Brussels; Archipel, Geneva; Tages für Neue Musik, Zürich; IRCAM Centre-Pompidou, Paris; Abbaye du Royaumont; DRS; RSR; RSI; RAI; France Culture; RFI; TFI; France Inter; RTBF; ORT; SWR; Deutschland Kultur, RBB, the Tchaikowsky Conservatory, Moscow; the University of Witwatersrand, Johannesburg; Kulturhuset, Stockholm; Sonora Festival, Cologne; OggiMusica, Lugano; Musica è Realtà, Milan; Nuove sincronie, Milan; Milan Conservatory; Teatro Comunale di Bologna, Nuova Consonanza, Rome; CEMAT, Rome.
Oscar Bianchi was a guest of the DAAD Kunstlerprogramm Berlin, Pro-Helvetia in Warsaw and Johannesburg and the Atlantic Center for the Arts in Florida. He has been awarded numerous prizes, such as the Gaudeamus first Prize, the Dussurget Prize, the Asm-Stv Prize, the Aargauer Kuratorium fellowship and the Ictus fellowship.

This extended biography is to be reproduced without any changes, omissions or additions, unless expressly authorized by the artist management.

(Transl.: English source text left uncorrected.)


Liste des oeuvres
Explosion Implosion (1999)

Instrumentation: für Solo-Klavier

Durée: 5' 30"
Manuscrit
Involve (2000)

Instrumentation: für Tonbandgerät

Durée: 4' 45"
Manuscrit
Estensione di forma (2000)

Instrumentation: für Klavier und Violine

Durée: 4' 20"
Manuscrit
Pictures of an Explosion (2000)

Instrumentation: für gemischtes Ensemble (Kla, Fg, Trp, Pos, E-Git, E-B, E-Keyb, Schlgz, Hf)

Durée: 8' 00"
Manuscrit
Concordia discors (2001)

Instrumentation: für Trio (Klav, Vn, Vcl)

Manuscrit
Sibilla (2001)

Instrumentation: für elektrische und akustische Violine (3 Fl, 2 Kl, Fag, Trp, Pos, H, Pk, 2 Schlgz, Klav) und live Elektronik

Manuscrit
De rerum natura (2001)

Instrumentation: für Flöte und Violine

Durée: 12' 00"
Manuscrit
QBA (2002)

Instrumentation: für Solo Schlagzeug

Manuscrit
Sussurro... forse sussulto (2002)
Kurzes Stück

Instrumentation: für Stimme und Orchester

Manuscrit
I due cardini (2002)

Instrumentation: für Klavier und grosses Ensemble

Manuscrit
Esegesi del ricordo (2003)

Instrumentation: für Ensemble (Sax, Kor, Pos, Schlgz, Klav, Akk)

Durée: 13' 00"
Manuscrit
Primordia rerum (2003)

Instrumentation: für Sopran und fünf Instrumente (Fl, Kl, Klav., Vl, Vc)

Texte: Oscar Bianchi, Lucrezio

Durée: 12' 00"
Manuscrit
Crepuscolo (2003-2004)

Instrumentation: für Paetzold Flöten (Kb in F) und Elektronik

Durée: 12' 00"
Manuscrit
Alba (2004)

Instrumentation: für Ensemble (Fl, Kl, Trp, Schlgz, E-Git, E-B, Klav, Synth, Vl, Br, Vc)

Durée: 12' 00"
Manuscrit
Mezzogiorno (2004-2005)

Instrumentation: für Ensemble (Fl, Kl, Trp, Schlgz, E-Git, E-B, Synth, Klav, Vl, Br, Vc) und Elektronik

Durée: 15' 00"
Editions Durand-Salabert-Eschig
5, rue du Helder
F-75009 Paris
Frankreich
www.salabert.fr
AQBA, nel soffio tuo dolce (2005)

Instrumentation: für sechs Perkussionisten

Durée: 17' 00"
Manuscrit
Zaffiro (2005)

Instrumentation: für Ensemble (Bfl, Bar.S, Br, Git)

Durée: 12' 00"
Editions Durand-Salabert-Eschig
5, rue du Helder
F-75009 Paris
Frankreich
www.salabert.fr
Introitus (2005)

Instrumentation: für Chor (8 Stimmen)

Durée: 8' 00"
Manuscrit
Teso ma non nervoso (2006)

Instrumentation: für Ensemble

Durée: 11' 00"
Manuscrit
Preludio (2006)

Instrumentation: für Ensemble

Durée: 3' 00"
Manuscrit
The Salvador Dali Secret Chord Progression (2006)

Instrumentation: für Schlagzeug-Ensemble

Durée: 14' 00"
Manuscrit
Matra (2006-2007)
Cantata

Instrumentation: für Vokal-Ensemble, Instrumental-Ensemble, Trio Concertante und Elektronik

Durée: 60' 00"
Manuscrit
Stone Rhapsody (2007-2008)

Instrumentation: für elektrische Gitarre, zwei Klaviere, zwei Schlagzeuge

Durée: 19' 00"
Manuscrit
Trasparente (2007)

Instrumentation: für Ensemble (Fl, Ob, Kl, Schlgz, Klav, Vl, Br, Vc, Kb)

Durée: 9' 00"
Manuscrit
Trasparente II (2007-2008)

Instrumentation: für Ensemble (Fl, Kl, H, Trp, Schlgz, Hf, Klav, Vl, Br, Vc)

Durée: 11' 00"
Editions Durand-Salabert-Eschig
5, rue du Helder
F-75009 Paris
Frankreich
www.salabert.fr
Anahata Concerto (2008)

Instrumentation: für sechzehn Instrumente

Durée: 23' 00"
Manuscrit
Vishudda Concerto (2008-2009)

Instrumentation: für neunzehn Instrumente

Durée: 23' 00"
Manuscrit
Semplice (2009-2010)

Instrumentation: für Violine

Durée: 8' 00"
Manuscrit
Ajna Prelude (2009-2010)

Instrumentation: für Orchester

Durée: 6' 00"
Editions Durand-Salabert-Eschig
5, rue du Helder
F-75009 Paris
Frankreich
www.salabert.fr
Gr... (2010)

Instrumentation: für Bassflöte

Durée: 7' 00"
Editions Durand-Salabert-Eschig
5, rue du Helder
F-75009 Paris
Frankreich
www.salabert.fr
Thanks to my Eyes (2010-2011)
Oper in einem Akt

Texte: Joël Pommerat

Durée: 75' 00"
Editions Durand-Salabert-Eschig
5, rue du Helder
F-75009 Paris
Frankreich
www.salabert.fr
Adesso (2011)
Streichquartett Nr. 1

Durée: 20' 00"
Editions Durand-Salabert-Eschig
5, rue du Helder
F-75009 Paris
Frankreich
www.salabert.fr
Ante litteram (2011-2012)

Instrumentation: für 6 Stimmen und Bassklarinette

Durée: 18' 00"
Manuscrit
Sinfonia Concertante (2011-2013)

Instrumentation: für Soli und Orchester

Durée: 20' 00"
Manuscrit
Lullaby (2012)

Instrumentation: für sechs Musiker

Durée: 5' 00"
Manuscrit
The Infinite Jest (2012)

Instrumentation: für Sopran, Tänzer und Schauspielerin

Konzept, Inszenierung, Musik, Choreographie: Oscar Bianchi / Constanza Macras.
Texte: Ausschnitte aus "Infinite Jest" von David Foster Wallace.

Durée: 45' 00"
Manuscrit
Sotto vuoto (2012)

Instrumentation: für Stimme und Schlagzeug

Durée: 3' 00"
Manuscrit
New Work (2012-2013)

Instrumentation: für 2 Stimmen und Dudelsack

Durée: 10' 00"
Manuscrit
Discographie
Oscar Bianchi (Musiques Suisses Nr. MGB CTS-M 138, 2013)
Interprètes:
Gubler, Rico
Scheidegger, Mats
Œuvres:
Bianchi, Oscar: Gr... (2010)
Bianchi, Oscar: Primordia rerum (2003)
Bianchi, Oscar: Crepuscolo (2003-2004)
Bianchi, Oscar: Zaffiro (2005)
Bianchi, Oscar: Matra (2006-2007)
Bianchi, Oscar: Anahata Concerto (2008)
Bianchi, Oscar: Thanks to my Eyes (2010-2011)
Info: www.fonoteca.ch


Dernière mise à jour: 2020-10-06 16:48:10